Tag Archives: Burt Reynolds

1934, 1963, 1973, 1977, 1980, 1981, 1987, 1988, 1994, 1995, 1996, 2000, 2004, 2006, Comedy, Forgotten Films

Top 15 Comedy Road Trip Movies

May 29, 2018 Donovan Montierth Leave a comment

Road Trip movies are some of the most unexpected gems over the past decades, as they usually sneak up on you–but they are definitely at the top of my list as some of the greatest comedies of all time. Here’s my list for the top 15:

15 – Oh Brother Where Art Thou (2000)

A Coen Brother’s classic, you probably wouldn’t think about this being a road movie…but it is. It’s also based on, arguably the biggest literary road trip…Homer’s The Odyssey! Although Homer is given a co-writing credit on the film, Joel Coen and Ethan Coen claim never to have read “The Odyssey” and are familiar with it only through cultural osmosis and film adaptations. The title of this movie didn’t come from the book at all, but rather another movie. “O Brother Where Art Thou?” comes from the title of the movie-within-a-movie in Preston Sturges’ Sullivan’s Travels (1941). John Turturro has called this movie “a hillbilly musical comedy adventure.”

14 – Sideways (2004)

You would probably be surprised to find out that Paul Giamatti and Thomas Haden Church had to audition for their roles in the film. You’d be even more surprised to find out that for the scene that Thomas Haden Church read for during the audition, it called for the actor to strip naked, which he did and was later surprised to find out that out of all the actors who auditioned for the same part with the same scene…he was the ONLY one to strip naked. And it got him the role. George Clooney campaigned for the part of Jack, but Alexander Payne thought Clooney was too big a star. However, Clooney got to play the lead in Payne’s next full feature, The Descendants (2011). Paul Giamatti admitted to faking every bit of wine knowledge, and not understanding why anybody would care about it. He also claims he was shocked that he was cast in a lead role and initially thought it was a practical joke. Paul Giamatti admitted in interviews that he doesn’t like wine.

13 – Kingpin (1996)

The Farrelly brothers bowled a strike with this one. It came out the same year as the Big Lebowski and I have to admit liking this one just a touch better. As is the case with most of his films, Bill Murray ad-libbed virtually every line he spoke. He would read over the script, get the “general” idea, and then discard it. The Farrelly brothers, on the DVD commentary, said that they’re very glad he did because it was funnier. Turned out, Bill was also a very good bowler. Bill Murray really bowled three strikes in a row in the scene where his character, Ernie McCracken does the same. The crowd’s reaction is genuine and is actually for Murray. Woody Harrelson, on the other hand, was a terrible bowler and according to the Farrelly brothers maybe got one or two strikes throughout the filming.

12 – Little Miss Sunshine (2006)

Steve Carell, at the time he was cast for Little Miss Sunshine (2006), was a relative unknown in Hollywood. According to an article in Entertainment Weekly, the producers of the film worried that he wasn’t a big enough star and didn’t have much acting experience. However, between the time the film was shot in the summer of 2005 and its release in the summer of 2006, Carell became a huge success as the star of the high-grossing film The 40-Year-Old Virgin (2005) in August 2005 and the leading character of the popular NBC Emmy-winning television series The Office (2005), which premiered in March 2005 and for which Carell won a Golden Globe in 2006 for best lead actor in a comedy television series. In the span of just one year, Carell had become such a star that the producers had gone from protesting his casting to tapping him to do prominent promotion for the film. Bill Murray was the original choice to play Frank. The second choice was Robin Williams. Thomas Haden Church turned down the role of Richard Hoover, a decision he said he later regretted.

11 – It’s a Mad Mad Mad Mad World (1963)

Stanley Kramer, who was known for doing serious films like Inherit the Wind (1960) and Judgment at Nuremberg (1961), set out to make this the ultimate comedy film. It became well known that Stanley Kramer was casting nearly every comedy performer he could think of. Some famous stars actually contacted Kramer to volunteer for the project, or to inquire as to why they had not been contacted. When this film was made there were about 100 stunt performers in the US. About 80 of them worked on this film. When the cast first assembled for a meeting with director Stanley Kramer, they were shown the stunts and second unit footage that had already been shot. Buddy Hackett was so impressed that he went to Kramer and asked, “What do you need US for?”

The film was so crammed with action that each leading actor was given two scripts: one for the dialogue and one for physical comedy. For one particular stunt, a billboard that the twin-engine Beechcraft flies through was made of thin balsa wood, except for a thicker frame for support. Stunt pilot Frank Tallman had to fly the aircraft directly through the center of the billboard or the thicker frame would shear off a wing. The billboard was located in Irvine, at what is now the intersection of Interstate 405 and Hwy. 133 (Laguna Canyon), near Lion Country Safari, just east of John Wayne Airport. They had practiced with paper signs but used balsa wood for the actual movie stunt. The wood stopped one engine and the other was sputtering enough that the plane barely made it back to John Wayne Airport.

10 – Midnight Run (1988)

The boxcar scene where Jack Walsh (Robert De Niro) and John Mardukas (Charles Grodin) discuss whether or not they could ever be friends, was almost entirely improvised on-set. As regards Grodin’s famous, “You ever had sex with an animal, Jack?” line, he was told by Director Martin Brest to come up with something that was guaranteed to make even Robert De Niro laugh. The scene where John Mardukas (Charles Grodin) falls off a cliff was shot in the Salt River Canyon in eastern Arizona. However, the conclusion of the scene, the shots of Mardukas and Jack Walsh (Robert De Niro) crashing through the river rapids, was shot in New Zealand, because the water was too cold in Arizona. I have to pause here…too cold. In Arizona.

