Tag Archives: Frank Merrill

Best Stunts of the Year List 1920-1929

 

Here is the list for the Best Movie Stunts for the Decade 1920-1929 as listed in the book, 100 Years of the Best Movie Stunts!

1920:  The Mark of Zorro

First time on the list for Zorro (not the last), and for Douglas Fairbanks.  The Mark of Zorro represents the first in a line of Adventure films and Douglas Fairbanks was technically the first swashbuckler, an adventure actor that does a lot of the stunts himself.  He was an incredible athlete, by all accounts, and this film showcases that ability very nicely.zorro 2

1921:  Never Weaken

Harvey Parry admitted on his death bed that he doubled Harold Lloyd on some of the stunts in this movie.  This comedy movie would make way for all the dangerous slapstick comedies to come by Harold Lloyd and Buster Keaton.never tumblr_njqmx6K3Gr1rdfgw4o1_500

1922:  Robin Hood

Great example of Douglas Fairbanks at the top of his game, but in this case he’s helped out by his stunt double, Charles Lewis in several stunts.  This is also the first time Robin Hood makes the list (also, not the last) and it’s interesting to me that several movies hit the list multiple times.  You’d expect that with movie series like James Bond, being highly stunt driven, but still seems like a surprise when it’s just different versions of the same movie, like Robin Hood and Zorro.robin-hood

1923:  Safety Last!

The second half of this film, where he is climbing up each floor of a building is sheer brilliance.  It’s nerve-wracking!  The final few moments hanging from the clock is as iconic a film moment as you get.  It’s a single-solitary slice of film that represents everything that being a stunt performer is all about.  This would be the poster boy for the stunt movement.  In fact, this should be the award they give out at the Academy Awards for Stunts, a Golden Statue of Harold Lloyd hanging from a clock tower.safety last

1924:  Sherlock, Jr.

This is the period where Harold Lloyd and Buster Keaton keep out-doing each other every film.  But, I will add, that this particular film is just about my favorite stunt film of all time.  It would definitely be in the top ten for best stunts of all time, it’s that great.  Buster Keaton not only blows your mind with the stunts in this film, but it’s also an incredible film cinematically and some of the techniques he develops with this film are revolutionary.sherlock buster

1925:  The Prince of Pep

This was where Richard Talmadge was trying to be an actor, but he soon found out that his talents lay with Stunt work.  He goes on to be a fantastic Stunt Man and Stunt Coordinator in the years to come. In this one, he has a nifty gag where he jumps from the rooftop of one building through the window of the next building.  He makes it look easy.pep2

1926:  The Devil Horse

Yakima Canutt is generally thought of as the grand-daddy of all stuntmen…not that he actually gave birth to all of them, just that he was a big reason why stunt work has legitimized as much as it is right now. He developed techniques for safety and paved the way for most of the stunt men to work behind the camera as an action director or second unit director and as a stunt coordinator.  In this film he shows his early chops as a rodeo star as he rides the devil horse, Rex.yakima captured

1927:  Wings

This film won the first Academy Award for Best Picture, but thanks to Dick Grace, has some great flying stunts in it as well.  No-one crashed a plane on cue better than he did.

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1928:  Steamboat Bill, Jr.

Another great film from Buster Keaton.  This one is another one of those iconic images that help to propel the whole stunt world forward, an amazing stunt, where Buster just stands in one spot as the whole front of the building falls around him.  Could have easily killed him if he was just a little bit off his mark.  Great stunt.Steamboat bill Jr

1929:  Tarzan the Tiger

Every wonder where Tarzan got his signature yell and signature swing from tree to tree from?  Yep, from this movie.  They used it in every Tarzan movie after that.  Frank Merrill was very athletic and did all his stunts in a skimpy loin-cloth.tarzan07

For more information about these stunt performers and these movies, including a lot of great trivia, please look for their chapters in the new movie stunt book, 100 Years of the Best Movie Stunts!Screen Shot 2015-09-19 at 8.23.28 PM

Frank Merrill and Tarzan the Tiger

 

Frank Merrill, Tarzan The Tiger: Best Stunt Award for 1929 goes to Frank Merrill, born Otto Poll, for the 15-part serial Tarzan the Tiger. Serials of the 20’s and 30’s were a great source for stunts in the early days of film due to the nature the studios wanting to leave the audience with thrills so they would come back the next week to see how they ended. This one has the distinction of being the last silent film version of Tarzan AND the first talkie version of Tarzan when sound was recorded and the film was then re-released.

Frank Merrill was a national title-winning gymnast, winning the national championships 1916 to 1918 and winning over 50 Southern California titles in Roman rings, high bars and rope climbing. The rope climbing especially came in handy when he the first Tarzan to swing from vine to vine that was used from then on in all the following Tarzan movies.  He was also the first one to give voice to Tarzan and created the “Tarzan Yell”, popular in sound versions for the character.tarzan07

Tarzan the Tiger was directed by Henry MacRae for Universal Pictures.

Things to look up ( go to IMDB):


Frank Merrill

Henry MacRae

Tarzan the Tiger

Universal Pictures

Glossary of film terms as defined by Wikipedia:

  1.  Serials – More specifically known as Movie serials, Film serials or Chapter plays, are short subjects originally shown in theaters in conjunction with a feature film. They were related to pulp magazine serialized fiction. Also known as “chapter plays”, they were extended motion pictures broken into a number of segments called “chapters” or “episodes”. Each chapter was screened at the same theater for one week, and ended with a cliffhanger, in which the hero and heroine found themselves in a perilous situation with little apparent chance of escape. Viewers had to return each week to see the cliffhangers resolved and to follow the continuing story. Serials were especially popular with children, and for many youths in the first half of the 20th century a typical Saturday at the movies included a chapter of at least one serial, along with animated cartoons, newsreels, and two feature films.

Check out our new Book, 100 Years of the Best Movie Stunts!

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