Tag Archives: Walt Disney

1962, 1973, 1976, 1977, 1988, 1991, 1993, 1994, 1997, 2002, 2005, 2006, 2007, Comedy, Forgotten Films, Success

Top 15 Jodie Foster Movies

March 29, 2017 Donovan Montierth Leave a comment

Here’s another fine actress, that transitioned well from child star to great adult actress. A Disney player of the 70’s who managed to make intriguing and emotional role choices over the years and won an Academy award for her efforts. I loved her early Disney movies and respected her choices later on; easily as comfortable in a drama as a thriller or a comedy. Like all of my favorites, she’s versatile and adept at all genres. Here’s a list of my top 15 favorite Jodie Foster films:

15 – Taxi Driver (1976)

Jodie Foster has chosen some gritty roles over the years, not one to shy away from an uncomfortable role by any means. She seemed to do this early on in her career, trying as hard as possible to stretch herself as an actress, beyond her comfort zone. This is one of those roles. It’s interesting to me that she chose to do this role of a teenage prostitute in the midst of her popularity as a Disney star. Dangerous move, but one that ultimately proved to the Industry, at least, that she was an Academy Award caliber actress. I personally drift to her more funny or light-hearted movies, but there certainly is no denying her talent and ability to master any role and genre. This was her first nomination for an Oscar. Tough subject matter.

14 – One Little Indian (1973)

Now this Disney film was pretty neat because it’s the first time that James Garner and Jodie Foster would work together and when they worked together again it was over 20 years later, for Maverick (1994). Pretty typical fare overall, and similar to her other Disney work at this time, she was gearing up to be the star, even then you can see she was something more than a supporting actress.

13 – The Little Girl Who Lives Down The Lane (1976)

I put this film on the list because I think it’s pretty scary, although I haven’t seen it in 20 years, it spooked me pretty bad. To be fair, in interviews, Jodie Foster usually refrains from saying which of her films are her least favorites, but she has let it slip that this movie isn’t one she is fond of, explaining, “When people are there to simply do a job they don’t have any passion for, those are nearly always bad films.” It was first top-billed lead role in a major motion picture for Jodie. 1976 was definitely her breakout year, although from the 5 movies she did that year I prefer the Disney film, Freaky Friday, the most.

12 – Inside Man (2006)

Jodie, being fluent in French, dubbed herself in the French version. Jodie filmed her part in three weeks, and it’s a very different part for her, but as always she’s very good. It’s a pretty fun heist movie and my favorite Spike Lee film. Denzel Washington and the cast was allowed to ad-lib at times, he just seemed especially adept at it. The scene in the coffee shop was improvised. On the DVD commentary, Spike states that when Denzel ad-libbed the line, “I’ll bet you can get a cab though,” he nearly ruined the take by laughing really loud.

11 – The Brave One (2007)

Interesting to note, Nicole Kidman was originally cast as Erica. Jodie would be cast when Nicole dropped the project. Jodie also took over Kidman’s role in Panic Room (2002). It was Jodie’s idea for Erica to record sounds of the city for her radio show. Foster walked for miles all around Manhattan with headphones on to prepare for the role. The movie is like the female version of Death Wish, with Jodie playing the Charles Bronson role.

10 – Flight Plan (2005)

Jodie Foster’s role was originally written for Sean Penn. The original character’s name of “Kyle” was even kept. Coincidentally, Penn’s role in The Game (1997) was originally intended for Jodie Foster. A bereaved woman and her daughter are flying home from Berlin to America. At 30,000 feet, the child vanishes, and nobody will admit she was ever on the plane. It’s Lady Vanishes, on a plane!

9 – The Accused (1988)

Probably the most brutal role for any actress ever. What she has to go through to even film this is unfathomable. The movie is based on a real-life gang rape that occurred on 6 March 1983 at Big Dan’s Bar in New Bedford, Massachusetts. The bar lost its liquor license the very next day. Upon seeing a pre-screening of the film, Jodie Foster thought her performance as Sarah Tobias was so awful that she immediately began preparing for and taking the GRE’s for graduate school. She was prepared to leave her film career behind and focus on academia…until she won the Academy Award for her performance.

8 – Stealing Home (1988)

This is one of those rare movies that no one seems to know about, but that I love. I tell people about it all the time and convince them to watch it and they usually thank me for it later. Mark Harmon plays a washed-up baseball player who is called back home to handle the ashes of his childhood sweetheart/ first love (Jodie) who had committed suicide. As he searches for what to do with them, he remembers the past and the relationship they had. In doing so he finds himself again. This movie was reportedly based on the real-life experiences of its writers, former Second City troupe members and WKRP in Cincinnati writers Steven Kampmann and William Porter. The two lead actors (Jodie and Mark) never even have a scene together.

