Category Archives: Success

Best Overnight Success stories from modern pop culture. Success stories from TV, Movies, Books and Music.

Lloyd Bridges

 

Not only did Lloyd father two very fine actors, he was also one of the most interesting actors in his own right. Lloyd Bridges was a very versatile actor being very successful in just about every genre over the years. He had a successful TV show Sea Hunt in the late 1950’s for 155 episodes. Bridges returned to television a year later in this ambitious 30-minute series, designed to showcase his range and depth as an actor. For The Lloyd Bridges Show, he played journalist Adam Shepherd, who would research a story, and then imagine himself as the protagonist, and the episode would thrust him into a new character in a new situation every week. TV Producer Aaron Spelling came up with the concept, and Lloyd Bridges, later said the show really should have been called “The Aaron Spelling Show”. Bridges said Spelling was a genius. It was a family affair, however, as Jeff Bridges appeared in three episodes, and Beau was in two. Lloyd’s daughter Cindy was also in an episode.airplane-lloyd-bridges

Now, as a child of the 80’s he came to my attention in Airplane, from the Zucker brothers (and Jim Abrahams). This is by far the best of the parody movies, that seemed to flood the movies in the 70’s and 80’s from Mel Brooks and the Zucker brothers. Most of his movies before these featured him in very serious roles, but here he found a new audience as he was extremely funny in these movies. Jim Abrahams, David Zucker, and Jerry Zucker chose actors such as Robert Stack, Lloyd Bridges, Peter Graves, and Leslie Nielsen because of their reputation for playing no-nonsense characters. Until this film, these actors had not done comedy, so their “straight-arrow” personas and line delivery made the satire in the movie all the more poignant and funny. Bridges was initially reluctant to take his role in the movie, but his sons, Jeff and Beau, persuaded him to do it. Lloyd Bridges as Steve McCroskey spoofs his role as airport manager Jim Conrad in the TV series San Francisco International Airport (1970).hot-shots-part-deux-lloyd-bridges

Because of the success of this movie, Bridges would be cast in another parody series; Hot Shots! (1991), and Hot Shots! Part Deux (1993), written and directed by Jim Abrahams.  He wasn’t the original actor hired for his role however, as he replaced George C. Scott, when he had to decline the project. Hot Shots! parodies the scene in The Fabulous Baker Boys (1989) in which Susie Diamond (Michelle Pfeiffer) sits atop on a piano and sings “Makin’ Whoopee”. That film starred Jeff Bridges and Beau Bridges as the title characters, Jack and Frank Baker. In the sequel, Hot Shots! Part Deux Jim Abrahams originally wanted Marlon Brando instead of Lloyd Bridges to play The President. Later in 1993, Charlie Sheen, who played the lead in this series, would go on to play Aramis in The Three Musketeers (1993). Interestingly, that role was previously played by Lloyd Bridges in The Fifth Musketeer (1979), which also featured José Ferrer as Athos. Miguel Ferrer, his son, also appears in this Hot Shots! Part Deux.bridges-lloyd-jeff-beau

3 Things

 

I was done. I can’t fully express to you how I felt exactly, I just was exhausted and was just simply done. Done with trying, done with caring, done with crying, done feeling everything- anything. I decided that this was it and that my marriage was over.

So the next morning after yet another sleepless night, I told her that I wanted a divorce.divorce

She was beyond shocked. She was devastated. Now, mainly she was devastated because she never saw it coming. You have to understand something about me to understand this about her…I have not always been “Mr. Right”…but I have been “Mr. Everything is Alright”. I usually keep all my anger or sadness or unhappiness inside and just tell people, “Everything is alright.”. I try to keep a smile on my face at all times, no matter how I’m really feeling inside. I try and let things go, if I’m feeling confronted…I run.

Call this avoidance, or non-confrontational…however, you slice it, if my wife and I ever fought, or got angry or anything like this, I would just walk away. I felt I needed to get away and time away to cool down or whatever it was. Now, she is the complete opposite, as she wants to “hash” things out. Keep talking or hitting that problem head on until it’s completely worked out. But to me, early on in our marriage, this just felt like we were talking “it” to death, or just “beating a dead horse”…it was sheer torture for me.

