Category Archives: Forgotten Films

Have you ever wished for a list of the BEST forgotten films over the years? Here it is. We list the best movies that have been forgotten over the years. This will give you a great movie to watch on Netflix or Amazon Instant if you have no idea what to watch. Give us a chance to suggest a great film for you.

Top 15 Binge-Worthy One-Hour TV Shows

 

Looking for a good one-hour TV show to binge watch this coming weekend?  Look no further, here are my favorites:

15  Legion (2017)

On it’s first season on the FX Network, it’s just barely getting started, so it almost didn’t make my list, but the reason it did is because it’s a VERY strong beginning!  The real reason it is so good is because of Noah Hawley, who created the last 2 season of FX’s Fargo. He’s just brilliant.  It’s a Marvel Comics creation and the characters fill the same universe as the X-Men. The title of the show is based on David Haller’s (main character) code name in the X-Men Comics. David acquired the code name “Legion” due to having hundreds of multiple personalities each with his own mutant power. Essentially making him a one man army.

14  House of Cards (2013-Present)

This is widely considered to be one of the 1st shows that inspired the Binge-watch culture we enjoy today.  Thanks Netflix.  Netflix won the bidding war between the rest of the networks to produce the show because they committed to do two seasons directly. It’s about the Underwoods, a ruthless couple, working hard to attain and maintain the Oval Office. Director list in the first 3 seasons includes famous names such as David Fincher, Joel Schumacher, Jodie Foster and actress Robin Wright, who plays Claire Underwood.

13  Bosch (2014-Present)

Based on the Hieronymous “Harry” Bosch Detective novels by Michael Connelly, this series features the excellent Titus Welliver as Bosch. In the literary world, Bosch is the half brother of Michael (Mickey) Haller from The Lincoln Lawyer (2011). They have same father; also a lawyer named Michael Haller. Michael Jr is the legitimate son, while Harry Bosch is illegitimate. By the way, Michael Connelly is one of my all-time favorite writers. No one can put together a crime story as good as he can.

12  Dexter  (2006-2013)

Dexter Morgan is a Forensics Expert, but that’s what he seems to be, as that’s not what he really is. Dexter is a serial killer that hunts other serial killers. This series is also based on a popular book series, but my favorite thing about the series would have to be Dexter himself, Michael C. Hall.  He’s fantastic in this.

11  Boston Legal (2004-2008)

David E. Kelly’s best legal series. Features the classic law firm of Crane, Poole and Schmidt, with the fantastic William Shatner playing Denny Crane. The real brilliance comes in the form of James Spader as Alan Shore, who can fly through a 5 page closing monologue like a cheetah through a 30-yard dash!  Watching these two and a slew of the best character actors as guest stars on this show was a real pleasure!

10  Stranger Things (2016-Present)

In a small town where everyone knows everyone, a peculiar incident starts a chain of events that leads to the disappearance of a child – which begins to tear at the fabric of an otherwise peaceful community. Dark government agencies and seemingly malevolent supernatural forces converge on the town while a few locals begin to understand that there’s more going on than meets the eye. The Duffer Brothers originally wanted to make a remake of Stephen King’s It, but were turned down. The series’s logo resembles the font used on the covers for the original 1980s editions of Stephen King novels, notably Cujo and Christine. Of the many nods to Stephen King in this series, one of the most obvious is in episode 4 (“The Body”) when the kids travel a significant stretch along the railroad tracks. Much of the story in the film “Stand By Me” (and in the novella it is based on, titled “The Body”), includes kids traveling along railroad tracks.

9  Newsroom (2012-2014)

This show by Aaron Sorkin is just about the perfect 3 act season TV Show that you can find. It feels like the perfect beginning, middle and ending that could be possible.  I can’t recommend this series enough. Incredible cast all around. It’s about a newsroom, that undergoes some changes in its workings and morals as a new team is brought in, bringing unexpected results for its existing news anchor, played by Jeff Daniels.

8  Longmire  (2012-Present)

Walt Longmire is the dedicated and unflappable sheriff of Absaroka County, Wyoming. Widowed only a year, he is a man in psychic repair but buries his pain behind his brave face, unassuming grin and dry wit.  Great mystery show, based on another popular thriller series.  On its premiere in June 2012, the series became A&E TV’s most watched original series launch of all time with 4.1 million total viewers. Regardless of it’s great viewing numbers, A&E announced that they would only be concentrating on their own original series and cancelled the show after the third season. A few months later Netflix picked the show back up for its fourth and fifth seasons. Robert Taylor, who plays Walt, bases his performance of Walt Longmire largely on Indiana Jones and several of Clint Eastwood’s Western personas.

7  Prison Break (2005-2009) (2017)

Due to a political conspiracy, an innocent man is sent to death row and his only hope is his brother, who makes it his mission to deliberately get himself sent to the same prison in order to break the both of them out, from the inside. Great series, and it’s coming back for another season, after having been cancelled in 2009! I can’t wait! Paul Scheuring had said that the initial concept for the series (a man deliberately getting himself sent to prison in order to break out again) was suggested to him by a female colleague of his (Dawn Parouse). He thought it was a great idea, but was initially stumped as to why someone would embark on such a strange mission or how he could stretch the idea out long enough for a TV show. He later came up with the idea of the wrongfully accused brother, and the conspiracy subplot. He then started work on writing the pilot script for the show. Wentworth Miller was a last minute casting choice. He started filming about a week after auditioning/being cast.

6  Alias (2001-2006)

Sydney Bristow, Jennifer Garner, is an international spy recruited out of college and trained for espionage and self-defense. Created by the amazing JJ Abrams. Jennifer Garner and Victor Garber (Sydney’s Father) were the only two stars to appear in every episode. Right behind them is Ron Rifkin (Sydney’s Boss) who only missed 2 out of 105. For those of you that are Bradley Cooper fans, he’s prominently featured in 4 of the 5 seasons as Sydney’s best friend, Will Tippin.

5  Game of Thrones (2011-Present)

Nine noble families fight for control over the mythical lands of Westeros; A forgotten race returns after being dormant for thousands of years. Executive Producers David Benioff and D.B. Weiss said the production of the show is a massive undertaking. It lasts the entire year and they shoot the show like a ten-hour movie. Season 5 alone was shot in five countries, on 151 sets, for 240 days, having 166 cast members, over 1,000 crew members and over 5,000 extras. George R.R. Martin once cited The Golden Compass (2007), the failed film adaptation of Philip Pullman’s novel “Northern Lights”, as one of the reasons he wanted his books to be made as a television series rather than being turned into movies. George R.R. Martin has stated that the infamous “Red Wedding” was the hardest chapter for him to write in “A Storm of Swords.” He was so emotionally attached to the characters that he actually wrote the rest of the book first, then that chapter last. Executive Producers David Benioff and D.B. Weiss, upon reading it, declared it was one of the major reasons they decided to option the books for a TV series.

4  Downton Abbey (2010-2015)

A chronicle of the lives of the British aristocratic Crawley family and their servants in the early 20th Century. This show has a great cast. According to Julian Fellowes, the parts played by Hugh Bonneville, Brendan Coyle and Maggie Smith were written for the actors that played them. All the scenes shot in the servants quarters are shot on a soundstage as the actual quarters at Highclere Castle, the filming location for Downton Abbey, are badly damaged. The TV series was inspired by the movie Gosford Park (2001), also written by Julian Fellowes, where Maggie Smith, Jeremy Swift, and Richard E. Grant also appeared. Maggie Smith and Jeremy Swift have similar roles in both.

3  Daredevil (2015- Present)

Matt Murdock, with his other senses superhumanly enhanced, fights crime as a blind lawyer by day, and vigilante by night. WAY WAY WAY better than the Daredevil movie with Ben Affleck!  This show, along with other Netflix series Iron Fist (2017), Luke Cage (2016) and Jessica Jones (2015), exist in the same continuity with one another and within the Marvel Cinematic Universe.  All of them are pretty good and worth binge-watching, but this one is by far the best. All of the four main characters will be coming together to make the series, The Defenders and aired on Netflix, hopefully in 2018. It’s also rumored that The Punisher will have his own Netflix series after having appeared in season 2 of Daredevil.

