Tag Archives: Terry Leonard

Top 15 Jodie Foster Movies

 

Here’s another fine actress, that transitioned well from child star to great adult actress. A Disney player of the 70’s who managed to make intriguing and emotional role choices over the years and won an Academy award for her efforts. I loved her early Disney movies and respected her choices later on; easily as comfortable in a drama as a thriller or a comedy. Like all of my favorites, she’s versatile and adept at all genres. Here’s a list of my top 15 favorite Jodie Foster films:

15 – Taxi Driver (1976)

Jodie Foster has chosen some gritty roles over the years, not one to shy away from an uncomfortable role by any means. She seemed to do this early on in her career, trying as hard as possible to stretch herself as an actress, beyond her comfort zone. This is one of those roles. It’s interesting to me that she chose to do this role of a teenage prostitute in the midst of her popularity as a Disney star. Dangerous move, but one that ultimately proved to the Industry, at least, that she was an Academy Award caliber actress. I personally drift to her more funny or light-hearted movies, but there certainly is no denying her talent and ability to master any role and genre. This was her first nomination for an Oscar. Tough subject matter.

14 – One Little Indian (1973)

Now this Disney film was pretty neat because it’s the first time that James Garner and Jodie Foster would work together and when they worked together again it was over 20 years later, for Maverick (1994). Pretty typical fare overall, and similar to her other Disney work at this time, she was gearing up to be the star, even then you can see she was something more than a supporting actress.

13 – The Little Girl Who Lives Down The Lane (1976)

I put this film on the list because I think it’s pretty scary, although I haven’t seen it in 20 years, it spooked me pretty bad. To be fair, in interviews, Jodie Foster usually refrains from saying which of her films are her least favorites, but she has let it slip that this movie isn’t one she is fond of, explaining, “When people are there to simply do a job they don’t have any passion for, those are nearly always bad films.” It was first top-billed lead role in a major motion picture for Jodie.  1976 was definitely her breakout year, although from the 5 movies she did that year I prefer the Disney film, Freaky Friday, the most.

12 – Inside Man (2006)

Jodie, being fluent in French, dubbed herself in the French version. Jodie filmed her part in three weeks, and it’s a very different part for her, but as always she’s very good. It’s a pretty fun heist movie and my favorite Spike Lee film. Denzel Washington and the cast was allowed to ad-lib at times, he just seemed especially adept at it. The scene in the coffee shop was improvised. On the DVD commentary, Spike states that when Denzel ad-libbed the line, “I’ll bet you can get a cab though,” he nearly ruined the take by laughing really loud.

11 – The Brave One (2007)

Interesting to note, Nicole Kidman was originally cast as Erica. Jodie would be cast when Nicole dropped the project. Jodie also took over Kidman’s role in Panic Room (2002). It was Jodie’s idea for Erica to record sounds of the city for her radio show. Foster walked for miles all around Manhattan with headphones on to prepare for the role. The movie is like the female version of Death Wish, with Jodie playing the Charles Bronson role.

10 – Flight Plan (2005)

Jodie Foster’s role was originally written for Sean Penn. The original character’s name of “Kyle” was even kept. Coincidentally, Penn’s role in The Game (1997) was originally intended for Jodie Foster. A bereaved woman and her daughter are flying home from Berlin to America. At 30,000 feet, the child vanishes, and nobody will admit she was ever on the plane. It’s Lady Vanishes, on a plane!

9 – The Accused (1988)

Probably the most brutal role for any actress ever. What she has to go through to even film this is unfathomable. The movie is based on a real-life gang rape that occurred on 6 March 1983 at Big Dan’s Bar in New Bedford, Massachusetts. The bar lost its liquor license the very next day. Upon seeing a pre-screening of the film, Jodie Foster thought her performance as Sarah Tobias was so awful that she immediately began preparing for and taking the GRE’s for graduate school. She was prepared to leave her film career behind and focus on academia…until she won the Academy Award for her performance.

8 – Stealing Home (1988)Stealing home jodie Foster

This is one of those rare movies that no one seems to know about, but that I love. I tell people about it all the time and convince them to watch it and they usually thank me for it later. Mark Harmon plays a washed-up baseball player who is called back home to handle the ashes of his childhood sweetheart/ first love (Jodie) who had committed suicide. As he searches for what to do with them, he remembers the past and the relationship they had. In doing so he finds himself again. This movie was reportedly based on the real-life experiences of its writers, former Second City troupe members and WKRP in Cincinnati writers Steven Kampmann and William Porter. The two lead actors (Jodie and Mark) never even have a scene together.