7 – Panic Room (2002)

Another one of her great thrillers. This one is top notch, great cast, great crew all around. A divorced woman and her diabetic daughter take refuge in their newly-purchased house’s safe room, when three men break-in, searching for a missing fortune. As I stated earlier, Nicole Kidman was originally cast in the role of Meg Altman. Then, only eighteen days into filming, Kidman had to leave the film as well, due to a recurring knee injury, suffered during the filming of Moulin Rouge! (2001). David Fincher suggested that the studio close the production and collect the insurance, but the studio decided to go on. Jodie Foster was offered the role. She was due to be the president of the Cannes Film Festival jury but withdrew to work with Fincher, with whom she was originally supposed to work on The Game (1997) in the role now played by Sean Penn. Foster had only nine days to prepare for the role. Kidman left a small mark in the film nevertheless, however, as the voice of the girlfriend of Foster’s husband in the movie, heard answering the phone when Foster’s character calls him in a desperate attempt for help.

6 – Sommersby (1993)

An example that she can do it all, this is a great romantic film. A farmer’s wife begins to suspect that the man in her bed is an impostor after he returns home from the Civil War, based on the French film, The Return of Martin Guerre. Steven Reuther, one of the producers behind the project commented about the casting of Gere and Foster: “A lot of people questioned us about this coupling. And it was a gamble, because there are the obvious romantic leading females, and Jodie really is not one of them. Also, I don’t think anyone had ever seen Jodie in a period costume. But once we got her in the period clothes and the hair, it was like, ‘How could there have been a question?’ I think that part of why she was attracted to the character was because it was something she had never done before.”

5 – Candleshoe (1977)

I love this movie, which is kind of an alternate telling of the story of Anastasia but with a treasure hunt mixed in. Helen Hayes and David Niven are just fantastic in it as well as Foster. It’s the last of three theatrical movies that actress Helen Hayes made for the Walt Disney Pictures studios during the 1970s. The earlier films were Herbie Rides Again (1974) and One of Our Dinosaurs Is Missing (1975). Screenwriter David Swift, who in the early 1960s directed Pollyanna (1960) and The Parent Trap (1961) for Walt Disney, developed this project for the company and was set to direct it. However, he felt Jodie Foster (then one of the most popular teenage actresses in the country) was all wrong for the part of Casey and stepped down. Boy, was he wrong, she is really great in this.

4 – Freaky Friday (1976)

The most popular of Jodie’s Walt Disney films, it’s a really fun movie and still holds up today, even with all the period clothes. The only time I can remember Jodie singing for a film, the title song “I’d Like to be You for a Day” is sung by Barbara Harris and Jodie Foster. Both Jodie Foster and Barbara Harris were nominated for Best Actress – Musical or Comedy at the 1977 Golden Globes for this film. Technically, as they also played each other’s characters, they were both nominated for playing the same characters. Jodie Foster said of the film whilst doing press publicity for the picture around the time the movie first launched: “I think it’s important for my career that I make all different kinds of films. I’m proud that I made Freaky Friday. And I thought the idea was terrific. A lot of my friends think it’s my best picture. I really like working for Disney”. The date of the “Freaky Friday” in the movie’s story-line was a Friday the 13th.

3 – Silence of the Lambs (1991)

This is the movie that comes up generally as the best of Jodie’s films, and I do love it, but it’s not my favorite. It is Jodie’s 2nd Academy Award win after The Accused. Anthony Hopkins won as well for his portrayal of Hannibal Lecter. Jodie Foster claims that during the first meeting between Lecter and Starling, Anthony Hopkins’s mocking of her southern accent was improvised on the spot. Foster’s horrified reaction was genuine; she felt personally attacked. She later thanked Hopkins for generating such an honest reaction. Anthony Hopkins and Jodie Foster only share four scenes throughout the course of the film. With 24 minutes and 52 seconds of screen time, Anthony Hopkins’s performance in this movie is the 2nd shortest to ever win an Academy Award for Best Actor in a Leading Role, with David Niven in ‘Separate Tables‘ beating him at 23 minutes and 39 seconds. Clarice Starling was chosen by the American Film Institution as the sixth greatest film hero (out of fifty), the highest ranked female on the list; Hannibal Lecter was chosen as the #1 greatest film villain (also out of fifty).

2 – Maverick (1994)

This film is just really great fun. Not only does Jodie get to work with one of her favorite actors, Mel Gibson, but she was reunited with James Garner again after 20 years when working with him when she was a child. They all have some funny stuff in this. Jodie Foster’s character’s gracelessness in the film stems from the first scene she shot, when she waited for Mel Gibson to help her down from the stagecoach. Instead, he took her parasol and walked away. She tried to get down alone and flopped to the ground. Director Richard Donner liked it so much he kept the shot in the film, and staged more scenes of Foster stumbling, being dumped through windows, etc. In the stagecoach chase sequence, stuntman Mic Rodgers (doubling for Mel Gibson) had to go under the coach and get up at the back. This is a direct nod to legendary stuntman Yakima Canutt’s similar stunt in Stagecoach (1939). By coincidence, second-unit director Terry Leonard, a former stuntman himself, performed this same stunt in the truck chase in Raiders of the Lost Ark (1981). I specifically talk about the stunt in the blog post, http://brothers-ink.com/2015/09/stagecoach-and-zorros-fighting-legion/ and again for the Indiana Jones stunt in the blog post http://brothers-ink.com/2015/12/stunt-team-for-raiders-of-the-lost-ark/