2  Fargo (2015-Present)

BEST series on TV right now. Great stuff.  Every season is a stand alone story set within the world of the Fargo movie by the Coen Brothers. Various chronicles of deception, intrigue and murder in and around frozen Minnesota. Yet all of these tales mysteriously lead back one way or another to Fargo, ND. There are some reoccurring characters, so far, at least in season 1 and 2. The second season is kind of a prequel to the first season. Expanding on the Solversons’ family and their story, and Molly Solverson is seen as a young girl.

1   Justified (2010-2015)

If you haven’t seen this show, you just haven’t seen what is quite possibly the best show of the last 10 years. Some guest actors have said that the working environment on the show was very different from other shows, because the writers were really open to suggestions from the cast, even while shooting scenes, to the point of stopping shooting for a while and sitting around to discuss the scene if there was room for improvement. Walton Goggins, who was born in Alabama and grew up in Georgia, originally declined the role of Boyd Crowder out of concern that the character would portray a negative stereotype of Southerners. He changed his mind and did the pilot as a favor to Timothy Olyphant, whom he knew through friends. It was supposed to be one episode only; Boyd originally died at the end of the pilot, as he did in the novel the show was based on. However, when the character scored well with test audiences, it was decided to reshoot the ending of the pilot to allow Boyd to return as a recurring character. It was this relationship throughout the series, between Boyd and the lead character Raylan Givens, that makes me love this series so much. The character Raylan Givens was created by novelist Elmore Leonard, and has appeared in two of his novels, “Pronto” (filmed as Pronto (1997)) and “Riding the Rap“. Givens also appeared in Leonard’s short story “Fire in the Hole“, which was the basis of the pilot episode of this series.

Top 15 Monster Movies

 

The new blockbuster movie season is almost upon us, so I’m going to take this opportunity to name and talk about my favorite top 15 monster movies over the past 100 years at the movies. Now, in the cases of series, or numerous remakes of the same monster, I’ve taken the liberty of just listing it once on the list with my favorite movie in that series and that film in essence, represents the monster. If you haven’t seen any of the movies I have listed below, you can check out the trailers online. If one doesn’t load, look into something like hd-trailers alternative, which will give you options of watching the movies/trailers elsewhere in better quality.

Also, if I felt that it was more of a horror film instead of a monster movie, because most can be both, I didn’t mention it on this list, although it could be one of my all time favorite movies.  The Thing comes to mind, I love that movie, but I consider it to be a horror film way more than it is a monster movie, so I didn’t include it on the list. A good way of thinking of this is if they could fall under the Universal Studios monsters group of movies.  They concentrate on adventure over horror. The best monster movies aren’t that scary at all, but truly fun and thrilling, although most will have some scary moments or moments that make you jump out of your skin.

15  I, Frankenstein (2014)

This was a very under-rated movie and one that seemed to get no marketing when it was released but actually was a rather good movie. My favorite so far of all the different Frankenstein movies that are out there. A big reason is Aaron Eckert, who plays the Frankenstein monster in this one. He’s great. It’s interesting to note, that in the original screenplay, “I, Frankenstein” and its hypothetical sequels were to take place in the same universe as the “Underworld” series (placed #14 on my list) which is from the same producers and shares actors Bill Nighy and Kevin Grevioux. Kate Beckinsale was rumored to be making a cameo as Selene. Ultimately none of these ideas were used. Since the movie didn’t make much money, it’s unlikely that any sequels will be made, making the matter moot, but boy this could have been cool.

14  Underworld (2003)

Would have to go with the first one in the series as the best one. I don’t think that’s always the case. Kate Beckinsale is the reason this series is worth watching. It’s also fun to see Vampires and Werewolves going full on war. The movie was initially pitched as “Romeo and Juliet for vampires and werewolves”. It’s interesting to see the prequel and sequels of the series, also to see how things began and finish. They have gone back and changed the original, however, as for the 2017 4K High Definition remaster of Underworld, the scene where Michael sees flashbacks into Lucian’s past/Sonya’s death was actually replaced with the 2009 scenes in Rise of the Lycans instead of the 2003 flashbacks.

13  Dracula Untold (2014)

Another version that didn’t seem to do well, or wasn’t marketed properly, but that I found to be much superior than any of it’s previous movies based on Dracula. Luke Evans plays Dracula in this version, and he’s very intense.  Dracula Untold was in production before Universal decided to build a cinematic universe. The producers caught wind of it just in time to independently add a present-day epilogue that Universal could use if they wanted to, but it was ultimately decided that Dracula Untold would not be the first entry in the Universal Monsters Cinematic Universe. That first film of the Universal Monsters Cinematic Universe is the new The Mummy film coming out in 2017, which features Tom Cruise in the starring role and also Russell Crowe as Dr. Henry Jekyll to set up his stand alone film for the new Jekyll and Hyde remake.

12 Godzilla (2014)

It’s pretty obvious by now that 2014 was a pretty good year for monster movies, you just may not have known it. It’s mainly because now technology has made it a lot easier to do special effects than ever before. The technology has finally caught up with the creative in this area. This is the latest Godzilla movie to come around and I like it because after the film gets rolling, Godzilla becomes somewhat of a hero in the film rather than the creature out to destroy everything that he was presented as at times. It’s also the first in a new set of films set in the same “universe”, the 2nd being Kong: Skull Island that just came out, the 3rd being Godzilla: King of Monsters set to be released in 2019 and the last being King Kong vs. Godzilla in 2020. On this film, according to Bryan Cranston, Gareth Edwards was inspired by the shark film Jaws (1975). “The film does not immediately show the beast, but rather build up to its appearance while still delivering an eerie and terrifying off-screen presence.” In homage to Jaws, the main protagonists have the name of Brody, after that film’s protagonist.

11  Deep Blue Sea (1999)

The sharks in this film do have a tendency to grow and shrink in size depending on where they are in the film, but if you can turn your brain off of that fact, this is a pretty cool movie.  Renny Harlin directed it and he has said that it was the hardest film he’s ever made. Samuel L. Jackson happily signed on for the film, as he had enjoyed his experience working with Renny Harlin on The Long Kiss Goodnight (1996).  Renny Harlin admitted that the idea of abruptly killing off Samuel L. Jackson’s character at two-thirds of the movie was borrowed from the similar fate of Tom Skerritt in Alien (1979). Both men were the natural leaders of their respective groups, leaving the remaining survivors in utter despair, and both were the best-known actor in the cast at the time, thereby making their premature demise extra shocking and unexpected. The impact of Jackson’s sudden death scene was intensified by making his preceding speech somewhat long and corny. After watching the scene with an audience for the first time, and hearing them scream in horror and fear, Harlin said that this scene paid off for the entire movie. Just a side-note, the three sharks in this movie are killed in the same ways as the three sharks in Jaws (1975), Jaws 2 (1978), and Jaws 3-D (1983): blown up, electrocuted, and incinerated respectively.

10  Deep Rising (1998)

DEEP RISING, Treat Williams

Now this film is the best in a series of films that are about creatures from the ocean like Leviathan, Virus, Deep Star Six and The Rift. This is actually a really great film, but no-one seems to know about it. Probably because of the lower budget. Originally, Harrison Ford turned down the role of Finnegan. The production’s budget was then downsized. Stephen Sommers, the writer-director, would become known for his monster movies, and this is one of his best. He would go on to direct The Mummy, Van Helsing and The Mummy Returns. Stephen began writing this script, then called “Tentacle”, when he worked at Hollywood Pictures in the mid-90s. Go out a rent this movie, it’s a blast.