9 – Paper Moon (1973)

I talk about this movie in a post about Madeline Kahn, you can read it here: KAHN Ryan O’Neal and daughter Tatum O’Neal are both excellent as well as Madeline Kahn, in this. Tatum O’Neal was 10 years old when she won the Academy Award for Best Supporting Actress for her performance in this movie, making her the youngest person ever to win an Oscar in a competitive category. As of 2018, she still holds this record. She was four years younger than her rival nominee, Linda Blair, in The Exorcist (1973). Some Hollywood insiders suspected that Tatum O’Neal’s performance was “manufactured” by Peter Bogdanovich. It was revealed that the director had gone to great lengths, sometimes requiring as many as fifty takes of some of her scenes, in order to capture the “effortless” natural quality for which Tatum was critically praised. Either way, Bogdanovich maintained later that working with the young actress was “one of the most miserable experiences” of his life.

Prior to finalizing casting, Peter Bogdanovich says he met with Ryan O’Neal and Tatum O’Neal at their Malibu home. When Ryan invited Bogdanovich to start an exercise regimen of running on the beach, Tatum countered he wasn’t the type. When she explained to Bogdanovich she said that because he wouldn’t take his shoes or shirt off, he told Ryan, “She’ll do.” Peter Bogdanovich didn’t think the movie would make much money or would be very successful. He certainly didn’t think Tatum O’Neal would win the Oscar. The film spawned an unsuccessful TV series Paper Moon (1974) starring Jodie Foster.

8 – Cannonball Run (1981)

I talk about Cannonball run at length at a post you can read HERE. In one of the earlier scenes in the movie, J.J. McClure (Burt Reynolds) said “Could get a black Trans Am”, and then answers himself, “Naw, that’s been done.” This is a reference to Smokey and the Bandit (1977) and Smokey and the Bandit II (1980), which starred Reynolds, and was directed by Hal Needham, who directed this film. DeLuise co-starred with Reynolds in Smokey and the Bandit II (1980).

7 – The Adventures of Priscilla, Queen of the Desert (1994)

According to director Stephan Elliott, he took the three leads out in drag prior to the beginning of filming. None of them were recognized: Guy Pearce took the opportunity to be outrageously rude, Terence Stamp eventually forgot he was in drag and started hitting on girls, and Hugo Weaving got super-drunk and lay under a table for hours, tapping his finger in time to the music. This last detail was incorporated into the film in the hotel room scene.

6 – Dumb and Dumber (1994)

Harry and Lloyd are named after the (silent) comedy star Harold Lloyd. The feature film debut for Peter Farrelly and Bobby Farrelly. They said years later that the main reason they got the job was that Jim Carrey’s breakthrough film role in Ace Ventura: Pet Detective (1994) had been directed by someone who had never done a feature film before (Tom Shadyac) and after a positive first meeting with the Farrellys, Carrey decided to give them the job in hopes of replicating that success. According to the Farrelly brothers, Jeff Daniels wasn’t wanted for the film, but Jim Carrey wanted him in it. In order to ensure a no from him, they offered Daniels $50,000 for the role. He accepted without any hesitation nor did he attempt to negotiate, despite insistence from his agent the film would “kill his career.” By 1994, the film was Daniels’ most successful.

5 – It Happened One Night (1934)It Happened One Night (1934) became the first film to perform a “clean sweep” of the top five Academy Award categories, known as the Oscar “grand slam”: Best Picture, Best Director, Best Actor, Best Actress, and Best Screenplay. This feat would later be duplicated by One Flew Over the Cuckoo’s Nest (1975) in 1976 and The Silence of the Lambs (1991) in 1992. However, It Happened One Night is the only one not nominated in any other category. According to Frank Capra in an interview with Richard Schickel for “The Men Who Made the Movies”, “We made the picture really quickly–four weeks. We stumbled through it, we laughed our way through it. And this goes to show you how much luck and timing and being in the right place at the right time means in show business; how sometimes no preparation at all is better than all the preparation in the world, and sometimes you need great preparation, but you can never out-guess this thing called creativity. It happens in the strangest places and under the strangest of circumstances. I didn’t care much for the picture, ] it turned out to be ‘It Happened One Night’.” Is often credited as the very first screwball comedy.

4 – Tommy Boy (1995)Rob Lowe played the supporting role of Tommy’s stepbrother and is uncredited. The reason for this is because Rob was contractually obligated to Stephen King’s The Stand (1994) at the time, so he took the part simply as a favor for friend Chris Farley. According to David Spade, he and Chris Farley got into a physical altercation on the set. Spade had gone out for a drink with Rob Lowe the night before. Farley had become very jealous and angrily repeated: “How’s Rob Lowe?”. David got so fed up with Chris hounding him on the subject that he threw his Diet Coke on him, to which Chris responded by throwing David into a wall and down the stairs. After the fight, Spade walked off the set and refused to continue filming. The pair would sometimes go for hours without talking to each other, talk to each other through the director, etc.

3 – The Blues Brothers (1980)During filming one of the night scenes, John Belushi disappeared and could not be located. Dan Aykroyd looked around and saw a single house with its lights on. He went to the house and was prepared to identify himself, the movie, and that they were looking for Belushi. Before he could, the homeowner looked at him, smiled and said, “You’re here for John Belushi, aren’t you?” The homeowner then told them Belushi had entered their house, asked if he could have a glass of milk and a sandwich, and then crashed on their couch. Situations like this prompted Aykroyd to affectionately dub Belushi as “America’s Guest”. John Candy orders three orange whips. This line was not scripted; Candy just improvised. While also a cocktail, Orange Whip provided refreshments for the crew, and Costumer Sue Dugan was daughter of the Director of Sales for Orange Whip, Kenny Dugan, who asked the brand be mentioned in the film.