But this avoidance also had a small side effect that I was unaware of at that time. Early on in our marriage, I wasn’t honest with her, with any of my “negative” emotions. Because I pretended that I didn’t have any. I never told her when I was hurt by something she did or said and then it just would fester in my mind later. If she did anything that hurt me later, or we would find ourselves arguing or mad at each other, I would bring up these “old” hurts and then blast her with multiple problems all at once, which undermined any current problem we were trying to hash out at that time.

Now, to be helpful, I’m not going to tell you all the little things that finally lead to my decision to leave my wife…because every one’s “little things” are different and they all add up over time. Needless to say, it all added up simply to me not feeling like I was getting what I truly needed from my wife and my marriage.

Back to the moment I told my wife I wanted a divorce…at this point, I thought she would yell, scream, throw things and generally hate me forever. But she didn’t. She did something I didn’t expect. She said, “OK, if that’s what you want.”

She moved out.curtain-rods1

Just so you know…she still loved me. And she showed it over the next 4 months. She went to great lengths to show me that if we couldn’t be great as husband and wife then she would make sure we were great friends. She told me she couldn’t imagine her life without me, so she wanted us to be best friends, if that is what it took to keep me in her life.

We started talking on the phone…every day. She started to drop by every other day. And through all this, she never showed anger and she never showed sadness. Just support. And love. And deep down inside she was lying to me. Inside, she was broken in two. But she put on that same smile every day, that I was in turn giving to the world, while we were married.

I realized then that if this woman was giving it 150% to try and make things work, regardless of how she truly felt inside then I was the breakdown…I was the one that was not trying any more. I never wanted to be the problem.  I wanted to be the solution.150-percent

So I thought long and hard about what I really wanted. I did want her. I loved her with all of my heart. But I did need things to be different.

I came up with 3 things.

These 3 things were things I needed above all else. It was 3 things that I needed from her at all times. They were indisputable and simple. Moving forward I realized that I needed my wife to give me these 3 things in order for me to be happy in my marriage and happy with her.

So, I called her and asked her out to dinner.date

While we were out at dinner I told her that I still loved her. She cried and told me she still loved me too.

I told her about my thoughts about my “3 things”. She smiled and said that she would always keep those things in mind and that every day she would dedicate herself to giving me those 3 things. So, then I asked her what her “3 things” would be. She thought for a little while and then I could tell that she had thought about those 3 things quite often during our first few years of marriage. She told me about her “3 things”.

They were different than mine, of course. But just as valid. They made sense.  I told her that I would think about these 3 things and dedicate myself to giving them to her every day.just-3-things

We also made 2 rules, never to go to bed angry and never to leave each other without a kiss and an “I love you”.

And I can happily confirm that we have been married 20 years more after that dinner date. And we have never been happier.

Now, you may think it was that simple, but I’ve analyzed it over time and I have come up with some contributing factors:

  • I started to communicate with her. I finally told her what I needed. It took me some time to identify what it was that I really needed from her, but once I did, and we started to talk about those things, then we started to “really” talk to each other.
  • We re-committed ourselves completely to each other. Every day I realize that being with her is my choice. And every day, I make that choice again. I own that. I choose her.
  • I’m dedicated to making her happy. I’m not thinking of my own happiness because that is her concern. I’m going to think about and give her those “3 things” every day. And she does the same for me.
  • I can confirm that she has given me those “3 things” ever since. She probably would have done so in the beginning, only she didn’t know what those 3 things were, and I never took the time to tell her. Once, I did, everything changed.

Some people have asked what my “3 things” were, and I won’t tell you in this post, but I will tell you that they are different for everybody. They were simple, but they were crucial to my mental, spiritual and physical happiness. Now, if you really want to know, we can go offline and have that discussion, I will be more than happy to tell you what my 3 things were and what her 3 things were, if that is helpful and gives you more perspective.dani-and-i-1

I also realize that those 3 things may change over time, so it may be important to have that discussion and re-focus on the new “3 things” because we may be at different stages in our lives. We never had the blessing of children, but I’m sure that if we had, our 3 things would have definitely included them.