9  Lake Placid (1999)

Another film that nobody knows about.  Seemed to go straight to video, but it’s a great movie. This one has a very strange pedigree as it was written by David E. Kelly famous for Law Firm TV Shows like Ally McBeal, Boston Legal, LA Law, Picket Fences and The Practice! Then it was directed by Steve Miner, famous for giving us the real Friday the 13th killer Jason Voorhees in Friday the 13th Part 2 and Friday the 13th part 3, as the first movie’s killer was his mother, Mrs Voorhees! This movie is funny but has plenty of scares to go around. It’s about a giant crocodile living in Lake Placid. The size of the crocodile in the movie is actually much larger than anything ever recorded in real life. The current largest crocodile in captivity (Guinness book of records, 2015) is 5.48 metres (about 18 ft), and although there are (unverified) reports of sightings over 20 feet in length, nothing is as large as the 30ft quoted in the movie.

8  The Fly (1986)

Now, for some reason a running theme in monster movies is the use of science to explain how a monster has been created or come about. This one has the best use of science (except for movie #2) to help build the tension for any of the monster movies. In a 1987 interview on Sinister Image (1987) Vincent Price revealed that when this remake was released, star Jeff Goldblum wrote him a letter saying, “I hope you like it as much as I liked yours.” Price was touched by the letter, he composed a reply and went to see the film, which he described as “wonderful right up to a certain point… it went a little too far.” David Cronenberg met with some opposition when he announced that he wanted to cast Jeff Goldblum in the lead role. The executive at Fox who was supervising the project felt that Goldblum was not a bankable star, and Chris Walas (Make-up) felt that his face would be difficult to work with for the make-up effects. Both, however, deferred to Cronenberg’s judgment. Cronenberg himself later had reservations when Goldblum suggested Geena Davis, his girlfriend at the time, for the other lead role, as he did not want to have to work with a real-life couple. Cronenberg was convinced after Davis’s first reading that she was right for the role. Producer Stuart Cornfeld suggested that they audition more actresses saying that it’s the “script that is brilliant”. Cornfeld relented after “nobody else even came close”. The famous tagline, “Be afraid, be very afraid!”, originated in this film as dialogue spoken by Geena Davis.

7  Tremors (1990)

If you’ve ever watched Dune and thought the best thing about it was the sand worms then this movie is for you. Writer S.S. Wilson said that he got the idea for the film while he was working for the US Navy in the California desert. While resting on a rock, he imagined what it might be like if something underground kept him from getting off the rock. Tremors was the first film directed by Ron Underwood, who would go on to direct City Slickers, Speechless, Mighty Joe Young, Heart and Souls, and tons of TV Shows.

6  Gremlins (1984)

Written by the amazing Chris Columbus and directed by Joe Dante, this was my favorite film from 1984, at the time, although since then Terminator, Indiana Jones and the Temple of Doom, Dreamscape, The Last Starfighter, Romancing the Stone, The Philadelphia Experiment, Top Secret!, All of Me, Runaway, Ghostbusters, and Beverly Hills Cop have since topped that movie in that year, for me. But at 14 years old, Gremlins was my favorite. But now that I look back, that may have been one of the most incredible years for films…I mean, wow, what a list of films all released in the same year. The set for Kingston Falls, the location this movie is set in, is the same one used for Back to the Future (1985). Both movies were filmed in the Universal Studios backlot, and you could see the set for many years afterward if you went on the Universal Studios Tram Tour. Steven Spielberg had a great working relationship with Chris Columbus on this film, and he produced the next two films Columbus scripted–The Goonies (1985), based on an idea Spielberg had, and Young Sherlock Holmes (1985), which was Columbus’ idea. Altogether, three years was spent working on those three films.

5  King Kong (1933)

Now the new film, Kong: Skull Island is pretty fun stuff, but the original is just too iconic not be on the list. It is effectively the model for almost all of the monster movies that have followed since. The other King Kong movies are pretty great too, but the original is just one of those films, especially at the time, that people’s jaws just dropped and everyone went…wow. It’s amazing, back then and today. The project went through numerous title changes during production, including “The Beast” (original title of draft by Edgar Wallace in RKO files), “The Eighth Wonder”, “The Ape”, “King Ape” and “Kong”. Art drawn for the press book for the original release of the film was contributed by Keye Luke, who was a highly regarded illustrator before he became an actor and whose works have appeared in films themselves, such as The Shanghai Gesture (1941), and who acted in such classic films as the number 1 son of Charlie Chan in a slew of films and as the old Chinese shop owner in our #5 film, Gremlins.

4  The Mummy (1999)

Great remake, much better than the original, even though I love Boris Karloff. The remake is a great mix of monster movie and adventure movie…just brilliant. It was originally planned to open the film with the old black and white Universal logo that had been used at the beginning of The Mummy (1932) which would dissolve into the blazing desert sun. Would have given a really cool connection to the old style Universal monster movies. Brendan Fraser was cast due to the success of George of the Jungle (1997). Stephen Sommers also commented that he felt Fraser fit the Errol Flynn swashbuckling character he had envisioned perfectly. The actor understood that his character “doesn’t take himself too seriously, otherwise the audience can’t go on that journey with him”. Before Brendan Fraser, the role of Rick’ O’Connel was offered to Sylvester Stallone. That would have been a very different film. I’m glad that Stephen Sommers stuck to his vision of the film. Stephen Sommers described his vision of the film as “as a kind of Indiana Jones or Jason and the Argonauts (1963) with the mummy as the creature giving the hero a hard time”.

3  Aliens (1986)

This one almost didn’t make my list as it literally scared me half to death when I first saw it. It’s hard not to think of it as a horror film, but what James Cameron brought to this franchise is so good and so ground-breaking that it literally transcends many genres. Sigourney Weaver had initially been very hesitant to reprise her role as Ripley, especially because Cameron had cut the scene where Burke had brought Ripley the news of just missing the death of her character’s daughter (which Weaver felt would have completed the circle of the mother-daughter bond with Newt) she had rejected numerous offers from Fox Studios to do any sequels, fearing that her character would be poorly written, and a sub-par sequel could hurt the legacy of Alien (1979). However, she was so impressed by the high quality of James Cameron’s script – specifically, the strong focus on Ripley, the mother-daughter bond between her character and Newt, and the incredible precision with which Cameron wrote her character, that she finally agreed to do the film.

2  Jurassic Park (1993)

Harrison Ford was offered and turned down the role of Dr. Alan Grant, as he felt that the part just wasn’t right for him. After seeing the film, he says that he had made the right decision. James Cameron has stated that he wanted to make the film, but the rights were bought “a few hours” before he could interview with Crichton. Upon seeing Jurassic Park, Cameron realized that Spielberg was the better choice to direct it as his version would’ve been much more violent (“Aliens (1986) with dinosaurs”) which “wouldn’t have been fair” to children, who relate to dinosaurs. The special effects were directly influenced by Cameron’s Terminator 2: Judgment Day (1991). Originally, Michael Crichton’s agents circulated the book to six studios and directors. Warner Brothers wanted it for Tim Burton to direct, while Columbia Pictures was planning it for Richard Donner. 20th Century Fox was also interested, and was intending the project for Joe Dante, while Universal Pictures wanted Steven Spielberg to direct. Crichton was reluctant to submit to a bidding war. He instructed his agents to put a set price on the film rights and he could decide who was more likely to actually get the film made. After interviewing all the prospective directors, he agreed to sell the rights to Universal and Steven Spielberg, who was already his first choice.