1 – Contact (1997)

This is one of the finest films, in what is a library of marvelous films by director Robert Zemeckis. It’s got one of the most remarkable tracking shots I’ve ever seen for any film. Ask my wife, I have literally watched and rewound this shot a hundred times trying to figure it out. Apparently, I learned later, this impossible shot, the long shot of Ellie as a child running up the stairs to get medicine, was actually filmed as a normal shot would have been and then flipped and placed in the mirror which, at the time of shooting was a blue screen placement in the cabinet. Any way you look at it, it’s a thing of beauty. Sorry, back to Jodie…Jodie Foster was interested in this movie as early as 1995. After initially deciding to drop out, her interest was resparked by a new revision of the script. Her character, Ellie is based partly on real radio astronomy pioneers and extra-terrestrial intelligence researchers. There’s also some Carl Sagan in her. He wanted a female hero to inspire girls to pursue science. Jodie really connected with that, being an academic herself. So much so that in 2011, Jodie was part of a group of private donors that saved SETI’s telescope array in California.

2015, Success

Best Speech I Ever Heard Was From Ron Suskind

December 10, 2016 Donovan Montierth Leave a comment

I was waiting, along with 500 attorneys for the keynote speaker at an ABA Solo event(American Bar Association) in Boston, during lunch last year (September 2015), when we were told that he would be unable to make it due to a medical emergency the night before. He was in the hospital. They told us that they reached out to a Senior Fellow at Harvard’s Edmond J. Safra Center For Ethics, and he agreed last minute to fill in and speak with us. I thought then, “How good can this be, he’s filling in at keynote last minute…”. Pretty lofty if you think about it, for even the best speakers, even if they do talk regularly in front of students every week. 500 lawyers. An educated room. Try engaging that group and keep their attention longer than 5 minutes. In my head I was thinking he had 3 minutes tops before half the room was looking up their email on their cell phones.

They announced him as Pulitzer Prize-winning journalist, Ron Suskind. “Pulitzer Prize…that’s interesting, let’s see what he’s got, ” I thought. I consider myself as somewhat of a writer as well, no where in his sphere, but decent and work-able in my own interests…so I found some common ground to give him some, if not all of my attention, (at least until my phone sounds off letting me know I have email) for the sake of supporting a fellow writer. A small man in his fifties in a blue suit made it to the stage. First thing he did was curious, he took the mike off the podium and then he stepped to the side. He made some kind of joke about his stature and being hid by the podium. I had a feeling that he was going to be interesting, if not unconventional, right from the start.

Now, he gave us his background briefly; he attended University of Virginia, graduated and then a master’s degree at Columbia University Graduate School of Journalism, straight to the Wall Street Journal where he became senior national affairs reporter, wrote 4 books about presidential power (a few fun stories about the Clintons), and then won a Pulitzer Prize for two articles he wrote about Cedric Jennings a student at inner-city Ballou High School in Washington D.C. who wanted to attend MIT. Now, it’s here when he started talking about Cedric where he really grabbed the attention of the room. He talked about how he was able to gain the trust of this poor under-served teenager and to write about his journey. This is where the story of his life changed.

He started to talk about his autistic son, Owen. Here was a highly educated man, who communicated for a living both as a speaker and a writer…he never found it hard reaching an audience and communicating ideas. But he couldn’t reach his son. He couldn’t communicate to Owen. His wife, Cornelia, his oldest son, Walt, and himself, found themselves in a daily existence where words failed them. They sought out answers from all different sources, experts, and establishments designed to help families with autistic children. Nothing helped and they grew frustrated and desperate. Then one day, they had a breakthrough from a very unusual source. Through Disney animated movies. They found that Owen had a voice and that they could communicate through the dialogue of an animated film. You see, Owen’s past-time over the last several years was watching Disney movies. It’s the only thing they could do to keep him occupied. And by accident, they realized that they could actually talk to him and he would understand and talk back by using the voices and dialogue from the Disney films. Because he knew them by heart.

About here is when I realized that over an hour had gone by, probably closer to 2…and the room was still rapt. He had us completely enthralled by his story…his journey over the last 10 years with his family. No one had ever reached for a single phone… email, work and everything completely forgotten to hear a story about what mattered most to all of us; personal relationships and how we can go about communicating and finding common ground. His next book about this experience was called Life, Animated: A Story of Sidekicks, Heroes, and Autism. Now a New York Times Bestseller. He has since spoken to audiences at the United Nations; testified in front of the United States Congress; and appeared on numerous TV and radio shows, including ABC’s Good Morning America, NBC’s Nightly News with Brian Williams, CBS’s Sunday Morning, NPR and The Daily Show with Jon Stewart.

