My all time favorite movie about sunken treasure hunters has got to be Peter Benchley’s The Deep (1977). Made just a few short years after his seminal Jaws (1975), it had a lot of similar elements including a great part for actor Robert Shaw. Nobody seemed to embody a Peter Benchley character better than he did. Starring Nick Nolte and Jacqueline Bisset as a married couple that go treasure hunting in Bermuda and find an important shipwreck of gold and jewelry that just happens to be hidden underneath another WW II shipwreck full of medical supplies including thousands of vials of morphine. Just as they attempt to get to the treasure, they are threatened by drug runners who want the morphine for themselves.
The screenplay was based on the book by Benchley and written by him and Tracey Keenan Wynn, the son of Keenan Wynn, grandson of Ed Wynn. Benchley only wrote 3 screenplays based on his books, this one, Jaws and The Island (1980) with Michael Caine, but several of his other books would be adapted to movies or miniseries over the next couple of decades. He would, however write 2 TV movies, not based on any of his novels, The Great Houdini (1976) and Jeremiah of Jacob’s Neck (1976), which stars Keenan Wynn and is where Benchley met the son Tracey.
The Deep was directed by Peter Yates who made the seminal stunt movie, Bullitt (1968), which we discuss in a blog post here. The Deep has some of the best underwater cinematography that I have ever seen outside of James Cameron’s The Abyss (1989). It was shot on location at an actual sunken ship! The shipwreck featured in the movie is actually the Royal Mail Ship RMS Rhone, which sank in 1867 off the coast of Salt and Peter Islands in the British Virgin Islands. The RMS Rhone broke into two pieces during the sinking. This movie was filmed at the bow section of the ship located about 75 feet underwater. The production shoot ran for 153 days, conducted 8,895 dives, spending 10,870 person hours underwater, and consumed 1,054,000 cubic feet of compressed air.
The picture was notable for its opening underwater diving sequence featuring Hollywood actress Jacqueline Bisset in a black bikini bottom and see-through wet t-shirt thus launching her as a Hollywood sex symbol and contributing big word-of-mouth for the movie, assisting with its box-office success. According to the book “Hit and Run: How Jon Peters and Peter Guber Took Sony for a Ride in Hollywood” (1996), producer Peter Guber allegedly once said, “That t-shirt made me a rich man!”. Though actors Nick Nolte and Jacqueline Bisset’, for authenticity, did many of the underwater scenes themselves, the more dangerous sequences were still performed by stunt doubles.
The 1980’s was a GREAT time for movie lovers. The studios and production companies were full of NEW ideas and willing to take risks to find and create great stories. We received a slew of fun fantasy films, some were really fantastic, then some not so fantastic. Here’s my list for my favorite 15 fantasy films of the 80’s:
15. The Barbarians (1987)
Now, right up front…this is not a great movie. With that said, I totally enjoyed the movie when I first saw it in a movie theater. My father saved up for a decade to take his family on an 3 week European vacation and in that time we saw 1 movie in a french movie theater and YES, you guessed it…it was this film! Don’t ask me why we picked this one, we were 16 years old, looking for something in the action genre, because none of us wanted to read a lot of captions…and it features 2 twins, so to us at the time…win/win. As it turns out, I really enjoyed it. I will let you know that I do enjoy “cheesy” and “campy” as two adjectives for movies I enjoy. If you have a tendency to roll your eyes and switch the channel when you experience these things then, some of the films I present in this blog post are simply not going to be your cup of tea.
The best thing by far in this movie is the villain character actor, Richard Lynch. He pops up in another film on this list, a really good actor and mostly typecast as the bad guy in his films due to his gravelly voice and to the fact that his face was severely burn-scarred. In 1967, after taking LSD, he set himself on fire in Central Park. He managed to turn into a career, something that would have stunted so many other people. The Barbarians was directed by Italian director Ruggero Deodato, who had a reputation as a nasty director. Richard said of him, “Ahh, Ruggero Deodato. Yeah, he’s all bullsh#t. He’s a little man, he’s short, and he’s got a big mouth. But I love Ruggero — I had more fun working with him than anybody else. I know all about his crassness and his brutality, but you can’t let it reach you. He’s very talented, and he can be very funny — you have to have a thick skin with him. He’ll test your mettle, but when he knows that you know he’s bullshitting you … I had a lot of good times with him.”