2 – Smokey and the Bandit (1977)A majority of the lines and quotes spoken by Jackie Gleason character, Sheriff Buford T. Justice were improvised. Jackie Gleason reportedly modeled his character, Sheriff Buford T. Justice, after Burt Reynolds’ description of his father, a Florida police officer and Chief of Police. Among the character traits that came from this was the use of “sumbitch”, a colloquial pronunciation of “son of a bitch”. Jackie Gleason said the cafe scene with himself and Burt Reynolds was not in the original story, it was Gleason’s idea. Adding the Junior Justice character was Jackie Gleason’s idea. “I can’t be in the car alone,” Gleason said. “Put someone in there with me to play off of.”

Hal Needham was better known in the film industry as a stuntman and had great difficulty in getting any producers interested in this project. Only when his close friend Burt Reynolds agreed to star in the film did he manage to gain studio attention. Hal Needham asked Jerry Reed to write a theme song for the film. A couple of hours later, Reed presented “East Bound and Down” to Needham. With an acoustic guitar, Reed started to play it and Needham immediately stopped him. Thinking Needham didn’t like it, Reed offered to re-write the song. To which Needham replied: “If you change one note, I’ll kill you!” The song went on to become one of Reed’s biggest hits.

1 – Planes, Trains & Automobiles (1987)John Hughes, in an interview on the “Those Aren’t Pillows” DVD, said he was inspired to write the film’s story after an actual flight from New York to Chicago he was on, was diverted to Wichita, Kansas, thus taking him five days to get home. John Hughes wrote the first draft of the screenplay in three days. His average writing time for a screenplay in those days was about three to five days with twenty-some re-writes. Steve Martin was convinced to join the production after favoring two scenes he had read from the script; the seat adjustment-scene in the car, and the F-word tirade at the car rental desk. John Candy and Steve Martin’s favorite film that they have made. Although John Hughes was in a bad mood throughout the filming, as his life was falling apart, John Candy and Steve Martin had a great time together during production.

1972, 1973, 1974, 1975, 1978, 1985, 1996, Comedy, Forgotten Films

Madeline Kahn, Comedienne

December 9, 2016 Donovan Montierth Leave a comment

Madeline Kahn’s first role was as the dowdy fiancee to Ryan O’Neal’s professor in Peter Bogdanovich’s What’s Up, Doc? and she steals the movie right out from under him and the film’s star Barbra Steisand. In defense of Barbra, she has stated in interviews that she didn’t get the comedy…but it’s obvious that Madeline did, because she nailed it. I talk about that film here. It’s no surprise that she would become a star in her own right and a permanent fixture over the next 20 years with the biggest comedy filmmakers, like Mel Brooks, Gene Wilder, Burt Reynolds and Neil Simon.

Her next follow-up film was again for Peter Bogdanovich and Ryan O’Neal in Paper Moon. She would go up for an Oscar nomination, but in that film, 9 year old, Tatum O’Neal, Ryan’s real-life daughter steals the show and walks away with the Academy Award, to boot. Madeline is good as always. She soon found more comedians to work with when she did Blazing Saddles the very next year with Mel Brooks and Gene Wilder. They really loved her and would spent the next ten years casting her in Young Frankenstein, The Adventures of Sherlock Holmes Smarter Brother, High Anxiety, and History of the World, Part 1.

Burt Reynolds would work with her the year after that for the first time in Peter Bogdanovich’s At Long Last Love, which was a musical. It played to Madeline’s strengths as she was an Operatically trained singer. The film failed at the box office, however, I believe because no one wanted to see Burt sing, although he does it well. She would work again with Burt in City Heat along with Clint Eastwood. Neil Simon would work with her for the first time in 1978 in The Cheap Detective, with Peter Falk. Madeline Kahn’s Mrs. Montenegro character is a spoof of Mary Astor’s Brigid O’Shaughnessy in The Maltese Falcon. She would do another Neil Simon years later for London Suite in 1996. The third of Neil Simon’s “Suite” movies, the others being Plaza Suite (1971) (remade as Plaza Suite (1987)) and California Suite (1978). It’s the fourth made of Simon’s “Suite” movies counting the TV remake.

Now all of these films of hers are worth watching, but my favorite of hers is the movie Clue, which came out in 1985. If you haven’t seen this movie based on the board game, it’s fantastic. The cast is amazing and was given some leeway in improvising some of their dialogue. An example of this is Madeline Kahn’s improvising of “flames, flames…” which is just brilliant. It’s been said that the cast of great comedians loved working together on that film and it’s no wonder that Madeline is a favorite of everyones. Many directors, writers, actors and filmmakers would recast her time and time again. She was that good. She’s definitely missed.

1981, Comedy, Forgotten Films, Stunts

Cannonball Run is Just Plain Fun

August 1, 2016 Donovan Montierth Leave a comment

So I realized something over the weekend. I examined the topics mentioned the most in this blog and number 1 was a surprise…as I seemed to write about Burt Reynolds more than any other topic! So, here’s another blog about him…

If you haven’t seen the film Cannonball Run (1981), now’s the time to do so…it’s just great fun. The original Cannonball Run race was conceived by car magazine writer and auto racer Brock Yates and fellow Car and Driver editor Steve Smith in the early 1970’s. Cannonball Run, was an unofficial, unsanctioned automobile race run five times in the 1970s from New York City and Darien, Connecticut, on the U.S. Atlantic coast, to the Portofino Inn in Redondo Beach, California. Brock Yates participated as a driver in all 5 races and began working on a screenplay, to be titled Coast to Coast, but was scooped by two unofficial films in 1976, Cannonball and The Gumball Rally, (both are not that good). Eventually, an “official” Cannonball Run movie was made — The Cannonball Run — starring a slew of great actors including Burt Reynolds and Dom DeLuise with Yates in a cameo appearance.