A documentary film has been produced and directed by Academy Award-winning filmmaker Roger Ross Williams and is already winning awards all across the country. Now, you have a list of to-do items; read the book, watch the documentary, communicate with your kids. Also, if you get a chance to see Ron Suskind speak…by all means and whatever it takes…DO IT! He’s amazing and well worth the few hours you spend with him and the 100’s of hours after that you will spend thinking about it later. I’m not one to usually ask for a picture with celebrities, politicians or influencers…but in this case, I couldn’t help myself, he was that good. I am privileged to have been in the room that day and encouraged to spread the word.

1976, 1990, Stunts

Stuntman Spotlight: Allan Graf

November 16, 2016 Donovan Montierth Leave a comment

Often called “Coach” by his crew on any given set, because he works on so many sports films coordinating stunts or second unit direction. After playing football with USC during their remarkable undefeated season in 1972 and then briefly for the Los Angeles Rams in the early 70’s, he got his start in the movies as a stuntman on the Walt Disney sports film, Gus (1976) doubling Dick Butkis and he never looked back. For the next 40 years he moved from stuntman to stunt coordinator and then to second unit director on some of Hollywood’s biggest films.

You may recognize Allan as he often casts himself in roles for realism and safety when he coordinates stunts on a film or is the 2nd Unit Director. A great example of this is during Walter Hill’s Another 48 Hours (1990) with Eddie Murphy and Nick Nolte, where he was the stunt coordinator and he cast himself as the bus driver in the incredible bus flip. He performs a “cannon-roll” using the prison bus at speed, lifting the bus 17 feet (5.2 m) in the air with dynamite, and rolling it down the highway for 285 feet (87 m). Very cool stunt indeed, here’s the clip, judge for yourself:

For a successful football player to organize and coordinate some of the biggest football movies over the past 40 years makes sense. Like Necessary Roughness (1991), The Program (1993), Jerry Maquire (1996), The Waterboy (1998), Any Given Sunday (1999), The Replacements (2000), Friday Night Lights (2004), Gridiron Gang (2006), The Express (2008) and When the Game Stands Tall (2014).

Here’s his football reel I found on IMDB: http://www.imdb.com/video/demo_reel/vi3445660697

But what is equally impressive is his list of stunts, stunt coordinator and/or 2nd unit director work he’s done on such non-sports related movies, which includes: The Cannonball Run (1981), Star Trek II: The Wrath of Khan (1982), Robocop (1987), Total Recall (1990), Wayne’s World (1992), Broken Arrow (1996), Independence Day (1996), We Were Soldiers (2002), Due Date (2010), The Hangover II (2011), The Dark Knight Rises (2012), and The House (2017) which comes out next year with Will Ferrell and Amy Poehler. And that’s just to name a few, trust me this guy’s a machine!

Here’s his full reel, I found on YouTube:

1927, 2006, Comedy, Forgotten Films

Oswald the Lucky Rabbit

September 23, 2016 Donovan Montierth Leave a comment

If you’ve been to Disneyland lately, specifically California Adventure, you will notice a “new” character walking around the theme park. It’s non-other than Oswald the Lucky Rabbit. I say “new” because he was actually the first animated character created by Walt Disney and Ub Iwerks in 1927, before he created Mickey Mouse, but he never owned the rights to him, until the Disney Company traded the rights for Oswald and all of his original Disney produced animated shorts with NBC/Universal in 2006 for the services of Al Michaels as play-by-play announcer on NBC Sunday Night Football (thank you Al Michaels, that was a Win/Win for us all).

Now, if you’re a Nintendo game fan, then you’ll recognize that they put Oswald to use almost instantly in the video games, Epic Mickey, Epic Mickey 2: The Power of Two and Epic Mickey: Power of Illusion. Here’s some more interesting facts about Oswald:

He was voiced by the same person that eventually would go on to become the voice of Goofy – Pinto Colvig, from 1930-1931.
Was voiced by actor Mickey Rooney after Pinto left in 1931.
Was voiced by Walter Lantz in 1935, who would become famous later for creating another famous animated character, Woody Woodpecker.
In the last animated short to feature Oswald, The Egg Cracker Suite (1943) he was voiced by June Foray, who would go on to voice Natasha and Rocky the Squirrel, in the Rocky and Bullwinkle cartoons.
Featured in DC Comics and Dell Comics over the years.
Was the first Disney character to sell merchandise.
The full version of the animated short Oh, What a Knight is included as an unlockable cartoon in Epic Mickey by collecting various film reels in the game.
Oswald won Best New Character in both Readers’ Choice and Editors’ Choice in Nintendo Power’s Best of 2010 awards.

1986, 1989, 1991, 1992, Shocking Deaths, Stories From Hollywood

Watch Howard Ashman Direct Jodie Benson in Disney’s The Little Mermaid

July 27, 2016 Donovan Montierth Leave a comment

This clip is a treasure in that it really shows how Howard Ashman was able to pull the most amazing performance from Jodie Benson who plays Ariel in Disney’s The Little Mermaid for the song “Part of Your World”.