14. Excalibur (1981)
Directed by John Boorman, and starring a slew of great actors that only got better with age, this is a very ambitious re-telling of the Arthurian legend. John Boorman wanted the story to be the focus of the movie rather than the actors. Therefore, he cast actors who were relatively unknown at the time to American audiences. Among them were Gabriel Byrne (Uther), Patrick Stewart (Leondegrance),Liam Neeson (Gawain), Helen Mirren (Morgana) and Nicholas Clay (Launcelot). Only Nicol Williamson (Merlin) was relatively familiar to American moviegoers. John Boorman was originally aiming at making a movie based on “The Lord of the Rings”. However, he did not acquire the rights, and decided to make this movie instead. He has gone on to say that he loved Peter Jackson’s vision for the Lord of the Rings Trilogy, that were filmed much later and was thrilled when someone finally made the movies.
13. Dragonslayer (1981)
This one is a Disney film directed by Matthew Robbins, who my brother and I liked from directing Corvette Summer and then later from The Legend of Billie Jean and Batteries Not Included. The movie as about a young wizard apprentice who goes on a quest to kill the dragon Virmithrax Pejorative, who has been eating the sacrificial maidens from a nearby town. Slow moving movie, but it has some good parts. George R.R. Martin, author of the “A Song Of Ice And Fire” novels upon which the HBO series Game of Thrones (2011) is based, has stated that Vermithrax Pejorative is “the best dragon ever shown on film.”
12. Krull (1983)
My brother and I loved the hero’s weapon in this…it looked like a giant throwing star. We would spend hours throwing frisbees at each other in the yard mimicking this movie. Directed by Peter Yates and also stars Liam Neeson in another of his seldom seen roles before he made it truly big. In this film, a maiden is kidnapped by an alien race and a band of medieval misfits ventures out to rescue her. It can be thought of as a film where a bunch of sword wielding knights break into a fortress to fight a laser-shooting alien race, only with fire Clydesdales and a cyclops added for good measure. Show-business trade-paper ‘Variety’ described the movie as Excalibur (1981) meets Star Wars (1977)”. The movie was actually massive, taking up over 10 sound stages at Pinewood Studios. It has some great creative ideas and inventive scenes…at least in theory. Execution is a bit clunky, but you can definitely watch this and appreciate the scope of what they were trying to do.
Legendary stuntman and stunt coordinator Vic Armstrong (I write about him again later for the Indiana Jones series here) scoured allover the United Kingdom for 16 Clydesdale horses to purchase and then train. Moreover, horses from the Queen’s Household Cavalry near Buckingham Palace were borrowed and brought to the studio’s back-lot.
11. Legend (1985)
This has Ridley Scott directing Tom Cruise in their first fantasy film, but the stand-out here is definitely Tim Curry as the Lord of Darkness. It also features some of the best make-up prosthetics you will ever see on film, by make-up artist Rob Bottin and his crew. He would later be nominated for an Oscar for his work on this film, but this makeup was really hard on Tim Curry. Tim Curry had to wear a large, bull-like structure atop his head with three-foot fiberglass horns supported by a harness underneath the makeup. The horns placed a strain on the back of the actor’s neck because they extended forward and not straight up. Bottin and his crew finally came up with horns that were lightweight enough. At the end of the day, he spent an hour in a bath in order to liquefy the soluble spirit gum. At one point, Curry got too impatient and claustrophobic and pulled the makeup off too quickly, tearing off his own skin in the process. Ridley Scott felt both horrified and sorry for Curry. Scott decided he didn’t want Curry to put more make up on his torn skin, so he shot around the actor for a week.