Director and veteran stuntman / stunt coordinator Hal Needham joined Brock Yates in one of the races, in fact, the ambulance used in the movie is the actual ambulance that Hal Needham and Brock Yates souped up and raced in the real race. It had been modified with a HEMI engine that made it go up to 145 mph and was equipped with four gas filler holes so that the required 90 gallons could be pumped quickly. Needham and Yates didn’t actually win the race (the transmission blew in Palm Springs) so Needham kept it in storage for several years until the time came to make this film.

The other actors on board for this comedy was Roger Moore, Farrah Fawcet, Jackie Chan, Adrienne Barbeau, Terry Bradshaw, Jack Elam, Dean Martin, Sammy Davis Jr., Bert Convey, Jamie Farr, and Mel Tillis. Director Hal Needham and producer Albert S. Ruddy liked the chemistry of Terry Bradshaw and Mel Tillis so much that after this film they tried to sell a pilot to ABC featuring their characters. The head of the network loved the idea but the day before the meeting was to be held to discuss it, the head of the network was fired and the project was canceled. I write about that in another blog (click here to read it)…

In one of the earlier scenes in the movie, Burt Reynolds’s character says “Could get a black Trans Am”, and then answers himself, “Naw, that’s been done.” This is a reference to Smokey and the Bandit (1977) which starred Reynolds, and was directed by Hal Needham, who directed this film. DeLuise co-starred with Reynolds in the 1980 sequel, Smokey and the Bandit II (1980). Jackie Chan makes one of his first US film appearances. Inspired by Hal Needham’s notion of including bloopers during the closing credits, Chan begins a tradition of doing the same in most of his movies from this point onward.

1960, 1961, 1962, 1963, 1964, 1965, 1966, 1967, 1968, 1969, Forgotten Films

Top 15 Heist Movies of the 60’s

July 8, 2016 Donovan Montierth Leave a comment

The 1960’s seemed to break out with a whole bunch of fantastic Heist Films. Several of them from this decade have been remade into some great films in their own right. It’s always fun to watch a bunch of crooks fail or succeed at these heists and so I guess that’s why they keep making these kinds of films. I’m very thankful that they do. Here’s my favorite top 15 heist films of the 1960’s:

15. Kaleidoscope (1966)

Warren Beatty breaks into the Kaleidoscope company’s manufacturing plant to mark all of their cards set to be delivered to a whole bunch of casinos. This puts card-cheating on a whole new level. The film was released 1 year before Bonnie and Clyde (1967), which made him an International star. Technically, that film could be considered a “heist” film as well, but to me it doesn’t have the traditional sneak factor. If you go in and rob a place with a gun, it is a heist, but the good heist type films all have a con going on or intricate plot of people sneaking around. I also love it when my heist films have a bit of romance going on. This one is a bit of a romantic comedy and I definitely think it benefits from it. Jack Smight directed this. He directed a lot of tight thrillers in his time.

14. Fitzwilly (1967)

Faithful butler, Dick Van Dyke, leads an elaborate criminal enterprise to keep their beloved Miss Vicki from realizing that she is flat broke! It’s the first half of the storyline that appears later in Disney’s Candleshoe (1977)(only that one has a treasure hunt to boot!). This one has a little romance as well when Barbara Feldon is hired to help Miss Vicki write a dictionary. She slowly learns what Dick Van Dyke and crew is up to and threatens to break the whole thing apart until she falls in love with him. Delbert Mann directed this and a lot of great romantic comedies besides this one.

13. Seven Thieves (1960)

Henry Hathaway directed this great cast of Edward G. Robinson, Rod Steiger, Joan Collins, Sebastian Cabot and Eli Wallach about a planned heist on a Monte Carlo Casino. A truly classic film director, he would direct some of the finest films over a 30 year period. The most frequent actor that appears on this list, just happens to be Edward G. Robinson. This just happens to be the first of three. He is viewed as the ultimate mastermind behind these heists, so I wonder if that ever hurt his feelings that people saw him as the best crime plotter.

12. Grand Slam (1967)

Edward G. Robinson leads the heist on his second entry as well and recruits a group of men this time to break into a diamond company to steal 10 million dollars in diamonds! Directed by Italian director Giuliano Montaldo and starring Janet Leigh as the only woman in a cast full of guys…oh, wait, I see a pattern here. This is the decade where heist films got their formula and it’s a formula that is used even today when you look at the heist films of the last 10 years.

11. Topkapi (1964)

Now the grand-daddy of all heists is said to have been a very low budget french film named…Rififi (1955), directed by Jules Dassin. That movie put him on the map and gave us the decade that followed, full of heist films. He also films another heist with this entry, Topkapi, about a conman, who gets mixed up with a group of thieves who plan to rob an Istanbul museum to retrieve a jeweled dagger. Cited by Mission: Impossible (1966) TV series creator Bruce Geller as the inspiration for his own series. It’s also one of director Christopher Nolan’s favorite movies, who would go on to direct an ultimate heist movie of his own, Inception (2010). It’s also interesting to note, Jules Dassin originally planned to cast Peter Sellers as Arthur Simpson, but Sellers later dropped out, to be replaced by Peter Ustinov, whom Sellers had, in turn, replaced in The Pink Panther(1963) as Inspector Clouseau.

10. Ocean’s Eleven (1960)

I actually liked the remake, Ocean’s Eleven (2001) with George Clooney, Brad Pitt, Matt Damon and Julia Roberts a little bit more than this original, but it’s good too. Directed by Lewis Milestone and starring Frank Sinatra, Dean Martin, Sammy Davis Jr. and Angie Dickinson, it’s about Danny Ocean, who gathers a group of his World War II compatriots to pull off the ultimate Las Vegas heist. Together the eleven friends plan to rob five Las Vegas casinos in one night.