1  Jaws (1975)

Kind of fitting to me to have a Universal Studios film as my number 1 monster movie of all time, but probably not the one people would instantly think of as a Universal monster movie…Jaws. It  is, although one of the few that was a highlight on the Universal Studios Tram Tour, but not the reason why it’s number one on my list. It’s just a fantastic movie. Is it iconic that Steven Spielberg directed both of the top two films? It’s also interesting that each of these films were based on books, bought before the books were released into stores. Peter Benchley’s novel was first discovered in galley form at early 1973 by then Cosmopolitan Magazine editor and producer David Brown’s wife Helen Gurley Brown who was to be excerpting part of the novel to be published in an upcoming issue. Brown saw it by accident, having read it then a few days brought it to the attention of his partner Richard D. Zanuck, subsequently obtaining the rights to the book at the end of the year. Director Steven Spielberg said that when he first read the novel, he found himself rooting for the shark because the human characters were so unlikeable. There was a lot of sub plots in the book that was cut from the screenplay and even Peter Benchley eventually liked how cutting the subplots from the novel allowed for the characters to be fleshed out properly. Steven wanted the movie to be different. Because the film the director envisioned was so dissimilar to Peter Benchley’s novel, Steven Spielberg asked Richard Dreyfuss not to read it. Steven Spielberg always considered Jurassic Park a sequel to Jaws, but on land. People saw differences though, where the latter focused on character development as much as on its creature, while the former only used the dinosaurs to sell the film, and not the characters. As far as monsters go, the shark in Jaws is pretty scary, as it has kept whole generations from going into the ocean for decades. The shark was ranked the eighteenth greatest villain on the AFI’s list of 100 Heroes and Villains.

Love Affair, An Affair To Remember

 

The original story is the brainstorm of director Leo McCarey, who directed the first version and the second version of the screenplay, only 18 years apart. The first version with Irene Dunne and Charles Boyer, called Love Affair (1939) and the second version with Deborah Kerr and Cary Grant called An Affair To Remember (1957). He would hire screenwriters Mildred Cram, Delmer Daves and one of my favorites, Donald Ogden Stewart.

It’s a rare story when it becomes a favorite of almost everyone involved. The original was a favorite movie of both Irene Dunne and Charles Boyer and Leo McCarey liked it so much that years later when he had a chance to remake one of his previous films, he chose this one. The film is about a handsome playboy (Cary/Charles) who falls in love with American Terry McKay on board a transatlantic cruise ship. They arrange to reunite some time later, after (Charles/Cary) has had a chance to earn a decent living, only to have Terry not show up. They learn later that Terry has had a tragic accident, and can no longer walk. The character name for Charles and Cary are different, so that’s why I mention them instead of the character name whereas the name of the character for Irene Dunne and Deborah Kerr is the same, Terry McKay.

The scripts were the same for each movie, but in the second version, Cary and Deborah were given the opportunity to improvise and so several of these moments made the final cut. Interesting to note, the year before this film was made, Kerr played Anna Leonowens in The King and I (1956), also a role that had previously been played by Irene Dunne in the black-and-white classic Anna and the King of Siam (1946). “The King and I” is a musical based on the same book.

Now, An Affair to Remember was voted number 5 for Greatest Love Stories of all Time by the American Film Institute, but neither the original nor the 1994 version of Love Affair, made with Warren Beatty and Annette Benning, made the top 100 list. In my opinion, this is the way it should be, as the Warren Beatty version is awful. Although, a film that was inspired by An Affair to Remember, Sleepless in Seattle (1993) which was voted 45th on that list (but it ended up as #10 on the list of Romantic Comedies), I think is the best film of all four.  I love that film as it really shows why An Affair to Remember holds up so well and is so beloved by so many people.  So, as a perfect tandem, I would suggest seeing a Double Feature of An Affair To Remember 1st and then follow it up with Sleepless in Seattle. That is a perfect date night!

 

The Jazz Singer, The Real 1st Best Picture

 

The first Academy Awards Ceremony on Thursday May 16, 1929, lasted only 15 minutes and honored only silent films. It was the last Academy Awards to do so as the invent of the talkies had just hit in a very big way. The big subject of the night was talking pictures. This was the last ceremony to include silent films exclusively.

The talking picture development, begun with the Jazz Singer’s famous line “You Ain’t Heard Nothin’ Yet”, was about to revolutionize the industry, which had been in decline. The Jazz Singer, released during the award season (made in 1927, released in 1928), had not been allowed to compete for best picture because the Academy decided it was unfair to let movies with sound compete with silent films. It was a travesty, as it probably would have swept the awards that year.

When a film comes around that is this revolutionary, it should be allowed to compete, not be excluded, just because it was so far ahead of it’s time.

That first best picture winner went to Wings, a tale of World War One pilots directed by William Wellman, which at $2million was the most expensive movie of its time. A great film in it’s own right, with some of the best aerial photography ever filmed. We talk about it at length in our blog post, called Dick Grace and Wings.

Also, just a side note, much of the chatter at the ceremony also included how Buster Keaton’s now classic silent film The General had been snubbed.

The original Jazz Singer was a Broadway hit, which opened at the Fulton Theater on Sunday, September 14th, 1925 and ran for 303 performances. The play starred George Jessel (who was asked to star in the movie, but declined!). Also in the cast were Phoebe Foster as Mary Dale, Arthur Stuart Hull as Harry Lee, Sam Jaffe as Yudelson and Howard Lang as The Cantor.

Al Jolson, the star of The Jazz Singer, was directed by Alan Crosland.

Pat Roach, Actor and Stuntman

 

Pat Roach was a great character actor and stunt man, primarily recognizable in a slew of films from the 1980’s and 1990’s.  Pat started out in England as a wrestler and because of his huge stature at 6’5″ and over 250lbs he became sought after as an actor for big beefy roles. His first few roles were for Stanley Kubrick in A Clockwork Orange and Barry Lyndon, where he played a bouncer and a brawler, respectively.

Pat’s career would blossom and his roles would get larger and because he was very physical, would do his own stunts over the years. Also, who could they find of his size to body double for him? His most recognizable roles were in the Indiana Jones movies, where he played the airplane mechanic that Indiana gets into a fight with as Marion and Indy try to chase after the Ark of the Covenant, then a giant Thuggee Guard in Temple of Doom and then as Gestapo in the Last Crusade. He unfortunately died of throat cancer in 2004 before he could appear in the last one.

Other memorable roles would come from Clash of the Titans, Never Say Never Again, Conan the Destroyer, Willow, Robin Hood: Prince of Thieves, and then later as the very popular Bomber Busbridge in Great Britain’s ITV-BBC production of Auf Wiedersehen, Pet.  Pat would often continue to wrestle under the “Bomber” name. Eventually, Pat Roach developed throat cancer before the filming of series three began. Although he would appear in series’ three and four, he would undergoing chemotherapy at the same time. In the third series, it’s painfully obvious that Pat was ill, and some scenes of his had to be changed to accommodate his medical condition. Although he felt fit enough to appear in series four, his family were angry at him because of the physical toll it was taking out on his well-being. Pat was too ill to appear in what would be the last Auf Wiedersehen Pet series (“The Specials”) in 2004. He sadly died during filming of that two-hour special. In a touching scene, Dennis reads a letter from Bomber to the rest of the group while they are all dining in a restaurant, where he explains his reasons for not having joined them. The group lift their glasses and drink a toast; “To Bomber!”

Top 15 William Powell Movies

 

One of my all-time favorite actors…even though he’s not as flashy as Humphrey Bogart, Cary Grant, Clark Gable or Spencer Tracy…who are all in my top 5 as well. William Powell seems to sneak in there on the sheer strength of his whole film library. Arguably, he’s the most consistent. He put out some of the finest work ever seen on film, and most, if not all of his movies, stand up today as some of the greatest ever made. Judge for yourself, here are my 15 favorites:

15  The Ex-Mrs. Bradford (1936)

This one is special because of the pairing of William Powell and Jean Arthur. Powell would make a career out of teaming with some of the strongest actresses of the time and then competing with them as equals. He manages to hold each of his female partners in such high esteem, while all along joyfully and playfully sparing with them with wonderful wordplay. This becomes his signature, and not only did the audience enjoy the sparks, but his on screen partners adored him in real life as well. So much so that he fell in love and married 2 of them. He would have married Jean Harlow as well, they were engaged, but she fell ill and died before they married. Back to this film, the script is a little light, but Powell and Arthur are fun. I don’t think I’ve ever seen Arthur look better than she does in this movie. She just shines.