You’ll see what a really great director can do to enhance what an Actor brings to a particular moment in time. “Part of Your World” has always been my favorite song of any Disney musical and I especially love how the song has such an intimate way about it when Ariel seems so conversational and almost whispers in spots. Now I know how they got to such a wonderful place with that song and it seems like so much work went into something that everyone takes for granted as something that just feels so right — almost a perfect little moment in time.

It’s sad to me that this wonderful musical director and writer was taken way too soon at only 40 years old due to AIDS. He partnered up with Alan Menken and created Little Shop of Horrors and then went on to write songs for The Little Mermaid, Beauty and the Beast and Aladdin before dying way too young. You can see in this clip how talented he was and how passionate about the music he was. It’s easy to see here where his talent would have lead him. Ashman was nominated for 3 Tony’s and won 2 Grammys, 2 Golden Globes and 2 Oscars for the music of The Little Mermaid and Beauty and the Beast in his short time.

Alan Menken (music) and Howard Ashman (lyrics) accept their Oscars for Best Original Song for "Under the Sea," from the film THE LITTLE MERMAID (1989). Behind them are presenters Paula Abdul and Dudley Moore. Credit: Long Photography / ©A.M.P.A.S. — Alan Menken (music) and Howard Ashman (lyrics) accept their Oscars for Best Original Song for “Under the Sea,” from the film THE LITTLE MERMAID (1989). Behind them are presenters Paula Abdul and Dudley Moore.
Credit: Long Photography / ©A.M.P.A.S.

In 1988, while working on The Little Mermaid, Ashman pitched to Disney the idea of an animated musical adaptation of Aladdin. After he wrote a group of songs with Menken and a film treatment, a screenplay was written by Linda Woolverton, who had worked on Beauty and the Beast. Then directors John Musker and Ron Clements joined the production. The story underwent many changes and some elements of the original treatment were dropped. Out of the 16 songs written for Aladdin, three of Howard’s songs ended up in the finished film, which was released after his death.

Ashman became a driving force during the early years of the Disney Renaissance. He would hold story meetings and said the animation and musical styles were made for each other which is why Disney needed to continue making musical movies. During early production of Aladdin, Ashman and Menken were approached to help turn Beauty and the Beast into a musical, as it started out being a straight animated movie, with no musical numbers. It was at this time that his health began to decline due to his illness. Regardless, he completed lyrical work on Beauty and the Beast before succumbing to AIDS. The film was released mere months after his death and includes this dedication, “To our friend Howard, who gave a mermaid her voice and a beast his soul, we will be forever grateful.”

With all of his films, he was involved in casting actors with strong musical theater and acting backgrounds. He was responsible for the casting of Jodie Benson, up until then a Broadway actress. Not to diminish what Jodie brings to the performance, she is simply wonderful. She was the perfect choice for Ariel. Ashman and Benson worked together first on Broadway when he cast and directed her in the musical “Smile”, with music written by Marvin Hamlisch. Ironically enough, in that play she sang one of the songs written by Ashman, called “Disneyland”. Smile is considered a “lost” musical because no official cast recording was ever made. However, there does exist a demo CD by Broadway Original cast for Samuel French Publishing.

1960, 1961, 1962, 1963, 1964, 1965, 1966, 1967, 1968, 1969, Forgotten Films

Top 15 Heist Movies of the 60’s

July 8, 2016 Donovan Montierth Leave a comment

The 1960’s seemed to break out with a whole bunch of fantastic Heist Films. Several of them from this decade have been remade into some great films in their own right. It’s always fun to watch a bunch of crooks fail or succeed at these heists and so I guess that’s why they keep making these kinds of films. I’m very thankful that they do. Here’s my favorite top 15 heist films of the 1960’s:

15. Kaleidoscope (1966)

Warren Beatty breaks into the Kaleidoscope company’s manufacturing plant to mark all of their cards set to be delivered to a whole bunch of casinos. This puts card-cheating on a whole new level. The film was released 1 year before Bonnie and Clyde (1967), which made him an International star. Technically, that film could be considered a “heist” film as well, but to me it doesn’t have the traditional sneak factor. If you go in and rob a place with a gun, it is a heist, but the good heist type films all have a con going on or intricate plot of people sneaking around. I also love it when my heist films have a bit of romance going on. This one is a bit of a romantic comedy and I definitely think it benefits from it. Jack Smight directed this. He directed a lot of tight thrillers in his time.

14. Fitzwilly (1967)

Faithful butler, Dick Van Dyke, leads an elaborate criminal enterprise to keep their beloved Miss Vicki from realizing that she is flat broke! It’s the first half of the storyline that appears later in Disney’s Candleshoe (1977)(only that one has a treasure hunt to boot!). This one has a little romance as well when Barbara Feldon is hired to help Miss Vicki write a dictionary. She slowly learns what Dick Van Dyke and crew is up to and threatens to break the whole thing apart until she falls in love with him. Delbert Mann directed this and a lot of great romantic comedies besides this one.