With the exception of Tom Cruise and Mia Sara, all the principal actors spent hours every morning having extensive makeup applied. Between 8 and 12 prosthetic pieces were applied individually to each face, then made up, molded and grafted into the actor’s face so that the prosthetics moved with their muscles. Each person needed three makeup artists working on them for an average time of three and a half hours spent applying prosthetics. Out of all the characters, the most challenging one in terms of makeup was Darkness.
10. Labyrinth (1986)
The first of 2 Jim Henson movies to make the list, this one features David Bowie and Jennifer Connelly. This one also features some incredible songs by Bowie. Bowie was keen to make a children’s movie, he liked the concept and found the script amusing and of more interest to him than many other contemporary special effects movies. The movie is about a selfish 16-year old girl who is given 13 hours to solve a labyrinth and rescue her baby brother when her wish for him to be taken away is granted by the Goblin King.
9. Dark Crystal (1982)
This one was co-directed by Jim Henson and Frank Oz. Frank Oz would go on to direct so many good films over the next 20 years. Hard to believe he started out as a puppeteer, but he’s so creative and talented, it taught him a lot of the things he needed to become a top director. This movie is about a Gelfling who embarks on a quest to find the missing shard of a magical crystal in order to restore order to his world. All the characters in the film are all puppets. Conceptual designer Brian Froud was behind the look and feel of virtually every aspect of the film’s production, from creatures and landscapes right down to the font of the opening title. In total, it took up five years of his life. He was also the conceptual designer for Labyrinth. Froud and puppet designer Wendy Midener met on the set of the Dark Crystal and were later married.
8. NeverEnding Story (1984)
This film is about a troubled boy who dives into a wondrous fantasy world through the pages of a mysterious book. This is directed by Wolfgang Petersen, and is a very inventive movie. It’s a favorite of a lot of the kids who grew up in the 80’s. It’s actually a film shot and produced in Germany, based on a book by the very popular author Michael Ende.
7. Beastmaster (1982)
Beastmaster is a sword-and-sorcery fantasy about a young man’s search for revenge. Armed with supernatural powers, the handsome hero and his animal allies wage war against marauding forces. Directed by Don Coscarelli and starring Marc Singer and Tanya Roberts. Producer Dino De Laurentiis liked the movie and offered Don Coscarelli to direct Conan the Destroyer (1984). Coscarelli declined because he thought the script was quite bad. Hence the reason that movie, doesn’t make this list. Coscarelli decided to set the story in a sort of Bronze Age milieu because he was a long time fan of Steve Reeves, Ray Harryhausen and sword and sandal flicks. Ironically, Ray Harryhausen made this list next at number…
6. Clash of the Titans (1981)
This is a film adaption of the myth of Perseus and his quest to battle both Medusa and the Kraken monster to save the Princess Andromeda, directed by Desmond Davis and special effects by Ray Harryhausen. Funny thing about the title of the film, no actual Titans actually appear in the film as the “Titans” were the gods who preceded the Olympians in power. Kronos (also spelled Cronus) and Atlas were the most famous Titans. In the movie, the Titans are the Norse Kraken (who never appeared in Greek mythology at all) and Medusa (who was never considered a Titan by the Greeks).
5. Conan the Barbarian (1982)
1982 was an amazing year as a lot of the films on this list were released in 1982 as well as ET, Blade Runner, The Thing, Poltergeist, Star Trek II: Wrath of Khan, Tron, First Blood, and Tootsie! Conan was directed by John Milius and stars Arnold Schwarzenegger as Conan. There’s a lot of stunts in this film, Arnold Schwarzenegger had weapons training, martial arts training, and horse riding lessons from specialists. He trained with an 11-pound broadsword two hours a day for three months, and learned how to handle one; each broadsword cost $10,000 and had to look weathered. He also learned climbing techniques, and how to fall and roll and jump from 15-feet in the air. John Milius made sure all of these were videotaped, and according to Schwarzenegger, they were just as intense as training for bodybuilding competitions. Franco Columbu was his trainer and was rewarded with a small part in the film. Arnold Schwarzenegger and Sandahl Bergman did their own stunts, as suitable body doubles couldn’t be found. Arnold Schwarzenegger modelled his performance as Conan after Steve Reeves and his performances as Hercules. Conan was created by Author Robert E. Howard.