14  One Way Passage (1932)

This one was the 6th pairing of William Powell with Kay Francis. The story is far fetched, as Powell plays a prisoner- a murderer being sent to prison for his hanging and Francis is on her last cruise as she has a terminal illness. They fall in love and spend their last trip together.  It has a mix of drama and comedy, which seems a bit weird due to the material.

13  The Philo Vance Mysteries (1929-1933)

William Powell starred in 4 of the Philo Vance mysteries, I’ll include them all together in one entry: The Canary Murder Case, The Greene Murder Case, The Benson Murder Case, and The Kennel Murder Case. Because of these movies and the Thin Man series, Powell becomes very well known as a Detective. It’s what puts him on the map initially, I would say, even though it’s his pairings with outstanding female partners that really makes him shine. William Powell is the first to star as Vance and arguably the most successful. These films are fun and I can see why Powell would become very popular as a detective over the next 20 years.

12  For The Defense (1930)

Another movie starring Powell and Kay Francis, this time Powell plays an attorney defending the man that Francis is two-timing him for murder. This was a surprise hit for Paramount. A quickie, it was shot in a mere 15 days and its success immeasurably helped director John Cromwell‘s career, who would go on to direct Tom Sawyer, Of Human Bondage, Little Lord Fauntleroy, The Prisoner of Zenda, Algiers, Made For Each Other, Abe Lincoln in Illinois, and Dead Reckoning after this one.

11  Jewel Robbery (1932)

The last one on the list that also stars Kay Francis, this one is my favorite of all the ones they did together. Powell plays a gentleman thief…which reminds me that he would have been the perfect Arsene Lupin over the years if he had ever decided to take that character on.  This began as a stage play, and then turned into a movie, and you can really tell with the great dialogue.

10  Double Wedding (1937)

The first one on the list that features Powell with his best collaborator, Myrna Loy! They are most famous together in the Thin Man movies but they performed so much together over the years that most people thought they were really married, which caused a lot of trouble for the couple whenever they went on location as often the hotels would book them accidentally in the same room! They would eventually star in 14 films together.  When I mentioned earlier that he was engaged to Jean Harlow, but she died…it was during the filming of this movie. They had to shut down production for a few weeks and I think you can tell in Powell’s performance that he was distraught. Also, can I just mention that I hate his artist costume in this movie.

9  Mr. Peabody and the Mermaid (1948)

Fun little movie, seems like it would have been perfect for Don Knotts in the title role, but he was decades away from doing movies…Powell is still fun as always. Ann Blyth plays the mermaid in a very effective costume…at times she seems like a very real mermaid!  In an article in “Look” magazine that came out at the time the film was released Ann Blyth said that the hardest part of making the movie was trying to learn to swim while wearing the mermaid tail. She said that she practiced for more than a week before she felt comfortable with not being able to kick her legs to help her swim. During the film Ann Blyth has no dialogue. She laughs, sings (without words) and cries but does’t talk.

8  Libeled Lady (1936)

Great cast with Powell and Loy as usual, but with the additions of Jean Harlow and Spencer Tracy!  Reportedly, while shooting the movie, the four stars had become close friends, and William Powell even gave up his old habit of hiding out in his dressing room between scenes so he could join in the fun with the rest of the cast. One of the biggest jokes was a running gag Spencer Tracy played on Myrna Loy, claiming that she had broken his heart with her recent marriage to producer Arthur Hornblow Jr. He even set up an “I Hate Hornblow” table in the studio commissary, reserved for men who claimed to have been jilted by Loy. Myrna Loy recalled in her 1987 autobiography that a good time was had by all during the shoot – “Libeled Lady was one of the best of the so-called screwball comedies, with a great cast, and Jack Conway directing us at breakneck speed.” She praised her co-stars and also expressed her love for working with Walter Connolly, whom she described as “darling.” Some of the cast and crew travelled to the California mountains during production in order to shoot exteriors of the bucolic scenes. They spent nearly a week living cosily in small cabins, according to Myrna Loy, and enjoying the rustic scenery far from the bright lights of Hollywood. This was where William Powell filmed his bit of slapstick in which he must pretend to be an expert angler in order to impress Connie’s father. “It’s a hysterical piece of work,” praised Loy, “but then Bill was a very gifted man, able to do great comedy and tragedy, everything.”

7  The Great Ziegfeld (1936)

William Powell plays the great showman Florenz Ziegfeld Jr. in this biography of his life. He would go on to play Ziegfeld again later for a showcase of some of Ziegfeld’s finest work in Ziegfeld Follies.  Billie Burke, the wife of the real Florenz Ziegfeld Jr., never really rated the film much despite taking a personal interest in the writing of the script. She went to great lengths to make sure that writer William Anthony McGuire never besmirched the good name of Florenz Ziegfeld Jr., hence the playing down of his infidelities.  The Great Ziegfeld would become the first biopic to win an Academy Award for “Best Picture”. Powell himself would be nominated for My Man Godfrey, that same year.

6  I Love You Again (1940)

This one is quite fun, Powell plays a man who is a normal boring businessman that bumps his head a second time, which makes him recover from amnesia, only to remember his life as a con man before he had amnesia! In the process, he comes to learn that he’s deeply in love with the woman that is soon to be his ex-wife, Myrna Loy.  The fun part of this movie is the total change in Powell’s personality and then the wooing of his wife (coo-ing?). It does have a lengthy Boy Scout sequence, which is delightful, but to me, takes it away from the fun parts that are Powell-Loy laden.

5  Life With Father (1947)

I love Irene Dunne and she is really in fine form in this great family film.  In later years, Irene Dunne admitted that she hated playing the part of Vinnie, the wife, as she considered the part to be “rattle-brained”.  The original play, “Life With Father” is the longest-running Broadway non-musical play ever. It played on Broadway for nearly eight years (3224 performances), from 1939 to 1947 and held the record for 25 years until “Fiddler on the Roof” surpassed it. In the play, author Howard Lindsay played Father, Dorothy Stickney was Vinnie and Teresa Wright was Mary. The film version was released in 1947, the year that the Broadway run ended. William Powell had his 3rd Academy Award nomination for this role.

4  Manhattan Melodrama (1934)

Clark Gable adds to the fun in Manhattan Melodrama. Interesting thing about this is that both William Powell and Clark Gable were married to Carole Lombard, at different times, of course, neither during this movie.  This was also the first movie to feature Powell and Loy together. Interesting to note, this movie is probably most famous for being the movie that bank robber John Dillinger had just seen before he was gunned down in front of Chicago’s Biograph Theater on July 22, 1934. He had been set up by Anna Sage, the madam of a brothel, who knew Dillinger’s girlfriend, Polly Hamilton. Sage was facing deportation and thought the tip might get her off. She told FBI agent Melvin Purvis that she would be wearing orange which appeared red, leading her to be dubbed “The Woman in Red”. Dillinger was shot three times when he tried to escape, and Sage wound up being sent back to Romania.

3  Mister Roberts (1955)

William Powell’s last movie, based on the play which also starred Henry Fonda as Mister Roberts. The supporting cast in this film is incredible with great parts for James Cagney and Jack Lemmon, who won an Oscar for his role of Ensign Pulver. Initially directed by John Ford, one of the few non-westerns he did.  On this movie, he was apparently mean and abusive.  When John Ford met James Cagney at the airport, the director warned that they would “tangle asses,” which caught Cagney by surprise. Cagney later said: “I would have kicked his brains out. He was so goddamned mean to everybody. He was truly a nasty old man.” The next day, Cagney was slightly late on set, and Ford became incensed. Cagney cut short the imminent tirade, saying: “When I started this picture, you said that we would tangle asses before this was over. I’m ready now – are you?” Ford backed down and walked away and he and Cagney had no further conflicts on the set.  Later on, there was a disagreement between John Ford and Henry Fonda that led to Ford punching Fonda in the mouth, ending their 16-year personal friendship and eight-film professional relationship, even though Ford apologized to Fonda afterward. Fonda only appeared in one more Ford film after that. Ford was eventually dismissed from the film and Mervyn LeRoy took over.  John Ford’s dismissal from the film pushed him over the edge. He began drinking heavily, and was hospitalized in Hawaii for alcohol poisoning.