7 – Panic Room (2002)

Another one of her great thrillers. This one is top notch, great cast, great crew all around. A divorced woman and her diabetic daughter take refuge in their newly-purchased house’s safe room, when three men break-in, searching for a missing fortune. As I stated earlier, Nicole Kidman was originally cast in the role of Meg Altman. Then, only eighteen days into filming, Kidman had to leave the film as well, due to a recurring knee injury, suffered during the filming of Moulin Rouge! (2001). David Fincher suggested that the studio close the production and collect the insurance, but the studio decided to go on. Jodie Foster was offered the role. She was due to be the president of the Cannes Film Festival jury but withdrew to work with Fincher, with whom she was originally supposed to work on The Game (1997) in the role now played by Sean Penn. Foster had only nine days to prepare for the role. Kidman left a small mark in the film nevertheless, however, as the voice of the girlfriend of Foster’s husband in the movie, heard answering the phone when Foster’s character calls him in a desperate attempt for help.

6 – Sommersby (1993)

An example that she can do it all, this is a great romantic film. A farmer’s wife begins to suspect that the man in her bed is an impostor after he returns home from the Civil War, based on the French film, The Return of Martin Guerre. Steven Reuther, one of the producers behind the project commented about the casting of Gere and Foster: “A lot of people questioned us about this coupling. And it was a gamble, because there are the obvious romantic leading females, and Jodie really is not one of them. Also, I don’t think anyone had ever seen Jodie in a period costume. But once we got her in the period clothes and the hair, it was like, ‘How could there have been a question?’ I think that part of why she was attracted to the character was because it was something she had never done before.”

5 – Candleshoe (1977)

I love this movie, which is kind of an alternate telling of the story of Anastasia but with a treasure hunt mixed in. Helen Hayes and David Niven are just fantastic in it as well as Foster. It’s the last of three theatrical movies that actress Helen Hayes made for the Walt Disney Pictures studios during the 1970s. The earlier films were Herbie Rides Again (1974) and One of Our Dinosaurs Is Missing (1975). Screenwriter David Swift, who in the early 1960s directed Pollyanna (1960) and The Parent Trap (1961) for Walt Disney, developed this project for the company and was set to direct it. However, he felt Jodie Foster (then one of the most popular teenage actresses in the country) was all wrong for the part of Casey and stepped down. Boy, was he wrong, she is really great in this.

4 – Freaky Friday (1976)

The most popular of Jodie’s Walt Disney films, it’s a really fun movie and still holds up today, even with all the period clothes. The only time I can remember Jodie singing for a film, the title song “I’d Like to be You for a Day” is sung by Barbara Harris and Jodie Foster. Both Jodie Foster and Barbara Harris were nominated for Best Actress – Musical or Comedy at the 1977 Golden Globes for this film. Technically, as they also played each other’s characters, they were both nominated for playing the same characters. Jodie Foster said of the film whilst doing press publicity for the picture around the time the movie first launched: “I think it’s important for my career that I make all different kinds of films. I’m proud that I made Freaky Friday. And I thought the idea was terrific. A lot of my friends think it’s my best picture. I really like working for Disney”.  The date of the “Freaky Friday” in the movie’s story-line was a Friday the 13th.

3 – Silence of the Lambs (1991)

This is the movie that comes up generally as the best of Jodie’s films, and I do love it, but it’s not my favorite. It is Jodie’s 2nd Academy Award win after The Accused. Anthony Hopkins won as well for his portrayal of Hannibal Lecter. Jodie Foster claims that during the first meeting between Lecter and Starling, Anthony Hopkins’s mocking of her southern accent was improvised on the spot. Foster’s horrified reaction was genuine; she felt personally attacked. She later thanked Hopkins for generating such an honest reaction. Anthony Hopkins and Jodie Foster only share four scenes throughout the course of the film. With 24 minutes and 52 seconds of screen time, Anthony Hopkins’s performance in this movie is the 2nd shortest to ever win an Academy Award for Best Actor in a Leading Role, with David Niven in ‘Separate Tables‘ beating him at 23 minutes and 39 seconds. Clarice Starling was chosen by the American Film Institution as the sixth greatest film hero (out of fifty), the highest ranked female on the list; Hannibal Lecter was chosen as the #1 greatest film villain (also out of fifty).