4. Sword and the Sorcerer (1982)
This is the other film on the list that features the actor Richard Lynch. It’s actually my favorite Sword and Sandal film of all time. I think it’s even better than Conan, and it’s crazy to me that nobody knows about it. I even watched it recently and it totally holds up over time. This is simply a great little unknown film! It’s about a mercenary with a three-bladed sword who rediscovers his royal heritage’s dangerous future when he is recruited to help a princess foil the designs of a brutal tyrant and a powerful sorcerer in conquering a land. It stars Lee Horsely, who my brother and I loved as Matt Houston!
3. Ladyhawke (1985)
The real reason to watch this is Matthew Broderick. He’s just fantastic as the mouse, the thief that technically narrates the film. He is so good that I thought he should have been nominated for an Oscar that year. The film is directed by the incredible Richard Donner and is also memorable for the score of the film by Andrew Powell and Alan Parsons from the Alan Parsons Project. They are my favorite “band” (in quotes because they’re not really a band, more like studio produced music, but still awesome). The movie is about Captain Etienne Navarre, who is a man on whose shoulders lie a cruel curse. Punished for loving each other, Navarre must become a wolf by night whilst his lover, Lady Isabeau, takes the form of a hawk by day. Together, with the thief Philippe Gaston, they must try to overthrow the corrupt Bishop and in doing so break the spell.
2. Willow (1988)
Ron Howard directed this fantasy film based on the story by George Lucas. You can really tell by this time that Ron Howard was going to be one of the very best directors ever. The film is about, Willow Ufgood, a reluctant dwarf who must play a critical role in protecting a special baby from an evil queen. George Lucas specifically wrote this film for Warwick Davis after meeting him on the set of Return of the Jedi (1983). The box office receipts were less than expected (but still very good when considering International and Video/DVD sales), so writer George Lucas continued Willow’s story in books rather than in movie sequels. The three books are collectively known as “The Chronicles of the Shadow War” and share a writers credit for Chris Claremont and Lucas. They are: “Shadow Moon” (1995), “Shadow Dawn” (1996) and “Shadow Star” (2000). I enjoyed Val Kilmer in this movie a great deal. I heard later that much of his dialogue for this film was ad-libbed by him. Various major film studios turned down the chance to distribute and co-finance it with Lucasfilm because they believed the fantasy genre was unsuccessful. This was largely due to films such Dragonslayer (1981), Krull (1983), Legend (1985) and Labyrinth (1986). (Argh! That’s almost half of my list!)
1. The Princess Bride (1987)
The ultimate fantasy film and a lot of people’s favorite, including mine. Directed by Rob Reiner. A lot of people think this is his finest film. The film is about the lovely Buttercup, who is kidnapped by a ghastly gang intent on fermenting an international incident. They find they are pursued by the Dread Pirate Roberts who just might be Westley, her one true love. Also after everyone is nasty Prince Humperdinck to whom Buttercup is now betrothed but who seems to care little for her continued survival. The stage is set for swordfights, monsters, revenge and torture…and of course, true love. It has a fantastic cast which includes Mandy Patinkin, Cary Elwes, Christopher Guest, Andre The Giant, Robin Wright, Billy Crystal, Mel Smith, Wallace Shawn, Chris Sarandon, Peter Falk, Fred Savage, Peter Cook and Carol Kane. Cary Elwes was cast because of what Rob Reiner called his Douglas Fairbanks or Errol Flynn quality. Fairbanks and Flynn both played Robin Hood (Fairbanks in Robin Hood (1922) (which I discuss in a blog post here) and Flynn in The Adventures of Robin Hood (1938) (which I discuss in a blog post here). Elwes would later spoof their performances in Robin Hood: Men in Tights (1993). Ironically, the costume for Wesley as the Dread Pirate Roberts was designed after Douglas Fairbanks in The Mark of Zorro (1920). You can see pictures of him in a blog I wrote here.