9. Thomas Crown Affair (1968)

Another one where I liked the Thomas Crown Affair (1999) remake better than the original. Pierce Brosnan and Rene Russo and that fantastic elaborate heist sequence at the end is just awesome. I still like the original which is about a debonair, adventuresome bank executive who believes he has pulled off the perfect multi-million dollar heist, only to match wits with a sexy insurance investigator who will do anything to get her man. Steve McQueen and Faye Dunaway act in this Norman Jewison film. An added bonus is that Faye Dunaway appears in both films. One of the coolest aspects of the film is its split screen opening sequence. While some claim that this is an example of style over content, the real reason the split screen was adopted was because editor Hal Ashby was tasked with reducing the running time of the opening.

8. Italian Job (1969)

Now this one I liked the original better than the Italian Job (2003), but I liked that one a lot too. It had a better cast with Donald Sutherland, Mark Wahlberg, Edward Norton, Charlize Theron, and Jason Statham. The original had Michael Caine, Noel Coward and Benny Hill! This is a Comic caper movie about a plan to steal a gold shipment from the streets of Turin by creating a traffic jam. Directed by Peter Collinson. According to Michael Caine, the film did not perform well at the US box-office due to a misleading advertising campaign. The US poster featured a scantily clad woman with a map on her back kneeling in front of a Mafioso holding a machine gun. While promoting the film in the US, Caine saw the poster and became so upset that he immediately flew home to England. In a 2003 UK movie survey, Charlie Croker’s (Michael Caine) line, “You’re only supposed to blow the bloody doors off!” was voted the most memorable line in any film.

7. Goldfinger (1964)

Yes, I would consider this a heist movie as spies all sneak around and break into places all the time and also the main bad guy, Goldfinger himself is scheming to break into Fort Knox…the ultimate heist. Directed by James Bond favorite, Guy Hamilton and starring Sean Connery, it’s a great entry for the series. Steven Spielberg cites this as his personal favorite of all the Bond movies and even owns an Aston Martin DB5 due to the impact Goldfinger had on him. Due to the popularity and success of this movie and its spy car the Aston Martin DB5, the vehicle gained the nickname, “The Most Famous Car in the World”. Sales of the Aston Martin DB5 increased by fifty per cent after the release of the movie. The Bond movie The Spy Who Loved Me (1977) featured the Lotus Esprit and sales would also increase for that car after the movie premiered.

6. Never a Dull Moment (1968)

Edward G. Robinson leads another heist! This time in this fantastic comedy starring one of my favorite actors…Dick Van Dyke. It’s directed by Dick’s next door neighbor on The Dick Van Dyke Show, Jerry Paris! My brother and I LOVE this movie. When practicing for a role, actor Jack is mistaken for the killer Ace. He doesn’t realize this until it’s too late and is carried off to gangster boss Leo Smooth, who wants Ace to do a job for him. Fearing for his life, Jack plays his role, but always searching for a way out of the well-guarded house. This one has a lot of great character actors along for the ride like Henry Silva, Jack Elam and Slim Pickens.

5. Gambit (1966)

This one also had a recent remake done, but let’s just keep to the good stuff, why don’t we. Michael Caine and Shirley MacLaine and Herbert Lom…shine in this one. Directed by Ronald Neame, this one is about an English cat burglar, who needs a Eurasian dancer’s help to pull off the perfect heist, but even the most foolproof schemes have a way of backfiring. The first draft of the screenplay was written by Bryan Forbes in 1960, when the story was designed as a vehicle for Cary Grant. He eventually dropped out of the project, which subsequently underwent many changes. It was eventually decided to make the girl the central character and Shirley Maclaine was signed for the lead. After seeing The Ipcress File, she suggested Michael Caine as her leading man, which led to still more rewriting to accommodate his working-class cockney persona.

4. Sam Whiskey (1969)

Burt Reynolds, Ossie Davis, Clint Walker and Angie Dickinson are a lot of fun in this film. It’s a comedy directed by Arnold Lavin and is about Sam Whiskey, a civil war gambler, who is offered a job from the attractive widow Laura. She wants him to salvage gold bars, which Laura’s dead husband stole recently, from a sunken ship and secretly bring them back to the mint before they are missed. But how shall he manage to get several hundred pounds of gold into the mint without anyone noticing? Now, I should mention that Angie Dickinson flashes some naughty bits in the beginning of this movie, but if you can bypass that, it’s a very clean and entertaining film.

3. The War Wagon (1967)

John Wayne and Kirk Douglas in a movie together…I’m soooo there. The story of a man who was shot, robbed and imprisoned who returns to steal a large gold shipment from the man who wronged him. The gold is transported in an armored stage coach, the War Wagon. Who wouldn’t want to see this? Directed by Burt Kennedy, who would go on to direct James Garner in Support Your Local Sheriff and Support Your Local Gunfighter, which I also love!

John Wayne, who had lost his entire left lung and several ribs in major surgery for cancer in 1964, had great difficulty breathing on an airplane while flying to the location for the start of filming and had to use an oxygen mask throughout the journey. Kirk Douglas recalled that he hadn’t realized just how fragile Wayne was until this moment. Kirk Douglas and John Wayne had previously starred together in In Harm’s Way (1965) and Cast a Giant Shadow (1966). This film was their third and final teaming. John Wayne was not very fond of the finished film, although he said he felt that Kirk Douglas was very funny as Lomax.