2 – Maverick (1994)

This film is just really great fun. Not only does Jodie get to work with one of her favorite actors, Mel Gibson, but she was reunited with James Garner again after 20 years when working with him when she was a child. They all have some funny stuff in this. Jodie Foster’s character’s gracelessness in the film stems from the first scene she shot, when she waited for Mel Gibson to help her down from the stagecoach. Instead, he took her parasol and walked away. She tried to get down alone and flopped to the ground. Director Richard Donner liked it so much he kept the shot in the film, and staged more scenes of Foster stumbling, being dumped through windows, etc. In the stagecoach chase sequence, stuntman Mic Rodgers (doubling for Mel Gibson) had to go under the coach and get up at the back. This is a direct nod to legendary stuntman Yakima Canutt’s similar stunt in Stagecoach (1939). By coincidence, second-unit director Terry Leonard, a former stuntman himself, performed this same stunt in the truck chase in Raiders of the Lost Ark (1981). I specifically talk about the stunt in the blog post, http://brothers-ink.com/2015/09/stagecoach-and-zorros-fighting-legion/ and again for the Indiana Jones stunt in the blog post http://brothers-ink.com/2015/12/stunt-team-for-raiders-of-the-lost-ark/

1 – Contact (1997)

This is one of the finest films, in what is a library of marvelous films by director Robert Zemeckis. It’s got one of the most remarkable tracking shots I’ve ever seen for any film. Ask my wife, I have literally watched and rewound this shot a hundred times trying to figure it out. Apparently, I learned later, this impossible shot, the long shot of Ellie as a child running up the stairs to get medicine, was actually filmed as a normal shot would have been and then flipped and placed in the mirror which, at the time of shooting was a blue screen placement in the cabinet. Any way you look at it, it’s a thing of beauty. Sorry, back to Jodie…Jodie Foster was interested in this movie as early as 1995. After initially deciding to drop out, her interest was resparked by a new revision of the script. Her character, Ellie is based partly on real radio astronomy pioneers and extra-terrestrial intelligence researchers. There’s also some Carl Sagan in her. He wanted a female hero to inspire girls to pursue science. Jodie really connected with that, being an academic herself. So much so that in 2011, Jodie was part of a group of private donors that saved SETI’s telescope array in California.

Best Movie Stunts of the Year List 1990-1999

 

Here is the list for the Best Movie Stunts for the Decade 1990-1999 as listed in the book, 100 Years of the Best Movie Stunts!

1990 – The Rookietherookie1990

It was reported that over eighty stuntmen worked on this film. There were way more stuntmen on this film than there were actors! It’s no wonder when you have legends Terry Leonard as the stunt coordinator and Buddy Van Horn as the 2nd Unit Director.  Great action film directed by Clint Eastwood himself.

1991 – Terminator 2: Judgement DayT2

Another great Director that loves to do live stunts is James Cameron.  The action summer blockbuster is on full force with this one.  A great little stunt by Peter Kent  doubling for Arnold Schwarzenegger as he jumps a Harley into a canal.

1992 – SupercopSupercop_003-550w1

It’s not Jackie Chan who gets the nod on this one (although, he does some great stunts in it too), it’s Michelle Yeoh who does some fantastic stunts on a motorcycle and on the hood of a little red convertible.

1993 – CliffhangerCliffhanger-Airplane

Obviously, this film has some great climbing sequences, but it’s a plane to plane transfer by Simon Crane that really wows the audience. These days we would just do this in a computer, they decided to do this as a practical stunt. With Jets.

1994 – True LiesJamie Lee Curtis hangs from a helicopter in True Lies

Another great action film by James Cameron, and he manages to talk Jamie Lee Curtis to hang underneath a helicopter for a few slow-mo shots.  On her birthday none-the-less.

1995 – GoldeneyeGoldeneye2-1024x768

James bond does it again, this time Pierce Brosnan as 007.  The opening jump from a dam was performed by Wayne Michaels doubling for Brosnan however, and it’s a fun one to open the movie with.