13. Seven Thieves (1960)

Henry Hathaway directed this great cast of Edward G. Robinson, Rod Steiger, Joan Collins, Sebastian Cabot and Eli Wallach about a planned heist on a Monte Carlo Casino. A truly classic film director, he would direct some of the finest films over a 30 year period. The most frequent actor that appears on this list, just happens to be Edward G. Robinson. This just happens to be the first of three. He is viewed as the ultimate mastermind behind these heists, so I wonder if that ever hurt his feelings that people saw him as the best crime plotter.

12. Grand Slam (1967)

Edward G. Robinson leads the heist on his second entry as well and recruits a group of men this time to break into a diamond company to steal 10 million dollars in diamonds! Directed by Italian director Giuliano Montaldo and starring Janet Leigh as the only woman in a cast full of guys…oh, wait, I see a pattern here. This is the decade where heist films got their formula and it’s a formula that is used even today when you look at the heist films of the last 10 years.

11. Topkapi (1964)

Now the grand-daddy of all heists is said to have been a very low budget french film named…Rififi (1955), directed by Jules Dassin. That movie put him on the map and gave us the decade that followed, full of heist films. He also films another heist with this entry, Topkapi, about a conman, who gets mixed up with a group of thieves who plan to rob an Istanbul museum to retrieve a jeweled dagger. Cited by Mission: Impossible (1966) TV series creator Bruce Geller as the inspiration for his own series. It’s also one of director Christopher Nolan’s favorite movies, who would go on to direct an ultimate heist movie of his own, Inception (2010). It’s also interesting to note, Jules Dassin originally planned to cast Peter Sellers as Arthur Simpson, but Sellers later dropped out, to be replaced by Peter Ustinov, whom Sellers had, in turn, replaced in The Pink Panther(1963) as Inspector Clouseau.

10. Ocean’s Eleven (1960)

I actually liked the remake, Ocean’s Eleven (2001) with George Clooney, Brad Pitt, Matt Damon and Julia Roberts a little bit more than this original, but it’s good too. Directed by Lewis Milestone and starring Frank Sinatra, Dean Martin, Sammy Davis Jr. and Angie Dickinson, it’s about Danny Ocean, who gathers a group of his World War II compatriots to pull off the ultimate Las Vegas heist. Together the eleven friends plan to rob five Las Vegas casinos in one night.

9. Thomas Crown Affair (1968)

Another one where I liked the Thomas Crown Affair (1999) remake better than the original. Pierce Brosnan and Rene Russo and that fantastic elaborate heist sequence at the end is just awesome. I still like the original which is about a debonair, adventuresome bank executive who believes he has pulled off the perfect multi-million dollar heist, only to match wits with a sexy insurance investigator who will do anything to get her man. Steve McQueen and Faye Dunaway act in this Norman Jewison film. An added bonus is that Faye Dunaway appears in both films. One of the coolest aspects of the film is its split screen opening sequence. While some claim that this is an example of style over content, the real reason the split screen was adopted was because editor Hal Ashby was tasked with reducing the running time of the opening.

8. Italian Job (1969)

Now this one I liked the original better than the Italian Job (2003), but I liked that one a lot too. It had a better cast with Donald Sutherland, Mark Wahlberg, Edward Norton, Charlize Theron, and Jason Statham. The original had Michael Caine, Noel Coward and Benny Hill! This is a Comic caper movie about a plan to steal a gold shipment from the streets of Turin by creating a traffic jam. Directed by Peter Collinson. According to Michael Caine, the film did not perform well at the US box-office due to a misleading advertising campaign. The US poster featured a scantily clad woman with a map on her back kneeling in front of a Mafioso holding a machine gun. While promoting the film in the US, Caine saw the poster and became so upset that he immediately flew home to England. In a 2003 UK movie survey, Charlie Croker’s (Michael Caine) line, “You’re only supposed to blow the bloody doors off!” was voted the most memorable line in any film.

7. Goldfinger (1964)

Yes, I would consider this a heist movie as spies all sneak around and break into places all the time and also the main bad guy, Goldfinger himself is scheming to break into Fort Knox…the ultimate heist. Directed by James Bond favorite, Guy Hamilton and starring Sean Connery, it’s a great entry for the series. Steven Spielberg cites this as his personal favorite of all the Bond movies and even owns an Aston Martin DB5 due to the impact Goldfinger had on him. Due to the popularity and success of this movie and its spy car the Aston Martin DB5, the vehicle gained the nickname, “The Most Famous Car in the World”. Sales of the Aston Martin DB5 increased by fifty per cent after the release of the movie. The Bond movie The Spy Who Loved Me (1977) featured the Lotus Esprit and sales would also increase for that car after the movie premiered.