2. How to Steal a Million (1966)

Peter O’Toole and Audrey Hepburn with a little Eli Wallach on the side please. Waa-laa…How to Steal a Million, directed by William Wyler is a romantic comedy about a woman who must steal a statue from a Paris museum to help conceal her father’s art forgeries, and the man who helps her. They are both delightful together but the real genius here is Wyler. Wyler has directed some of the biggest films with Ben Hur, The Best Years of Our Lives, Funny Girl, Roman Holiday, The Children’s Hour and The Desperate Hours. He’s top notch.

1. Pink Panther (1963)

Blake Edwards does it right with this first Pink Panther movie and set the tone for a slew of great films to come. Peter Sellers as Inspector Clouseau is just perfect in every way. Originally intended as a vehicle for David Niven as the cat burglar The Phantom, Peter Sellers quickly started to improv his way through all his scenes and stole the movie right out from under him. The biggest heist of them all, as Peter Sellers would go on to reprise his role 5 more times after this. The character of Sir Charles Lytton does return to the Pink Panther movies in the third film The Return of the Pink Panther (1975). Peter Sellers again portrays the bumbling Clouseau but Christopher Plummer plays the role of Sir Charles in that film. The precious Pink Panther jewel is once again the focus as in the beginning of the film it is stolen. This time from a museum.

I write about the Pink Panther series in another blog post, click here to find out more about it…

1928, 1931, 1940, 1974, 1988, Comedy, Forgotten Films, Success

The Front Page

May 4, 2016 Donovan Montierth Leave a comment

This incredible Broadway play was made into several equally good movies over the years, my favorite being a gender-switch for the main character. It was written in 1928 by Ben Hecht and Charles MacArthur. The first movie to be made was the faithful “The Front Page” (1931) directed by Lewis Milestone and features Pat O’Brien and Adolphe Menjou. It’s very much the play, with a lot of great dialogue and great character actors. It went on to 3 Academy Award nominations.

My favorite one was next and it features one of the most ingenious casting choices of all time when Howard Hawks decided to change the role of Hildebrand Johnson into Hildegard Johnson and cast Rosalind Russell. It was a brilliant move to have the two main characters divorced and sparing. Cary Grant plays the Walter Burns role perfectly and it is my FAVORITE of all of Cary Grant’s performances, in a plethora (Jefe, what is a plethora?) of perfect performances. They also switched the title to “His Girl Friday” (1940).

I should mention that Howard Hawks very much wanted to keep the dialogue like it was in the play where it was fast paced and had a lot of the characters talking over each other. Because of this, Hawks wanted each actor to come up with improvised bits and action for each of their characters. Rosalind Russell, not to be outdone, hired an advertising writer that worked with her brother-in-law to make sure that her “improvisations” were especially witty and Hawks never caught on, but Cary Grant did and every morning would ask her, “What have you got today?”. She was also perfectly cast and has fantastic chemistry with Grant and her fiancee in the film, Ralph Bellamy.

The next version of “The Front Page” (1974) was directed by Billy Wilder and featured the male roles intact again with Walter Matthau and Jack Lemmon paired up. The pairing was so successful that they would go on to do a total of 10 movies together (although they do not have any scenes together in JFK) and were very good friends off camera as well. Jack Lemmon also directed only 1 movie his entire career, and he made sure the star was none other than Walter Matthau. It was “Kotch“. Lemmon would go on to say about Matthau, “Walter is a helluva actor. The best I’ve ever worked with.”.

The last one really worth mentioning and that seems to have been really forgotten over time is the fabulous, “Switching Channels” directed by Ted Kotcheff and it switches the gender roles again with Kathleen Turner playing the Rosalind Russell role. Burt Reynolds plays the Cary Grant role and Christopher Reeve plays the Ralph Bellamy role. This time the setting has been changed as well to be in the world of broadcast news and so a lot of the newspaper men chatter has been completely cut from this version. It really focuses in on the relationships and works well, I think. All the actors are fantastic in their roles.

Now all of the other previous versions were pretty big hits, except this one and it’s a real shame as this is highly under-rated, in my opinion. The failure may have been due to the release of the very popular and critically praised Broadcast News months before. People thought it was too much of the same thing. Burt Reynolds grabbed this film because Cary Grant was a big inspiration to him for years and this finally gave him an opportunity to play a role of his. I think you can really tell in this film that he studied Cary’s performance as it reflects his own. Burt Reynolds and Cary Grant are two actors that I can honestly say, could do any genres as they were equally good at comedy, action, romance and drama over their careers.

LINKS:

THE FRONT PAGE (1931) CLIPS

THE FRONT PAGE (1974) TRAILER

HIS GIRL FRIDAY (1940) TRAILER

1978, 1980, Comedy, Forgotten Films, Success

Seems Like Old Times For a Foul Play

February 24, 2016 Donovan Montierth Leave a comment

How about the perfect Double Feature…for a comedy set I would enter for consideration, Foul Play (1978) and Seems Like Old Times (1980), both featuring Goldie Hawn and Chevy Chase.

After a pair of successful screenplays like Harold and Maude (1971) and Silver Streak (1976), the studio decided to give Colin Higgens his first shot at directing and he came up with Foul Play. It was a hit and he would go on to have two more soon after with 9 to 5 (1980) and The Best Little Whorehouse in Texas (1982). That’s a pretty good line-up of films for any writer-director in Hollywood, it’s very sad that he died at a young age, as he could have gone on to do so many more great films.

Foul Play made bankable Stars out of Goldie Hawn, Chevy Chase and Dudley Moore. Dudley Moore was not the original choice for Stanley Tibbs as the role was originally written for Tim Conway, but he declined due to the sexual nature of the role. Dudley Moore was thrilled, however, because he was able to shine in the role and it started his American career with later films like 10 (1979), Arthur (1981) and Unfaithfully Yours (1984).

