Tag Archives: Bumps Willard

Best Movie Stunts of the Year List 1970-1979

 

Here is the list for the Best Movie Stunts for the Decade 1970-1979 as listed in the book, 100 Years of the Best Movie Stunts!

1970 – They Call Me Trinitythey_call_me_trinity_poster_02

The Spaghetti Western and Spaghetti Western Comedies were starting to come into their own and a string of “Trinity” films starring Terence Hill and Bud Spencer would arise.  They became worldwide stars and did all their own fighting in their films.  These are great fun!

1971 – The Big Bossbig-boss-lobby

Bruce Lee would become a bonafide sensation after his first film and there really was no one quite like him. He had the skills and a way about him that everyone after him tried to copy.  Martial Arts got it’s very own movie genre after this.

1972 – The Poseidon Adventureposeidon-adventure wallpaper

Another new genre, would be this sub-category inside the action genre, that became the disaster film.  This one has a very good fall into a ballroom skylight done by a non-stuntman at the time, Ernie Orsatti.  He would go on to become a stuntman after this, he found he had a knack for it.

1973 – Live and Let DieLive Boat

James Bond would appear this decade a record 4 times!  This is the first on the list with a speedboat jump over land by Jerry Comeaux of 110 feet, which made it into the Guinness Book of World Records.

1974 – The Man With The Golden Gunman_with_the_golden_gun_stunt

This one had a great car jump stunt that is a breath-taking, “I can’t believe I saw that” …mathematical stunt devised by Raymond McHenry at Cornell University and performed by Bumps Willard.

1975 – The Man Who Would Be Kingman who would be king

Joe Powell would perform a jump from a rope bridge between two ravines 100 feet into a pile of boxes that would lead legendary Director John Huston to say, ” That’s the damnest stunt I’ve ever seen.”

1976 – Gatorgator car

This would be the start of a great collaboration between Hal Needham and Burt Reynolds.  Hal Needham would body double Burt in this film and there’s a nifty car flip at the end of the movie with Hal in the truck bed.

1977 – The Spy Who Loved MeSPY-WHO-LOVED-SKI-1

This is a bond film with one of the most extensive pre-credit sequences than all the previous films and right before they go to the opening song and credits, they have a fantastic ski-stunt by Rick Sylvester right off a mountain and then slowly fall until finally has a parachute open. Really great opening.

1978 – HooperHooper3

Hal Needham directed Burt Reynolds this time in a movie inspired by and about stuntmen! Can’t name just one stunt to highlight in this film as it’s just chocked full of them, but if I had to, A. J. Bakunas has a world record breaking jump from a helicopter into an airbag (232 feet!).

1979 – MoonrakerMoonsky7

BJ Worth and Jake Lombard fight over a parachute in this Bond entry and it’s fun to watch.  I would definitely include all the camera men who had to jump and film the sequence which included 88 jumps over all.

Check out our new Book, 100 Years of the Best Movie Stunts!Screen Shot 2015-09-19 at 8.23.28 PM

Bumps Willard and Raymond McHenry For The Man With The Golden Gun

 

This is where the Bond films start to dominate the Best Movie Stunts. Every picture was designed to out-do the last and they definitely don’t disappoint in The Man With The Golden Gun (1974). This stunt literally was designed in the laboratory. Designed by Raymond McHenry, and conceived at Cornell Aeronautical University, it toured the US as the Astro Spiral in the All American Thrill Show before being used for the movie.man_with_the_golden_gun_stunt

The stunt is performed by Bumps Willard and involves him driving an AMC Hornet as Bond off of a specially designed ramp that’s made up to look like a broken bridge on one side of a creek, across the water doing a spiral flip (a 270 degree roll) and then touching down on an identical ramp on the other side and then driving on.  It’s a fantastic, mathematical stunt that was performed in one take. The jump is also credited with being the first stunt ever to be calculated by computer modeling.  “Bumps” Willard was an original member of ‘Helldrivers’; a stunt group specialists on dangerous car stunts; showcases. The Group leadrers was ‘The Bossle Brothers’ and also Joe Williams; famous for the ‘Two-Wheel-Stunt-Driving-Scene’ in Diamonds Are Forever.man with

I want to add a side note that Martial Arts is introduced as the fighting style in this movie because of the huge popularity of Bruce Lee and his films such as Fists of Fury and Enter the Dragon, so you can say that Bruce Lee had his affect not only in his own genre of Martial Arts films but in Hollywood as a whole. It’s impressive to come along and affect James Bond.

The Man With The Golden Gun is directed by Guy Hamilton for Eon Productions.Man With Golden

Things to look up ( go to IMDB ):

  • Bumps Willard
  • Raymond McHenry
  • The Man With The Golden Gun
  • Guy Hamilton
  • Eon Productions

History of stunt terms as defined by Wikipedia: Hell Drivers – The frequently used term to describe, and the very popular title of, numerous automobile thrill-based productions performing at fairs and racetracks by various squads of stunt drivers since the 1930s. Earl “Lucky” Teter was the first to coin the phrase Hell Drivers, when he began touring his show in 1934. Hell Drivers provided massive audiences with an always exciting show filled with precision driving and deliberate crashes.

Featured stunts included driving cars on two wheels, crashing through flaming barricades, and jumping an automobile ramp to ramp through mid air. For many years, Hell Drivers were used to demonstrate the dependability of a manufacturer’s automotive product. Major Hell Driver automotive sponsors have included Chevrolet, Dodge, Chrysler, Ford, AMC, Nash, and Toyota.