1996 – Mission: Impossiblemission_impossible

Tom Cruise is the finest actor ever to do his own stunts and he proves it time and time again.  He’s got nerves of steel.  In this film I count at least 3 stunts that he performs himself that most stunt performers themselves would turn down.

1997 – Titanictitanic_ship-HD

The 3rd movie this decade directed by James Cameron on the list. It’s a wonder he has time for anything else. There are a lot of special effects in this one, but there are a lot of practical and dangerous work done throughout by the cast and crew as a whole.  It won Best Picture at the Academy Awards that year, and if there was an Oscar for Stunts, it should have won that too.

1998 – Ronanroninlc

Fantastic car chase sequence, right at home in a Bourne movie, John Frankenheimer hits the list again 32 years apart! The first time was with James Garner in Grand Prix, another movie with great car stunt driving.

1999 – The Matrixmatrix-logo

The Wachowski Brothers revolutionized the Action film with this one and studios scrambled to make films like this for years after. The actors worked very closely with the stunt performers in this film and Yuen Woo-Ping made sure they were ready with months and months of training beforehand.

Check out our new Book, 100 Years of the Best Movie Stunts!Screen Shot 2015-09-19 at 8.23.28 PM

Best Movie Stunts of the Year List 1980-1989

 

Here is the list for the Best Movie Stunts for the Decade 1980-1989 as listed in the book, 100 Years of the Best Movie Stunts!

1980 – The Blues Brothersblues-brothers (1)

For a musical comedy this movie has the longest car chase sequence in history.  The cars are just piling up at the end, hundreds of cars destroyed…it’s awesome!  $3.5 million was spent on this sequence alone and lasts over 20 minutes of the movie.

1981 – The Raiders of the Lost ArkRaiders-Of-The-Lost-Ark-

Although there are plenty of fantastic stunts in this film to mention, Terry Leonard does another through the windshield-off the front hood-then undercarriage crawl underneath an Army transport truck, then up the back and into the driver’s side for another round of fighting.

1982 – Mad Max 2: The Road Warriormad-max-2-the-road-warrior-1981

A case where the sequel is so much better than the original. This film rocks from beginning to end and has an unbelievable chase that lasts the second half of the movie.  Great stunts throughout.

1983 – Project Aproject a clock stunt

Jackie Chan makes a name for himself and becomes a stunt legend in this movie.  From this movie on he is untouchable worldwide as a stuntman that does his own acting or as an actor that does his own stunts, whichever way you want to say it. He created his legendary Jackie Chan Stunt Team for this movie and for years to come sets a new standard for stunt teams worldwide.

1984 – Indiana Jones and the Temple of Doomindiana-jones-and-the-temple-of-doom-screenshot

This decade is unique as the decade ruled by Indiana Jones in stunts and action sequences.  The first 3 Indiana Jones films make the list. Also, the second rope bridge sequence to hit since last decade’s The Man Who Would Be King. Vic Armstrong is a stand out here as Harrison Ford‘s stand-in.

1985 – Police StoryPolice-Story-1985-Chinese-Movie

Jackie Chan‘s chance to shine in a modern setting this time, and to really showcase what the Jackie Chan Stunt Team can do.  To be quite frank about this movie, it’s all stunts from start to finish and I’m surprised that all the stuntmen survived the making of this film. It’s amazing.

1986 – A Better TomorrowA Better Tomorrow Pic

The combination of John Woo and Chow Yun Fat is just too good to be true.  This film is viewed by many as the finest action film ever to come out of Chinese cinema, and put both Woo and Yun Fat in Hollywood’s viewport.  John Woo really gets Chow Yun Fat to do some fun stuff in this movie.  Very bloody stuff though.

1987 – Lethal WeaponLethalWeapon_Quad_SMALL_zpsf1d5e6c0

The next two films became great series and both just happened to be set during Christmas.  Lethal Weapon became the standard for buddy-buddy cop movies.  This film is dedicated to legendary stuntman Dar Robinson who died the year before, and features some great fight choreography by Cedric Adams, Dennis Newsome, and Rorion Gracie and a great backward high fall by actress Jackie Swanson. 