2  The Thin Man Mysteries (1934-1947)

To this day, these are the films that William Powell and Myrna Loy are most famous for, with good reason, they are awesome.  I don’t need to go into much detail, as I do that here in another blog post.  Now after you’ve read that go see the series, it’s great.

1  My Man Godfrey (1936)

My favorite movie featuring Powell is also the one that really features his ex-wife Carole Lombard most effectively.  It’s about a scatterbrained socialite, who hires a vagrant as a family butler…but there’s more to Godfrey than meets the eye.  William Powell suggested his ex-wife Carole Lombard for the leading role with the explanation that his real life romance with Lombard had been much the same as it was for the characters of Godfrey and Irene. Although stars William Powell and Carole Lombard had been divorced for three years by the time they made this, when offered the part Powell declared that the only actress right for the part of Irene was Lombard.  This is the only film to receive Oscar nominations for writing, directing and all four acting awards without being nominated for Best Picture. It was also the only film to receive those six nominations without winning in any of the categories until American Hustle (2013).

Top 15 Katharine Hepburn Movies

 

Finding just 15 movies to highlight from someone with a career like Katharine Hepburns is just literally insane…as she has well over 15 movies worth highlighting. She’s amazing, and quite possibly my favorite actress.  So I’ve narrowed the list down the only which way I could…I simply list my favorites. All of her films are worth watching, but if you’ve never seen any of them yet, here’s a good start:

15 – Summertime (1955)summertime

David Lean is famous for his grand epics, but it’s fun to highlight an intimate film like this for both Katharine Hepburn and David Lean. Katharine Hepburn was more than impressed with her experience working with David Lean. She even asked to sit in on the editing sessions with him to watch him at work. In her autobiography, she wrote, “[Summertime] was told with great simplicity in the streets, in the Piazza San Marco. We would shoot in tiny streets only a few feet wide. The sun would come and go in a matter of minutes. It was a very emotional part, and I tell you I had to be on my toes to give David enough of what he wanted practically on call. But it was thrilling… He seemed to me to simply absorb Venice. It was his. He had a real photographic gift. He thought in a descriptive way. His shots tell the story. He was capable of a sort of super concentration. It made a very deep and definite impression on me, and he was one of the most interesting directors I ever worked with. Wasn’t I lucky to work with him?”

This material is well within Hepburn’s wheelhouse but is very different for Lean. What I find to be of great interest with the material is that Hepburn had a great eye for stage plays and especially ones that would make fine transitions over to the big screen. Many of her success came from turning great plays into marvelous movies. The writer is Arthur Laurents who wrote the plays Home of the Brave, Gypsy and West Side Story.

14 – Stage Door (1937)stage-door

Another play (you’ll find that most of this list started out as plays), but this one is even more interesting, as it’s about the behind-the-scenes drama of actresses trying to make it big on Broadway. Originally, the writer of the stage play, George S. Kaufman, upset and bemused by the way the screenwriters had substantially changed the play, suggested that the title also be changed, to “Screen Door”. The screenplay was considerably altered from the hit stage play. Director Gregory La Cava was particularly gifted working with actresses. For two weeks prior to filming, he had his cast improvise in the boarding house set as if they were actually rooming together, and had a script girl take down all their interchanges. Most of the dialog you hear in the boarding house is extemporaneous ad-libs by the actresses during rehearsals. Just as an example of how much the play had been rewritten, Adolphe Menjou’s character was not in the original stage play at all.

Katharine Hepburn was in discussions to star in the original Broadway stage production of “Stage Door”, but Broadway producer Leland Hayward, reportedly jealous of her deepening friendship with noted film director John Ford, cast his then-girlfriend Margaret Sullavan in the leading role. Hayward and Sullavan married one month after the stage play opened. Margaret Sullavan was considered for the film version but became pregnant with their first child, and the part went to Katharine Hepburn.

13 – Guess Who’s Coming To Dinner (1967)hepburn_tracy_guess_whos_coming_to_dinner

Worth mentioning in this film is one of three of the finest speeches I’ve ever seen written for Spencer Tracy at the end of a film. The others being in State of the Union and Judgment at Nuremberg. Now particularly, in this film during this scene, Katharine Hepburn doesn’t have a single line and yet she speaks VOLUMES. The brilliant decision to have Tracy stand up and then move back to where Hepburn is sitting so that the camera has her in view as he gives the speech about their love, is simply a work of genius. I get choked up every time I see it, as the emotion erupting from both of them is palpable. It’s also important to note that this is their last film together and Tracy’s final film before he died. He would die a few weeks later, and I can’t help but think he was expressing how he really felt about her for all of us to see.

Hepburn would win one of her four Academy Awards from her performance in this movie and it’s not hard to see why, from a single scene where she doesn’t even speak. She’s that good. Ironically, Tracy and Hepburn would do a total of nine movies together but this film was the only one where they were both nominated for Academy Awards, but Tracy would lose out to Rod Steiger, for Heat of the Night, a film also starring Sydney Poitier. Both Tracy and Poitier had won Oscars previously, for other films.

12 – The African Queen (1951)katharine-hepburn-african-queen

There are two movies on this list where Hepburn is stuck on a raft or a boat going downstream with a gruff character, this one with Humphrey Bogart and Rooster Cogburn with John Wayne. The movie was directed by Bogart favorite, Walter Huston. In both movies, she plays a christian, a missionary in one and the minister’s daughter in the other. She took her part quite seriously in African Queen, according to Katharine Hepburn’s autobiography, John Huston initially found her performance to be too serious-minded. One day, he visited her hut and suggested that she model her performance on Eleanor Roosevelt; putting on her “society smile” in the face of all adversity. After Huston left, Hepburn sat for a moment before deciding, “That is the best piece of direction I have ever heard.” Lauren Bacall famously ventured along for the filming in Africa to be with husband Humphrey Bogart. She played den mother during the trip, making camp and cooking. This also marked the beginning of her life-long friendship with Katharine Hepburn.

11 – State of the Union (1948)katherine-state-of-the-union

What I love about Katharine Hepburn’s performances most is that she plays some incredibly strong women characters but in vulnerable ways. She lets little cracks come through, we see her characters doubt at times, even as she tries to keep her chin up and fight through. This one is directed by my favorite director, Frank Capra. This was a political film, and pride runs strong with Capra and most of it’s cast, but the country was going through some turmoil over what would be known as the Hollywood Blacklist. There was tension on the set between the strongly conservative Adolphe Menjou and liberal thinking Katharine Hepburn, who had recently made a public speech against America’s anticommunist hysteria and was facing a backlash as a result. Adolphe Menjou was a hard-line political conservative who had willingly co-operated with the House Un-American Activities Committee (HUAC) and named names. Katharine Hepburn was decidedly more liberal and had been an outspoken critic of the blacklist. When Hepburn learned Menjou had worked with HUAC, she refused to speak to or have anything to do with him unless they were filming a scene. Once the cameras were off, she kept her distance. They had previously worked together in two other films (Stage Door and Morning Glory) and had no problems those times. Perhaps the familiarity between the two had caused some deep disappointment in each other’s hard stand.

10 – Holiday (1938)hepburn-holiday

This is the first of three films on this list with her other frequent collaborator, Cary Grant. They are magic together. I love all the movies she does with Tracy, they seem like the perfect pair, but quite possibly what I love about Hepburn matched up with Grant is that they seemed like the perfect foes. They’re completely at odds with each other but Grant is not quite her equal, she’s a queen he keeps trying to knock off of her pedestal, whereas with Tracy they seem to be equals. This one was written by one of Katharine Hepburn’s favorite writers, Donald Ogden Stewart, who also wrote her other films, The Philadelphia Story, Keeper of the Flame, and uncredited work on Summertime. He was uncredited in many of his later screenplays as he was one of the writers that were eventually blacklisted by the (HUAC) House Un-American Activities Committee.