6. Never a Dull Moment (1968)

Edward G. Robinson leads another heist! This time in this fantastic comedy starring one of my favorite actors…Dick Van Dyke. It’s directed by Dick’s next door neighbor on The Dick Van Dyke Show, Jerry Paris! My brother and I LOVE this movie. When practicing for a role, actor Jack is mistaken for the killer Ace. He doesn’t realize this until it’s too late and is carried off to gangster boss Leo Smooth, who wants Ace to do a job for him. Fearing for his life, Jack plays his role, but always searching for a way out of the well-guarded house. This one has a lot of great character actors along for the ride like Henry Silva, Jack Elam and Slim Pickens.

5. Gambit (1966)

This one also had a recent remake done, but let’s just keep to the good stuff, why don’t we. Michael Caine and Shirley MacLaine and Herbert Lom…shine in this one. Directed by Ronald Neame, this one is about an English cat burglar, who needs a Eurasian dancer’s help to pull off the perfect heist, but even the most foolproof schemes have a way of backfiring. The first draft of the screenplay was written by Bryan Forbes in 1960, when the story was designed as a vehicle for Cary Grant. He eventually dropped out of the project, which subsequently underwent many changes. It was eventually decided to make the girl the central character and Shirley Maclaine was signed for the lead. After seeing The Ipcress File, she suggested Michael Caine as her leading man, which led to still more rewriting to accommodate his working-class cockney persona.

4. Sam Whiskey (1969)

Burt Reynolds, Ossie Davis, Clint Walker and Angie Dickinson are a lot of fun in this film. It’s a comedy directed by Arnold Lavin and is about Sam Whiskey, a civil war gambler, who is offered a job from the attractive widow Laura. She wants him to salvage gold bars, which Laura’s dead husband stole recently, from a sunken ship and secretly bring them back to the mint before they are missed. But how shall he manage to get several hundred pounds of gold into the mint without anyone noticing? Now, I should mention that Angie Dickinson flashes some naughty bits in the beginning of this movie, but if you can bypass that, it’s a very clean and entertaining film.

3. The War Wagon (1967)

John Wayne and Kirk Douglas in a movie together…I’m soooo there. The story of a man who was shot, robbed and imprisoned who returns to steal a large gold shipment from the man who wronged him. The gold is transported in an armored stage coach, the War Wagon. Who wouldn’t want to see this? Directed by Burt Kennedy, who would go on to direct James Garner in Support Your Local Sheriff and Support Your Local Gunfighter, which I also love!

John Wayne, who had lost his entire left lung and several ribs in major surgery for cancer in 1964, had great difficulty breathing on an airplane while flying to the location for the start of filming and had to use an oxygen mask throughout the journey. Kirk Douglas recalled that he hadn’t realized just how fragile Wayne was until this moment. Kirk Douglas and John Wayne had previously starred together in In Harm’s Way (1965) and Cast a Giant Shadow (1966). This film was their third and final teaming. John Wayne was not very fond of the finished film, although he said he felt that Kirk Douglas was very funny as Lomax.

2. How to Steal a Million (1966)

Peter O’Toole and Audrey Hepburn with a little Eli Wallach on the side please. Waa-laa…How to Steal a Million, directed by William Wyler is a romantic comedy about a woman who must steal a statue from a Paris museum to help conceal her father’s art forgeries, and the man who helps her. They are both delightful together but the real genius here is Wyler. Wyler has directed some of the biggest films with Ben Hur, The Best Years of Our Lives, Funny Girl, Roman Holiday, The Children’s Hour and The Desperate Hours. He’s top notch.

1. Pink Panther (1963)

Blake Edwards does it right with this first Pink Panther movie and set the tone for a slew of great films to come. Peter Sellers as Inspector Clouseau is just perfect in every way. Originally intended as a vehicle for David Niven as the cat burglar The Phantom, Peter Sellers quickly started to improv his way through all his scenes and stole the movie right out from under him. The biggest heist of them all, as Peter Sellers would go on to reprise his role 5 more times after this. The character of Sir Charles Lytton does return to the Pink Panther movies in the third film The Return of the Pink Panther (1975). Peter Sellers again portrays the bumbling Clouseau but Christopher Plummer plays the role of Sir Charles in that film. The precious Pink Panther jewel is once again the focus as in the beginning of the film it is stolen. This time from a museum.

I write about the Pink Panther series in another blog post, click here to find out more about it…

1917, 1964, 1968, 1971, 2000, Comedy, Forgotten Films, Stories From Hollywood

David Tomlinson, Go Fly a Kite

June 21, 2016 Donovan Montierth Leave a comment

Now here’s an actor, I never fully thought ever got his due. He was utterly brilliant in several films, mostly Bedknobs and Broomsticks, Mary Poppins and The Love Bug for Disney, but also a few others. He played the foil in so many of these films, and was so believable and real that he was never fully embraced for his contribution for the success of these films. For these films to be as successful as they were they had to have a bad guy that was convincing and despicable. He could come off as slimy and snooty and arrogant, and so much of it was so totally opposite of his true lovable persona off-screen.