In order to create the Greatest Swordfight in Modern Times, Cary Elwes and Mandy Patinkin trained for months with Peter Diamond and Bob Anderson, who between them had been in the Olympics; worked on Bond, Lord of the Rings, Raiders of the Lost Ark (1981), and Star Wars films; and coached Errol Flynn and Burt Lancaster. Every spare moment on set was spent practicing. Eventually, when they showed Rob Reiner the swordfight for the movie, he was underwhelmed and requested that it be at least three minutes long rather than the current one minute. They added steps to the set, watched more swashbuckling movies for inspiration, re-choreographed the scene, and ended up with a three minute and 10 second fight which took the better part of a week to film from all angles. This is my favorite scene in the movie.
Carey gets the nod for designing arguably the most famous car chase scene in history. He was one of the quintessential stunt car drivers in the business when he was asked to be the stunt coordinator for the sequence and this became an instant indelible classic. I always wondered what kind of insurance they had on those cars! Couldn’t of been cheap. If you’re looking for cheap car insurance yourself check this out. But back to Carey. Not only did he design it, but he was one of the stunt drivers (doubling for Steve McQueen) as well as Bud Eikins and Loren Janes. Bill Hickman, gets the nod for driving the famous black Charger chasing McQueen. Arguably, McQueen is added to the roster, ’cause how can you do this scene without Steve McQueen?
The total time of the scene is 10 minutes and 53 seconds, beginning in the Fisherman’s Wharf area at Columbus and Chestnut, followed by Midtown shooting on Hyde and Laguna Streets, with shots of Coit Tower and locations around and on Filbert and University Streets. The scene ends outside the city at the Guadalupe Canyon Parkway in Brisbane. Filming took three weeks. Due to multiple takes spliced into a single end product, heavy damage on the passenger side of Bullitt’s car can be seen much earlier than the incident producing it and the Charger loses five wheel covers, with different ones missing in different shots.
Bullitt’s reverse burnout during the chase scene actually wasn’t in the script – Steve McQueen had mistakenly missed the turn. Initially the car chase was supposed to be scored, but composer Lalo Schifrin suggested that no music be added to that sequence, pointing out that the soundtrack was powerful enough as it was. The film’s famous chase scene wasn’t originally in the script. In the first draft of “Bullitt”, adapted from Robert L. Pike’s novel “Mute Witness”, Det. Frank Bullitt was a Boston policeman who ate a lot of ice cream and never solved a case. The book had originally been bought with Spencer Tracy in mind; but with Tracy’s death, the property fell into the hands of Steve McQueen and Producer Philip D’Antoni. D’Antoni added the chase and changed the location to San Francisco.
Bullitt was directed by Peter Yates for Warner Bros.
Things to look up (click on item to go to IMDB page ):
Glossary of stunt terms as defined by Wikipedia: CAR CHASE – In television and film, the term “car chase” refers to a scene involving one or more automobiles pursuing one another; the chase may or may not involve a police car. Car chases are a staple of the action movie genre, and feature-length films have been built entirely around car chases, often featuring high-powered, exotic vehicles. They are popular because they are fast moving scenes that generate a great deal of excitement and action, due to the speed of the vehicles involved, and the potential collisions and the debris resulting from the wreckage, while not being hugely expensive to stage.