9 – Rooster Cogburn (1975)katherine-hepburn-and-rooster-cogburn

This is the latest movie on the list, and even though I liked her work in On Golden Pond in 1981, it didn’t quite make the list. This one was a follow-up to John Wayne’s Academy Award winning turn as Rooster Cogburn in True Grit. She enjoyed working with the Duke very much because they were both spitfires! Katharine Hepburn was bemused by co-star John Wayne’s tendency to argue with everybody, especially the director, during filming. At the party to celebrate the last day of filming she told him, “I’m glad I didn’t know you when you had two lungs, you must have been a real bastard. Losing a hip has mellowed me, but you!” The film received terrible reviews on release. Many critics felt that it was too obviously derived from The African Queen, and that both John Wayne and Katharine Hepburn were too old for their parts, but I really love seeing these two veteran actors going head-to-head. John Wayne and Katharine Hepburn were born a mere two weeks apart (Wayne being the eldest), and their careers paralleled each other, yet this film marked the only time the Hollywood veterans appeared together onscreen.

8 – Bringing Up Baby (1938)Bringing Up baby Lobby Card

Holiday, Bringing Up Baby and The Philadelphia Story all make my list as well for the Top 15 Cary Grant Movies, you can see the blog post here to see where they wind up on that list. I also talk about this movie in a blog post about What’s Up, Doc?, you can read that one here if you’re interested. Katharine Hepburn and Cary Grant frequently socialized off the set, double-dating with their respective steadies at the time, Howard Hughes and Phyllis Brooks. They loved working on the film so much that they frequently arrived early. Since Howard Hawks was usually late, they spent their time working out new bits of comic business. Hawks and Hepburn started out a little rough at the beginning of shooting.  After the bad start, Hawks grew to respect Hepburn tremendously for her comic timing, ad-libbing skills and physical control. He would tell the press, “She has an amazing body – like a boxer. It’s hard for her to make a wrong turn. She’s always in perfect balance. She has that beautiful coordination that allows you to stop and make a turn and never fall off balance. This gives her an amazing sense of timing. I’ve never seen a girl that had that odd rhythm and control.” I talk a little more about this film in a blog post about the Top 15 Films Directed By Howard Hawks.

7 – Desk Set (1957)katharine-hepburn-desk-set

This one was written by Phoebe Ephron and Henry Ephron, the mother and father of Nora Ephron! Great writing runs in the family! I love this movie as an older couple meet and fall in love.  It’s also got some very interesting research details and a fun computer bit. The computer dates the film however because it’s so big and blinky.

6 – Alice Adams (1935)

ALICE ADAMS, Fred MacMurray, Katharine Hepburn, 1935

George Stevens directed Hepburn in Alice Adams and Woman of the Year. Both films make my list but her character is so starkly different! The first one is about a young woman trying to break through certain social circles, very unsure of herself and naive and the second is a very strong reporter trying to make it in a man’s world, very secure and confident.  She enjoyed working with him but he really pushed her to be a better version of herself. She was having problems with her public persona, which was of a cold woman. She credits Stevens for her change in the public’s perception, by helping her, in “Alice Adams”, portray more warmth and vulnerability than she had ever shown previously. For example, there was a disagreement among Hepburn and Stevens about the post-party scene. The script called for Hepburn to fall onto the bed and break into sobs, but Stevens wanted her to walk to the window and cry, with the rain falling outside. Hepburn could not produce the tears required, so she asked Stevens if she could do the scene as scripted. Stevens yelled furiously at Hepburn, which did the trick and the scene was filmed Stevens’ way, and Hepburn’s tears are real. I think this scene is dead right the way Stevens has created and set the mood.

5 – Lion in Winter (1968)katharine-and-lion-in-winter

Katharine thought very highly of Peter O’Toole. She thought he could do anything, strong but kind, funny but dramatic…she really admired him. Although Hepburn was a great admirer of his work, she had no intention of putting up with the rather bad habits he often exhibited on his productions. “You’re known to be late,” she told him on the first day of work. “I intend for you to be on time. I hear you stay out at night. You’d better be rested in the morning if you’re going to work with me!” O’Toole meekly obliged when she told him “Peter, stop towering over me. Come and sit down and try to look respectable.” O’Toole readily admitted in her presence that she reduced him “to a shadow of my former gay-dog self.” “She is terrifying. It is sheer masochism working with her. She has been sent by some dark fate to nag and torment me.” Her reply: “Don’t be so silly. We are going to get on very well. You are Irish and you make me laugh. In any case, I am on to you and you to me.” In spite of her stern warnings, she enjoyed O’Toole tremendously. She said his vigour and energy helped restore her own vitality at a time when she really needed it.

This film is also the first film for Timothy Dalton and Anthony Hopkins. Timothy Dalton was hugely impressed by Katharine Hepburn, particularly when she came in to shoot reverse shots with him on her day off from filming.

4 – Little Women (1933)little-women-katharine-hepburn

She got the coveted iconic role in this one and runs away with the film. It helped to cement a long relationship with director George Cukor, who would go on to direct her in Sylvia Scarlett, Holiday, The Philadelphia Story, Keeper of the Flame, Pat and Mike, and Adam’s Rib. Katharine Hepburn wrote in her autobiography, “This picture was heaven to do – George Cukor perfect. He really caught the atmosphere. It was to me my youth!”  The third screen adaptation of the novel, following silent versions in 1917 and 1918. Little Women would be filmed a total of 8 times for film and several more times as TV shows and a couple mini-series!

3 – Woman of the Year (1942)woman-of-the-year-katharine-hepburn

This is the first of nine films Hepburn and Tracy would do together. She was unaware of how they would do together onscreen for the first time and wondered if they had the right chemistry.  The first scene shot was the characters’ first date, in a bar. Hepburn was so nervous she spilled her drink, but Tracy just handed her a handkerchief and kept going. Hepburn proceeded to clean up the spill as they played the scene. When the drink dripped through to the floor, she tried to throw Tracy off by going under the table, but he stayed in character, with the cameras rolling the entire time. After this she knew the two of them would be golden as they became so comfortable together, she knew it was magic. As Hepburn’s close friend and frequent director, George Cukor was a natural choice to direct, but for her first film with Tracy, Hepburn wanted Tracy to be as comfortable as possible, so as a quasi-producer, she hired George Stevens, who had directed her in Alice Adams. As Hepburn said, “I just thought he (Tracy) should have a big, manly man on his team – someone who could talk about baseball.” Cukor (who was openly gay and known for his friendships with actresses) would later become a good friend of Tracy and would direct both actors in 3 more movies.

2 – The Philadelphia Story (1940)philadelphia-story

Grant trying to knock Queen Hepburn off her pedestal is never more evident than in this movie. He even calls her a Queen and mocks he high and mightiness, in a marvelous duel of words between exes that were never more in love than when they were fighting. To get back at him she falls off the pedestal for short time and lands in Jimmy Stewart’s arms. James Stewart never felt he deserved the Best Actor Oscar for his performance in this film, especially since he had initially felt miscast. He always maintained that Henry Fonda should have won instead for The Grapes of Wrath (1940), and that the award was probably “deferred payment for my work on Mr. Smith Goes to Washington (1939)”, but I thought he was great in this one as well.

1 – Adam’s Rib (1949)adams-rib

I wrote about how gracious Hepburn was with co-star Judy Holliday in this film, in a blog post you can read here. What I didn’t talk about in that post was how great she is in the movie, on her own right. Written by husband and wife Ruth Gordon and Garson Kanin, they would become lifelong friends of Hepburn and Tracy and Kanin would also go on to write an intimate biography on Hepburn and Tracy.

