Tag Archives: National Lampoons Vacation

Planes, Trains and Automobiles

 

Continuing the trend of quotable movies this week is the ultimate…Planes, Trains and Automobiles (1987) starring Steve Martin and John Candy and written and directed by John Hughes. This would have to be one of John Hughes best movies, for me. John Hughes, in an interview on the ‘Those Aren’t Pillows’ DVD edition, said he was inspired to write the film’s story after an actual flight from New York to Chicago he was on was diverted to Wichita Kansas, thus taking him 5 days to get home. John Hughes wrote the first-draft of the screenplay in 3 days. His average writing time for a screenplay in those days was about 3-5 days with 20-some rewrites.steve-martin-planes

Upon receiving the script through his agent, Steve Martin was surprised to discover the script’s 145 page length, with a comedy typically aiming for 90 pages. When Martin met with John Hughes, he asked if the director had any intention of cutting the script. According to Martin, Hughes looked at Martin strangely and said “Cutting?”, making Martin realize the director had no intention of cutting the script. Steve Martin was convinced to join the production after favoring two scenes he had read from the script; the seat adjustment-scene in the car, and the F-word tirade at the car rental desk.steve-martin-trains

The film was also, reportedly, a favorite of John Candy’s. Interestingly, the car in the film that Steve and John drive was modeled after the Wagon Queen Family Truckster from National Lampoon’s Vacation (1983), which John Hughes wrote 4 years earlier and which also stars John Candy as the security guard at Wallyworld.

Here’s some really great dialogue from the movie:

Neal: Del… Why did you kiss my ear?
Del: Why are you holding my hand?
Neal: [frowns] Where’s your other hand?
Del: Between two pillows…
Neal: Those aren’t pillows!
[they both leap out of bed, screaming and shaking their hands in disgust]those-arent-pillows

or

Neal: You know everything is not an anecdote. You have to discriminate. You choose things that are funny or mildly amusing or interesting. You’re a miracle! Your stories have NONE of that. They’re not even amusing ACCIDENTALLY! “Honey, I’d like you to meet Del Griffith, he’s got some amusing anecodotes for you. Oh and here’s a gun so you can blow your brains out. You’ll thank me for it.” I could tolerate any insurance seminar. For days I could sit there and listen to them go on and on with a big smile on my face. They’d say, “How can you stand it?” I’d say, “‘Cause I’ve been with Del Griffith. I can take ANYTHING.” You know what they’d say? They’d say, “I know what you mean. The shower curtain ring guy. Woah.” It’s like going on a date with a Chatty Cathy doll. I expect you have a little string on your chest, you know, that I pull out and have to snap back. Except I wouldn’t pull it out and snap it back – you would. Agh! Agh! Agh! Agh! And by the way, you know, when you’re telling these little stories? Here’s a good idea – have a POINT. It makes it SO much more interesting for the listener!

orpta-airport

Del: You play with your balls a lot.
Neal: I do NOT play with my balls.
Del: Larry Bird doesn’t do as much ball-handling in one night as you do in an hour!
Neal: Are you trying to start a fight?
Del: No. I’m simply stating a fact. That’s all. You fidget with your nuts a lot.
Neal: You know what’d make me happy?
Del: Another couple of balls, and an extra set of fingers?

or

Del: Simple. There’s no way on earth we’re going to get out of here tonight. We’d have more luck playing pickup sticks with our butt-cheeks than we will getting a flight out of here before daybreak.

Classic…just classic…thanksgiving