I love everything about this film, including all the music from the Mikado and I also remember that Barry Manilow had a huge hit with “Ready to Take a Chance Again” that is featured at the beginning of the movie. I was interested to learn that Steve Martin originally read for the role of Tony Carlson but lost the role to Chevy Chase. Steve Martin would go on to star with Goldie Hawn in 2 films later; Housesitter (1992), and The Out-of-Towners (1999). The Out-of-Towners is ironic as it was written by Neil Simon, who also wrote, Chevy Chase’s and Goldie Hawn’s next match-up, Seems Like Old Times.

I read a very interesting story on how Neil Simon prefers to work. Since he’s a play writer as well as a screenwriter, he prefers to do all rewrites as the actors rehearse the script/play, giving the actors news scripts before each rehearsal. This movie had a two-week rehearsal period in which during this time writer Neil Simon customized the screenplay to tailor the lead stars’ personalities. During the two-week rehearsal period, Simon observed the needs of his stars and was able to re-write portions of the script to better suit their individual personalities. “There is a terrific quality about Chevy [Chase],” says Simon, “He’s the bad boy in class. You never know what he is going to do. I tried to capture that in the script and in each day’s rewrites”.

This Neil Simon movie was written directly for the screen and was not based on a Neil Simon play as many of his other movies have been. For writer Neil Simon, working with Goldie Hawn, was a delight. Simon said of Hawn that she was a “…rare combination. She can be very funny and very sexy. She has a true appreciation of what’s funny and what’s bleak in life” and “She has the two main ingredients for a film comedienne: she’s funny and very sexy. Audiences respond on two levels to that. They are taken by it. She’s terrific to work with”. It’s interesting to note that Goldie Hawn’s role was originally written for Neil Simon’s wife, Marsha Mason and she was set to do the film originally with Burt Reynolds in the Chevy Chase role.This would be my favorite of the Neil Simon movies, but I very much liked the movies; Murder By Death (1976), The Goodbye Girl (1977), and Chapter Two (1979). Charles Grodin was fantastic in this movie as Goldie Hawn’s husband, and interestingly, has 2 other movies with Neil Simon, The Heartbreak Kid (1972) and The Lonely Guy (1984) which ironically as well, is a film starring Steve Martin.

Emmy Award-winning TV director Jay Sandrich was drawn to Neil Simon’s script because of the finely crafted writing. Sandrich said: “It’s the type of comedy that I had been doing for years, I understood it completely. I think it has a certain flair and the madcap quality that some of those 30’s pictures had, With writing as good as this, I knew that everything else would fall into place. In this particular script, although it’s very farcy and fast-paced, there are times when the relationships are very valid and very human; and that’s the important thing . . . that the audience care about these people and really believe that they can exist. I think Neil’s script is so well crafted that you could take out the jokes and play it as a drama”.

So now if you are wondering what two films to rent for a great double feature (in this day and age, download) try these two, as you won’t be disappointed with either. Great films! I would consider them, modern-day classics.

1948, Comedy, Stories From Hollywood, Success

Terry Bradshaw, The Actor, Singer and Author

February 23, 2016 Donovan Montierth Leave a comment

It’s well known that Terry Bradshaw, was a great NFL Quarterback and a fantastic TV personality for the Fox NFL Sunday. What is rather unknown, however is his success as an actor, singer and author.

As an actor I first noticed him as a pal of Burt Reynolds in Hooper, Smokey and the Bandit 2 and Cannonball Run (Cannonball Run being his best role). In Cannonball Run, Terry was paired up with Country Singer Mel Tillis, and was so successful Hal Needham (the director of Cannonball Run) directed a spin-off of the film, a TV show pilot for NBC called Stockers, which featured Terry and Mel as two stock car racers trying to outwit and outrun a bill collector named, Crusher.

Now the pilot failed to be picked up, but this is important for two other reasons; Terry followed up with his love for racing over the years by being very active in the NASCAR circles, From 2001-2006, he joined the HighLine Performance Group Racing to form FitzBradshaw Racing. He also appeared on NASCAR on Fox where he interviewed and drove with Dale Earnhardt at Daytona International Speedway the day before Earnhardt was killed in the last lap of the Daytona 500.

Now you would think it was Mel Tillis that may have influenced him into music, but you’d be wrong. Cannonball Run was in 1981 and Terry had already released I’m So Lonesome I Could Cry (which reached 17 on the billboard charts) in 1976 and Until You (reaching 73rd) in 1980 and would go on to release 3 more albums after that! I have no idea, when this over-achiever ever had time to write books, but he did! He released his first book, No Easy Game in 1971 and then released, Man of Steel in 1979. He followed those up with Looking Deep in 1991, It’s Only a Game in 2001 and finally Keep It Simple in 2002.

Now with all that work and not including his work as a commentator on TV, he’s continued to act in a slew of TV Shows and had a very nice role in the Matthew McConaughey comedy Failure to Launch (2006) as Matthew’s father and will appear in the movie, Bastards this year along with Owen Wilson and Ed Helms.

1970, 1971, 1972, 1973, 1974, 1975, 1976, 1977, 1978, 1979, Stunts

Best Movie Stunts of the Year List 1970-1979

January 25, 2016 Donovan Montierth Leave a comment

Here is the list for the Best Movie Stunts for the Decade 1970-1979 as listed in the book, 100 Years of the Best Movie Stunts!

1970 – They Call Me Trinity

The Spaghetti Western and Spaghetti Western Comedies were starting to come into their own and a string of “Trinity” films starring Terence Hill and Bud Spencer would arise. They became worldwide stars and did all their own fighting in their films. These are great fun!

1971 – The Big Boss

Bruce Lee would become a bonafide sensation after his first film and there really was no one quite like him. He had the skills and a way about him that everyone after him tried to copy. Martial Arts got it’s very own movie genre after this.