Interesting bit of trivia, in the memorable Tracy-Hepburn massage scene, a radio plays Frank Sinatra singing Cole Porter’s “Farewell, Amanda,” a gift to Amanda Bonner (played by Hepburn) from her songwriter-neighbor, Kip Lurie (played by David Wayne) who, earlier in the picture, had crooned the ditty, accompanying himself on the Bonners’ piano. While Adam Bonner (played by Tracy) is massaging his wife, he abruptly shuts off the radio. Sinatra is again heard when a record is accidentally started in a later scene. This prerecording of “Farewell, Amanda” is lost.

Madeline Kahn, Comedienne

 

Madeline Kahn’s first role was as the dowdy fiancee to Ryan O’Neal’s professor in Peter Bogdanovich’s What’s Up, Doc? and she steals the movie right out from under him and the film’s star Barbra Steisand. In defense of Barbra, she has stated in interviews that she didn’t get the comedy…but it’s obvious that Madeline did, because she nailed it. I talk about that film here. It’s no surprise that she would become a star in her own right and a permanent fixture over the next 20 years with the biggest comedy filmmakers, like Mel Brooks, Gene Wilder, Burt Reynolds and Neil Simon.madeline-kahn-whats-up-doc

Her next follow-up film was again for Peter Bogdanovich and Ryan O’Neal in Paper Moon. She would go up for an Oscar nomination, but in that film, 9 year old, Tatum O’Neal, Ryan’s real-life daughter steals the show and walks away with the Academy Award, to boot. Madeline is good as always. She soon found more comedians to work with when she did Blazing Saddles the very next year with Mel Brooks and Gene Wilder. They really loved her and would spent the next ten years casting her in Young Frankenstein, The Adventures of Sherlock Holmes Smarter Brother, High Anxiety, and History of the World, Part 1.paper-moon-madeline-kahn-1973

Burt Reynolds would work with her the year after that for the first time in Peter Bogdanovich’s At Long Last Love, which was a musical. It played to Madeline’s strengths as she was an Operatically trained singer. The film failed at the box office, however, I believe because no one wanted to see Burt sing, although he does it well. She would work again with Burt in City Heat along with Clint Eastwood.  Neil Simon would work with her for the first time in 1978 in The Cheap Detective, with Peter Falk. Madeline Kahn’s Mrs. Montenegro character is a spoof of Mary Astor’s Brigid O’Shaughnessy in The Maltese Falcon. She would do another Neil Simon years later for London Suite in 1996. The third of Neil Simon’s “Suite” movies, the others being Plaza Suite (1971) (remade as Plaza Suite (1987)) and California Suite (1978). It’s the fourth made of Simon’s “Suite” movies counting the TV remake.madeline-kahn-in-cheaper-detective

Now all of these films of hers are worth watching, but my favorite of hers is the movie Clue, which came out in 1985. If you haven’t seen this movie based on the board game, it’s fantastic. The cast is amazing and was given some leeway in improvising some of their dialogue. An example of this is Madeline Kahn’s improvising of “flames, flames…” which is just brilliant. It’s been said that the cast of great comedians loved working together on that film and it’s no wonder that Madeline is a favorite of everyones. Many directors, writers, actors and filmmakers would recast her time and time again. She was that good.  She’s definitely missed.madeline-kahn-in-clue

Robby Benson, Actor-Writer-Director-Singer-Professor

 

I love it when father and sons get together to write a screenplay, Rance Howard and Ron Howard for Grand Theft Auto come to mind and Robby Benson and his father Jerry Segal wrote One on One together.  Both films were released in 1977.  I wrote about the first one in a blog post you can read here.  Robby Benson was already a pretty big child star up until that point and started to become what is commonly known as a teen idol, showing up in tons of teen magazines. I know because he was one of my sister’s favorites and we had Dynamite magazines laying all over the house. He was about to explode to super-stardom with One on One as well as Ice Castles (one of my family’s all time favorite) the very next year.ice-castles-robby-benson

Both could be considered sports movies, as One on One is a movie about basketball, but Ice Castles is a movie about ice skating. We already loved him as an actor, but deep inside he had a talent for writing and singing that we were not aware of until he decided to star in and write the music for a movie called Die Laughing in 1980. My brother and I LOVED that sound track and would record it directly off our video copy straight on to a good old cassette tape that we proceeded to listen to thousands of times over the next decade! We’re still looking for a decent CD of it, but recently I have found workable digital copies of the songs that someone was thoughtful enough to transfer online. This film is hilarious, and Robby Benson does some fun acting, writing and singing for it. Definitely a sleeper if you get a chance to find it anywhere, snatch this movie up.

DIE LAUGHING, Robby Benson, 1980. ©Orion Pictures
DIE LAUGHING, Robby Benson, 1980. ©Orion Pictures

He would go on to act in several films over the years, and started to add to his abilities by directing back-to-back pictures with White Hot in 1989 and then Modern Love with wife Karla DeVito in 1990. He eventually moved completely behind the camera as a director, but once in a while you can hear his voice again like as the Beast in Disney’s Beauty and the Beast.  I just wish he sang more in that movie. He directed a lot in the 1990’s and 2000’s, with Evening Shade, Thunder Alley, Ellen, Friends, The Naked Truth, Jesse, The Huntress and 8 Simple Rules. Since then he’s written a few books (Who Stole The Funny?, I’m Not Dead…Yet), a play (Open Heart…and another one on the way) and has been a professor at New York University’s Tisch School of the Arts, the University of Utah, University of South Carolina, and Indiana University.professor-robby-benson

We look forward to whatever he decides to tackle next!

Darkman, A Comic Book Superhero Movie That Never Was a Comic Book

 

Sam Raimi has a few franchise films worth noting. A really popular horror franchise and a really good comic book superhero franchise come to mind. (Evil Dead…Spider-Man) But there was a time he did a mash-up before mash-ups became a thing…with 1990’s Darkman series.  Starring Liam Neeson as the Darkman in the title, along with Frances McDormand, Ted Raimi, Colin Friels and Larry Drake, it’s a wonderfully creative tale and works as a superhero movie, comic book movie and a horror at times. Liam, Frances and Larry all give great performances. I wish they would come back to this series as it’s a fun one, maybe as a future TV show like they did with the Evil Dead series.  darkman-wallpaper

Sam Raimi originally wanted to do a movie of the famous “The Shadow” series, could not obtain the rights, so came up with his own movie similar to that one and called his character, Darkman. He also Drew inspiration from The Hunchback of Notre Dame, The Phantom of the Opera, Batman, The Invisible Man and The Elephant Man. When they went into production he wanted to cast his production partner up until that time, Bruce Campbell, but the studio he was working with didn’t think he was good enough to sell the movie. For the role of Darkman, Sam Raimi wanted someone who could play a monster with the soul of a man. An actor who could do all that beneath a lot of makeup.darkman-2

Bill Paxton was almost cast as Peyton Westlake (Darkman). According to Paxton, he told his friend Liam Neeson about the audition. When Neeson got the the role, Paxton was so angry that he did not speak to Neeson for months. Some of Darkman’s elements were inspired by Batman. Liam Neeson worked 18 hour days in ten-piece makeup, but he liked the challenge, and the idea of working behind a mask on camera, as well as exploring the possibilities this entailed. Neeson also had input on the costume he wore as Darkman, especially the cloak. The hardest part was speaking with false teeth, because he didn’t want them to move at all.  Sam Raimi is a fan of the Batman character, and was among those passed over to direct Batman (1989). Larry Drake and Liam Neeson would later work on Batman Beyond: The Winning Edge (1999) and Batman Begins (2005) respectively.darkman-pic

Larry Drake was cast because of the way he underplayed Durant. Quiet, careful, but intense. Sam Raimi had never watched a single episode of L.A. Law (1986), where Drake played the developmentally disabled Benny (I believe he won an Emmy award for this role and if you’ve seen him in this, he’s awesome!). But Drake’s face reminded him of a modern day Edward G. Robinson. He looked so mean and domineering, yet he had an urban wit about him. Raimi believed these qualities made him the perfect adversary for Darkman.darkman-larry-drake