Later thrill shows coining the phrase “Hell Drivers” were launched by such famous drivers and race promoters as Jack Kochman, John Francis “Irish” Horan, Danny Fleenor, Geoff Williams and Joie Chitwood.

General Manager of Kochman’s troupe was Bob Conto. Conto, a native of Malone, New York in the state’s North Country was a former radio-television announcer whose staccato delivery kept pace with the 50-mile per hour events.

The Danish city of Aalborg is known internationally as the world’s centre of Hell Drivers.

Currently, the only traditional new-car stunt show in the United States is Tonny Petersen’s Hell Drivers. There is a current documentary produced by filmmaker Dan T. Hall and Vizmo Films about the life and times of Lucky Teter.

Check out our new Book, 100 Years of the Best Movie Stunts!Screen Shot 2015-09-19 at 8.23.28 PM

The Towering Inferno, Best of Irwin Allen’s Disaster Films

 pposter4 towering inferno irwin allen paul newman

The Towering Inferno is my favorite of Irwin Allen’s disaster film series.  It’s got everything that makes these films so much fun, a great all-star cast, lavish sets, tension, suspense and fantastic stunts! It missed being singled out in my book 100 Years of the Best Movie Stunts for 1974 simply because of the complexity of Bumps Willard and Raymond McHenry’s incredible mathematical car stunt in The Man With The Golden Gun.  So it gets a mention in our 100 Years Blog!

Based on two novels: “The Tower” by Richard Martin Stern, and “The Glass Inferno” by Thomas N. Scortia and Frank M. Robinson. After the success of The Poseidon Adventure(1972)(also mentioned in the book for Best Stunt of 1972), disaster was hot property and Warner Brothers bought the rights to film “The Tower” for $390,000. Eight weeks later Irwin Allen (of 20th Century Fox) discovered “The Glass Inferno” and bought the rights for $400,000. To avoid two similar films competing at the box office the two studios joined forces and pooled their resources, each paying half the production costs. In return, 20th Century Fox got the US box office receipts and Warners the receipts from the rest of the world.

steve mcqueen in towering inferno

Both novels were inspired by the construction of the World Trade Center in the early-1970s, and what could happen in fire in a skyscraper. In Richard Martin Stern’s novel, “The Tower”, the fictional 140-floor building was set next to the north tower of the World Trade Center. The climax of the novel was centered around a rescue mounted from the north tower of the World Trade Center. Sad fact is that the World Trade Center themselves were the setting of a real-life horror, when they were hit by airplanes flown by terrorists in September 11, 2001.  Strangely, the real events far surpassed anything that was imagined on any of these Irwin Allen films as way of unfathomable terrifying disaster.  If he would have gone to the studios with the script of 9/11, they would have laughed him out the door for what seems like pure science fiction.  One strange coincidence regarding The Towering Inferno and it’s close resemblance at times to 9/11 was the last day of film production occurred on September 11th, 1974.

I’m doubtful, a film of this type could ever be made today, as the events would seem too real for most people and not just a fun popcorn blockbuster action film, like it did in the early 70’s.  The audience flooded the theaters back then for films like these and if you can forget about real-life, are still quite enjoyable today.  The stunts are especially nice and are littered throughout the entire film.

paul newman in towering inferno

The expanse of the stunts were so broad that a lot of storyboards were made to visualize what we would be seeing on screen.  Here’s some examples of how big this production really was. These storyboards were created by Joe Musso. Courtesy of The Tom Pennock Collection.

towering_inferno_scene490 towering_inferno_scene488 towering_inferno_scene468 towering_inferno_scene137 towering_inferno_scene9

The thing that is remarkable in a film like this is that the stunts really are endured by everyone, the actors, the crew, and the stunt team.  The danger factor for everyone is extremely high.  You can see a lot of the actors doing the stunts themselves, Paul Newman did most of his own stunts, including climbing up and down the bent stairwell railing.  Steve McQueen did most of his stunts for the film, including having 7,000 gallons of water dumped on him in the climactic final attempt to put out the fire.  Throughout the entire film, as the disaster rages throughout the building, eventually everything gets destroyed.  Of the 57 sets built for the production, only eight remained standing when filming ended.

My favorite scenes have to be the ones with the grand outdoor elevator.  The scenic elevator is actually one of two in the Hyatt Regency Hotel in San Francisco. This elevator was used in numerous movies including Time After Time (1979), High Anxiety (1977), Telefon (1977), and Freebie and The Bean (1974) (which we mentioned in the blog last week).  Irwin Allen directed all the action sequences in the film himself, including the climactic final explosions to put the fire out. According to Susan Flannery, 20th Century Fox refused Irwin Allen to direct all of The Towering Inferno. Irwin Allen directed all the action sequences and John Guillerman was hired only to direct the actors only for non-action sequences. There were a total of four separate camera crews were utilized in some scenes, a record at the time. The crews were designated with capturing different aspects of the scenes: character filming, action shots, special effects, and aerial shots.

Towering Painting

Producer Irwin Allen as defined by Wikipedia:  Irwin Allen (June 12, 1916 – November 2, 1991) was an American television, documentary and film director and producer with a varied career who became known as the “Master of Disaster” for his work in the disaster film genre. His most successful productions were The Poseidon Adventure (1972) and The Towering Inferno (1974). He also created several popular 1960s science fiction television series, such as Voyage to the Bottom of the Sea, Lost in Space, and Land of the Giants.

Check out our new Book, 100 Years of the Best Movie Stunts!

Screen Shot 2015-09-19 at 8.23.28 PM