1988 – Die Harddie hard hans gruber

This movie became the template for many action films to come for years after it was made.  So much so, that pitching an action screenplay to studios became as easy as saying, “It’s Die Hard on a plane… or It’s Die Hard on a boat”.  The whole film rocks, but the highlight here is Ken Bates as he doubles for Alan Rickman in a fall from the Nakitomi building.

1989 – Indiana Jones and the Last Crusadejones45

Five years later, Vic Armstrong does it again as the stand-in for Indiana Jones.  His jump from a horse to a german tank has been voted in the top ten of movie stunts of all time on many lists over the years.

Check out our new Book, 100 Years of the Best Movie Stunts!Screen Shot 2015-09-19 at 8.23.28 PM

Stunt Team For Raiders of the Lost Ark

 

I’ll be honest, at first I was going to give the nod for 1981 to Dar Robinson for Sharkey’s Machine as his 220 ft fall from the Hyatt Regency was the world’s record for the highest fall from a building for a commercially released film, but only the start of the fall made it into the final film as the rest of the fall is obviously a dummy.  Besides, I had a really hard time not acknowledging a film that has had such a big effect on stunt performers all around the world as Radiers of the Lost Ark has.  It really is viewed as a stunt man’s movie.raiders-of-the-lost-ark

From start to finish, there are layers upon layers of fantastic stunts.  No other series has as many stunts, besides the James Bond series.  Believe it or not you can thank George Lucas and Steven Spielberg’s love of the old stunt layered cliffhanger serials of the 30’s and 40’s for creating this movie as well as for their love of Carl Barks.  Carl Barks, you say?  Yes, indeed, it’s their love of the old Uncle Scrooge McDuck adventures that Indiana Jones was born.

The opening scene in the lost South American temple is partly based on a classic Disney Ducks adventure written by the legendary artist Carl Barks, many of whose comic books have inspired George Lucas and Steven Spielberg. Exploring a lost temple, Donald Duck, his nephews, and Scrooge McDuck must evade a succession of booby traps, like flying darts, a decapitating blade, a huge boulder, a tunnel flooded with a torrent of gushing water, etc., in the story “The Prize of Pizarro” (“Uncle $crooge” no. 26, June-August 1959), which hit the newsstands when Lucas and Spielberg, both avowed fans of that comic book, were respectively 15 and 12 years old. Another Barks story, “The Seven Cities of Cibola” (“Uncle $crooge” no. 7, September 1954), has a native American lost city and a valuable idol that triggers a giant round rock to smash everything in its way.

But how can you have a movie like this with so many stunts and not pay tribute to some of the old time legendary stunt men? You can’t! When Indy is dragged under and then out behind a moving truck, it’s a tribute toYakima Canutt’s similar famous stunt in John Ford’s Stagecoach. In fact, it was a stunt that stuntman Terry Leonard had tried to pull off the year before, and failed to do so, on The Legend of the Lone Ranger. He was thrilled at the chance of having another shot at it, but only agreed to do it if his friend & colleague Glenn Randall Jr. was driving. The truck was specially constructed to be higher above the ground than normal so as to allow clearance for Indiana Jones to pass underneath safely. The center of the road was also dug out to allow more clearance. In Great Movie Stunts: Raiders of the Lost Ark we see, on the camera slate, that the camera was set at 20 frames per second instead of the traditional 24 fps; in other words, the shots were done in “fast motion,” so the truck was not really moving as fast as depicted on screen.raiders truck drag

Harrison Ford was actually dragged behind the truck for some of the shots, badly bruising his ribs. When asked if he was worried, Ford quipped: “No. If it really was dangerous, they would have filmed more of the movie first.” During the chase, Harrison Ford dispatches all three of his stunt doubles, all of which are playing German soldiers. Terry Leonard plays the driver of the truck, who gets punched out of the cab by Harrison. Vic Armstrong and Martin Grace play soldiers hanging onto the side of the truck before being knocked off. The truck chase took approximately eight weeks to film.  It’s interesting to note that it was also these three stunt men to double Harrison Ford throughout the film: Vic Armstrong when riding the horse; Martin Grace at the falling statue and Terry Leonard when pulled behind the truck.