Although car chases on film were staged as early as the motor vehicle itself, the consensus among historians and film critics is that the first modern car chase movie was 1968’s Bullitt. The revolutionary 10-minute-long chase scene in Bullitt was far longer and far faster than what had gone before, and placed cameras so that the audience felt as though they were inside the cars. Even during the most calamitous scenes, the star – Steve McQueen – could be clearly seen at the wheel of the vehicle.
The French Connection further increased the realism. While previous chases had obviously been filmed on closed roads, isolated highways, or Sunday mornings (including Bullitt), The French Connection placed the chase in the midst of busy New York traffic and pedestrians. The producer of both Bullitt and The French Connection, Philip D’Antoni, went on to direct The Seven-Ups with yet another trademark chase sequence through New York featuring Roy Scheider from The French Connection as well as Bill Hickman, one of the drivers who had previously appeared in Bullitt.
As time went on, so did the expectations of the movie car chase. Since Bullitt, car chases featured in movies have become more advanced and arguably more entertaining. Car crashes have also formed an increasingly important role, with the destruction of any vehicle often coming as a delight to the viewer. An early example of a staged but startling accident in a movie chase can be found in the 1974 movie McQ, which featured an incredible rollover, the first cannon rollover in fact, across a beach. The spectacle came at a cost, however, for stunt driver Hal Needham, who sustained multiple injuries after setting the explosives too high.
Eventually this resulted in movies which are not much more than a series of linked car chases, such as Gone in 60 Seconds (1974 film), which culminated in a 40 minute car chase scene with multiple crashes (some of them unplanned, real accidents) and a 30-foot-high, 128-feet-long airborne jump over crashed cars that block a road.
Arguably the most typical car chase is one in which a car is being pursued by police cars. In part because car chases are so common many movie makers try to introduce a new twists to them. One of the most famous variations is from The French Connection and involves a car chasing an elevated train. Chases involving buses, trucks, snowmobiles, trains, tanks, and virtually every other type of vehicle (with or without wheels) have appeared at some point.
Car chases can also be played for laughs. Films such as: The Keystone Kops; W.C. Fields comedies; The Three Stooges; It’s a Mad, Mad, Mad, Mad World; The Shaggy Dog; No Deposit, No Return; Freaky Friday; The Gnome Mobile; The Million Dollar Duck and many others have car chases that are used for comedy.
Probably the most complex type of car chase involves going the wrong way at high speed against moderately congested freeway traffic, most notably in To Live and Die in L.A. and Ronin which, by no small coincidence, were directed by William Friedkin (The French Connection) and John Frankenheimer (French Connection II), respectively.
Several films that feature complex large-scale chases involving a lot of vehicles in the pursuit include The Blues Brothers, The Transporter, Raiders of the Lost Ark and Mad Max 2. Another method of escalating a car chase scene is to have a character move from one vehicle to another and to fight in or on top of a moving vehicle as the Wachowski Brothers employed very effectively in The Matrix Reloaded.
A number of television shows have been built around the popularity of car chases, such as The Dukes of Hazzard, Knight Rider, Airwolf, and most recently, Chase.
In more modern times, the use of computer-generated imagery is becoming increasingly popular, and, although costly, eliminates any danger level. While impressive at times, it is often argued that it eliminates the realism of the chase scene, which can then in turn damage the established thrill factor. Recent examples of this computer-generated imagery can be found in the Michael Bay films Bad Boys II and The Island. An example of a lower budget film using computer-generated imagery in a car chase is RSTC: Reserve Spy Training Corps. Driven was particularly panned for its CGI car chase sequences. Such criticism has affected recent Hollywood productions; for example, films like Ronin, The Bourne Supremacy, The Kingdom, and The Dark Knight all had actual live-action chases with minimal use of CGI, if at all.
In the action comedy film Hot Fuzz, the scene in which Sergeant Angel chases the speeding car has been declared the shortest car chase in film history. The brevity of the scene, as acknowledged in interviews, was itself the joke.
For more about the world’s greatest movie stunts, check out the book, 100 Years of the Best Movie Stunts.