1972 – The Poseidon Adventure

Another new genre, would be this sub-category inside the action genre, that became the disaster film. This one has a very good fall into a ballroom skylight done by a non-stuntman at the time, Ernie Orsatti. He would go on to become a stuntman after this, he found he had a knack for it.

1973 – Live and Let Die

James Bond would appear this decade a record 4 times! This is the first on the list with a speedboat jump over land by Jerry Comeaux of 110 feet, which made it into the Guinness Book of World Records.

1974 – The Man With The Golden Gun

This one had a great car jump stunt that is a breath-taking, “I can’t believe I saw that” …mathematical stunt devised by Raymond McHenry at Cornell University and performed by Bumps Willard.

1975 – The Man Who Would Be King

Joe Powell would perform a jump from a rope bridge between two ravines 100 feet into a pile of boxes that would lead legendary Director John Huston to say, ” That’s the damnest stunt I’ve ever seen.”

1976 – Gator

This would be the start of a great collaboration between Hal Needham and Burt Reynolds. Hal Needham would body double Burt in this film and there’s a nifty car flip at the end of the movie with Hal in the truck bed.

1977 – The Spy Who Loved Me

This is a bond film with one of the most extensive pre-credit sequences than all the previous films and right before they go to the opening song and credits, they have a fantastic ski-stunt by Rick Sylvester right off a mountain and then slowly fall until finally has a parachute open. Really great opening.

1978 – Hooper

Hal Needham directed Burt Reynolds this time in a movie inspired by and about stuntmen! Can’t name just one stunt to highlight in this film as it’s just chocked full of them, but if I had to, A. J. Bakunas has a world record breaking jump from a helicopter into an airbag (232 feet!).

1979 – Moonraker

BJ Worth and Jake Lombard fight over a parachute in this Bond entry and it’s fun to watch. I would definitely include all the camera men who had to jump and film the sequence which included 88 jumps over all.

Check out our new Book, 100 Years of the Best Movie Stunts!

1976, Stunts

Hal Needham and Gator

January 5, 2016 Donovan Montierth Leave a comment

Hal, having been a stuntman for years and for having doubled Burt Reynolds for 18 years had a great rapport with his cast and crew. He had a stunt coordinator’s abilities and a stunt director’s eye that made for a match made in heaven. This film’s car chase scenes had the most effect on Hollywood than any other film other than Bullet.

Hal Needham, went on to direct Smokey and the Bandit the very next year, which was 2^nd at the box office to Star Wars. All of Hal’s movies were centered around several stunts, and can be seen as the genesis to the Hollywood Blockbuster Tentpole movie which, in general, has a 3 act “stunt” or “action sequence” as its primary structure. Hal, along with Glenn Wilder and Ronnie Rondell Jr. started the legendary Stunts Unlimited.

Hal mentions in his autobiography, Stuntman, that the boat stunt he performs in this movie breaks a world record. Gator was directed by Burt Reynolds for Levy-Garner-Laven Productions and is a sequel to his film White Lightning.

Things to look up ( go to IMDB ):

Hal Needham
Gator
Burt Reynolds
Levy-Garner-Laven Productions

History of film companies as defined by Wikipedia: Levy-Gardner-Laven Productions was an American film production company based in Beverly Hills, California.

The principals, Jules V. Levy, Arthur Gardner, and Arnold Laven, met while serving in the Air Force’s First Motion Picture Unit during World War II. While serving, they decided to form their own production company after the war ended. The three men formed Levy-Gardner-Laven in 1951.

Laven produced both films and television shows, and he directed many popular American television shows, including episodes of The A-Team, CHiPs, Mannix, The Big Valley, The Greatest American Hero and Hill Street Blues. Gardner was an actor prior to World War II, but chose to produce after the company was formed. Along with Levy, who was a script supervisor prior to the war, Gardner wrote the story for a 1982 movie called Safari 3000. Levy-Gardner-Laven also produced classic T.V. series for Four Star Productions such as The Rifleman, The Big Valley, and The Detectives Starring Robert Taylor, all for ABC.

Levy-Gardner-Laven maintains an office in Beverly Hills, but their last production credit was in 1982.

Check out our new Book, 100 Years of the Best Movie Stunts!

1978, Stunts

Stunt Performers for Hooper

December 17, 2015 Donovan Montierth Leave a comment

The film is lightly based on Hal Needham’s (director) experiences as a stuntman, but the film’s main character is modeled after stuntman Buddy Joe Hooker, who just happens to do many of the stunts in the film himself. This film is also a tribute to Jock Mahoney (who Brian Keith’s character, Jocko Doyle, is modeled after), who really is Sally Field’s stepfather in real life.

The film is also notable for the fact that it inspired a successful television series, The Fall Guy which starred Lee Majors. The show’s theme song’s, “The Unknown Stuntman” lyrics including references to both Reynolds (the star of Hooper) and Farrah Fawcett (who worked with Hal Needham and Burt Reynolds in Cannonball Run), Majors’ ex-wife.

As a side note, Hal Needham also started using bloopers during the end credits of his films, and this one presented many of the outtakes from several of the stunts. Another “winner of my Best Stunt Awards”, Jackie Chan, saw this technique used when he worked with Hal Needham and Burt Reynolds in Cannonball Run 2 and has used the technique ever since to highlight the stunts by him and the Jackie Chan Stunt Team in his movies.

In one climactic scene, stuntman A.J. Bakunas jumped from a helicopter at a whopping, world-record-breaking 232 feet onto an air bag. If you take into account that the old-school air bags would lift you 30 feet into the air if not precisely hit, it makes the feat all the more impressive. Hooper was directed by Hal Needham for Warner Bros.