Of the more than 50 motion pictures he appeared in during his career, however, his most popular role was as the rigid and positively clueless father George Banks in Mary Poppins. As Ed Weiner wrote in TV Guide, “Of all the movie moments we hold dear from childhood and revisit most often with our children on video, Tomlinson as a changed and suddenly life-loving George Banks happily singing ‘Let’s Go Fly a Kite’ is one of the sweetest.” Tomlinson also voices several of the animated characters that Bert and Mary Poppins encounter in the chalk drawing, including a penguin waiter and the jockey who allows Mary Poppins to pass on her carousel horse. He also voices the Parrot Umbrella Handle at the end of the movie. Robert Stevenson who directed Mary Poppins, liked working with Tomlinson so much that he cast him in two more of his movies; The Love Bug (1968) and Bedknobs and Broomsticks (1971).

Tomlinson was a generous and gregarious man by nature and had some famous life-long friends, like Peter Sellers. Peter Sellers and David performed in The Fiendish Plot of Dr. Fu Manchu and David brought out the best in Sellers. He said of him, “The only person I want to see is David,” Sellers remarked in hospital shortly before his death. This was the last film for both of them as David would retire and was only seen on the stage after that. Another friend, Griff Rhys Jones said of him, “His was an act, a good one, supplemented by an outrageous baby face and upswept eyebrows. The reality was a sympathetic and understanding man. He was as funny off as he was on, which was invariably very funny indeed.”

Craig Brown also tells a great story about Tomlinson, “Many years later, I became friends with David Tomlinson, the marvellous English character actor who played Mr Banks. We were once having lunch in a crowded restaurant with David, when our little son asked him if he would sing: Let’s Go Fly A Kite. Without hesitating, David, who was then in his late 70s, launched in to a hearty rendition at the very top of his voice. The restaurant came to a standstill. When he came to an end, everyone burst into applause.”

Read more about Mary Poppins from Craig Brown: http://www.dailymail.co.uk/debate/article-2111741/When-Mary-Poppins.html#ixzz4CE52227E

1955, Independent Film Production, Stories From Hollywood, Success

Original Mock-Up of Issue 1 of Walt Disney’s Mickey Mouse Club Magazine Found at Auction

January 28, 2016 Donovan Montierth Leave a comment

For those of you that are old enough to remember, the Mickey Mouse Club TV show published a magazine along with the show that lasted 23 issues before it was cancelled. My brother Adam and I recently went to an auction in Phoenix, Arizona and purchased what I believe to be the Mock-Up of the very first issue of Walt Disney’s Mickey Mouse Club Magazine. I’m no expert, but here is what I’ve been able to find out from my research on the Mock-Up and my history with it. I’ve added pictures to help you decide for yourself if it is an important historical item.

Walt Disney’s Mickey Mouse Club Magazine was initiated in late 1955 by Western Publishing (New York) and was produced with the help of Disney staffers. It’s unclear to me if this Mock-Up is from Western Publishing themselves or one of the Disney staffers, but the latter seems more possible as I have a stack of Christmas Cards that the Disney Company only sent to employees that came along with the magazines.

I purchased the Mock-Up along with all 23 issues of the Magazine and a few other Disneyana items at an auction this last
spring and when I looked through the lot of magazines I realized that one was different. The Magazines, along with the Mock-Up appeared to have been archived originally in some way as they have been hole punched to fit in a binder of some sort. All the magazines have matching holes, as if they were put together for storage.

The Mock-Up has light pencil marks throughout where someone wanted to highlight some changes for the final printing and on the cover at the top it has writing in pencil that says, “1^st Issue Mock-Up”.

The Mock-Up was also unusual to me in that all the pages are printed one-sided and then glued together to show what the final may look like. The Mock-Up is in all black and white and on several pages, you can see where the text and pictures were made up of several smaller pieces as they show the edges of the paper. These are all indications to me that the Mock-Up was done in the 50’s as it matches the technology we had back then. No desktop publishing or computers were used to piece the first issue together.

I have added several comparison pictures with the Mock-Up and the finished first issue for your review. I hope this is helpful. If this truly is the Mock-Up for the first issue of the Magazine as it appears to be, it represents a singular historical document that should be placed in a museum or archive that can be preserved for future generations. It’s interesting not only for the fact that it’s the Mock-Up of the very first issue but also because it represents the techniques in magazine printing and publishing in the 1950’s.

We’ve tried to get it authenticated by contacting the Disney Archive and on Antiques Roadshow, but it’s such a unique document that it would really have to be looked at by someone involved in the original printing of the magazine or by an expert that is very familiar in how the original magazines were published, so we may never find out. Regardless, it is a fascinating piece of history and we will keep good care of it in our own files until a museum or Hollywood Archive of some sort shows an interest in it. For now, I thought it would be a fun story to share with our readers.

Brothers' Ink Productions