A few interesting notes, renowned British wrestler Pat Roach gets killed twice in this film – once as a giant Sherpa left in the burning Nepalese bar and once as the German mechanic chewed up by the plane’s propeller.  Also, Director Steven Spielberg admitted in the “Making of” DVD that watching the stage hands preparing the Well of Souls set by laying out the thousands of snakes for the scene really made him nauseous–even to the point where he nearly wanted to puke a few times. raiders-of-the-lost-ark-imaxRaiders of the Lost Ark is directed by Steven Spielberg for LucasFilm.

Things to look up (go to IMDB):

  • Raiders of the lost Ark
  • Steven Spielberg
  • LucasFilm
  • Harrison Ford
  • Vic Armstrong
  • Terry Leonard
  • Martin Grace

History of film companies as defined by Wikipedia:  Lucasfilm Ltd., LLC is an American film and television production company that is best known and responsible for the Star Wars and Indiana Jones franchises. Lucasfilm was founded by filmmaker George Lucas in 1971. Originally founded in San Rafael, CA a number of operations were moved to San Francisco in 2005 where Lucasfilm has continued as a leader in developing new film technology inspecial effects, sound, and computer animation, and because of their expertise its subsidiaries often help produce non-Lucasfilm pictures. Lucasfilm was acquired in 2012 by The Walt Disney Company for $4.05 billion.

Check out our new Book, 100 Years of the Best Movie Stunts!Screen Shot 2015-09-19 at 8.23.28 PMhttp://brothers-ink.com/books/100-years-of-the-best-movie-stunts/

Clint Eastwood and The Rookie

 

The film featured over twice as many stuntmen as it did actors. Held the world record for the biggest ratio of stuntmen/actors. Reportedly, over eighty stuntmen worked on the movie. Stunt coordinator Terry Leonard and second unit director Buddy Van Horn, oversaw the task of integrating the scope of stunt people working to produce the action. Describing a stunt-related sequence early in the film performed by Eastwood himself, Van Horn who had been a stunt associate for almost 35 years, took the opportunity to commend the actor on his contributions saying, “Clint likes to do everything live, “When you read the script, you know everything is going to be pretty much live action. Sometimes you have to talk him out of something that just might be a little too risky. Not that he couldn’t do it, but if something even minor should happen, you couldn’t afford to suspend the production.” the rookie 2

The sequence which Van Horn alluded to, was a scene that involved Eastwood behind the driver’s seat racing a Chevrolet Blazer through stop and go traffic, while swerving to avoid upcoming cars from the opposite direction. The scene included 20 other stunt drivers operating a carefully rehearsed formation through a head on collision course. According to Van Horn who engineered the sequence with Leonard, he noted, “The whole thing is like a football play, “We all sit down and figure out where the cars are, where Clint makes the break out of traffic, where the other cars are going, and just the whole cause and effect for how and why he pulls into (the intersection) and decides to head on through. That’s all worked out ahead of time.” Leonard added, “In a situation where your rehearsal time is extremely limited, it becomes that old expression: experience, “It becomes a seat of the pants kind of thing, about 20 drivers and Clint who know where the close calls are going to be and who’s going to be in what position when. But once you get going, there’s always the element of surprise, where maybe a car is 10 feet closer than it was expected to be, and a driver must react to that.”

THE ROOKIE, Clint Eastwood, Charlie Sheen, 1990
THE ROOKIE, Clint Eastwood, Charlie Sheen, 1990

The movie was to be directed by Craig R. Baxley starring Matthew Modine and Gene Hackman in 1988 but the production was stopped by the Screen Actors Guild strike. This is interesting to note because he is the son of legendary stuntman/stunt coordinator/second unit director/ director Paul Baxley, cousin of stuntman/stunt coordinator/second unit director Gary Baxley father of stuntman/stunt coordinator/second unit director Craig Baxley Jr.. and grandfather of stunt performer Cash Baxley, was a Past member and President of Stunts Unlimited and started out in front of the camera as a stuntman himself, then worked his way up to a successful stunt coordinator and second unit director on films like Predator (1987), Reds (1981), The Long Riders (1980) and The Warriors (1979). He has since directed over 30 movies, TV series and mini-series.

The Rookie was directed by Clint Eastwood for Malpaso.

Things to look up (go to IMDB ):

The Rookie

Clint Eastwood

Charlie Sheen

Craig R. Baxley

Buddy Van Horn

Terry Leonard

Check out our new Book, 100 Years of the Best Movie Stunts!

Screen Shot 2015-09-19 at 8.23.28 PM