I hope this post can give those of you that are having a little difficulty in your marriage something to think about. I hope this is helpful. Just know that you are not alone, and that others have been through similar situations. You can get through this…and from experience, I know…it’s worth it.dani-and-i-early-days daniella-donovandani6

Top 15 Films Directed by Howard Hawks

 

One of my all time favorite directors is the amazing Howard Hawks! He has so many classics to his name people don’t know what category to put him in and so often he gets missed because he was so all-around great at directing anything and everything. One of the very best things about him is that he doesn’t do a lot of tricks with the camera. He nails the camera down and lets the story unfold and captivate the audience. He was simple and because of that, his style paired well with every genre as he made masterpieces in comedy, film noir, action, drama, western, science fiction, gangster…you name it, it’s there. His dialogue is rapid-fire…his scripts were 3 times longer than anyone else’s and he set the bar very high for his actors. Here are my top 15 favorite Howard Hawks films:

15.  The Dawn Patrol (1930)Dawn Patrol

He never got over the plane crash death of his brother Kenneth Hawks of whom, Howard later said, probably had the potential to be an even greater filmmaker than himself. Nonetheless, he continued to fly after his brother’s death and went on to shoot many films about pilots, like this film and the next one on the list. The Dawn Patrol was released 8 months after his brother’s death. Director Howard Hawks, also was a pilot in the US Army during World War I, and he flew in the battle scenes of this movie as a German pilot. Remade eight years later with Errol Flynn and David Niven virtually word -for-word.

14.  Only Angels Have Wings (1939)

Howard Hawks, definitely had his favorite stars to work with. One of his favorite actors was Cary Grant. He worked with him 5 times and all but Monkey Business (1952) has made my list. He said of Grant, “Cary Grant was so far the best that there isn’t anybody to be compared to him.”  Now, in return, Howard Hawks and Jean Arthur did not get along during filming. Arthur was not used to Hawks’ highly improvisational style, and when Hawks wanted Arthur to play Bonnie much in a subtly sexy way (not unlike his other “Hawksian women”, Arthur flatly said, “I can’t do that kind of stuff.” Hawks told Arthur at the end of the shoot, “You are one of the few people I’ve worked with that I don’t think I’ve helped at all. Someday you can go see what I wanted to do because I’m gonna do this character all over again.” Years later Hawks returned home to find Arthur waiting for him in his driveway. She had just seen his To Have and Have Not (1944) and confessed, “I wish I’d done what you’d asked me to do. If you ever make another picture with me, I’ll promise to do any goddamn thing you want to do. If a kid (Lauren Bacall) can come in and do that kind of stuff, I certainly could do it.” Hawks and Arthur never collaborated again.Only Angels Have Wings

A lot of the film was from Hawks own experiences as a pilot. A certain critic said, “It’s the only picture Hawks ever made that didn’t have any truth in it”. Hawks shot back, “I wrote him a letter and said, “Every blooming thing in that movie was true. I knew the men that were in it and everything about it”. But it was just where truth was stranger than fiction.” For example, Howard Hawks had known a real-life flier who once parachuted from a burning plane. His copilot died in the ensuing crash and his fellow pilots shunned him for the rest of his life. In this film, Richard Barthelmess plays a pilot who is shunned because he jumped out of a plane and left his mechanic to die. In another scene, with the exception of the rain, The Kid’s death scene was copied nearly exactly and word-per-word from a pilot’s death that Hawks had actually witnessed years before.

13.  Red River (1948)Red River lobby card

Another actor that Hawks frequently worked with was John Wayne. After seeing John Wayne’s performance in the film, directed by rival director Howard Hawks, John Ford is quoted as saying, “I never knew the big son of a bitch could act.” This led to Ford casting Wayne in more complex roles in films like She Wore a Yellow Ribbon (1949) and The Searchers (1956). When Ford was dying they used to discuss how hard it was to make a western without Wayne. “John Wayne represents more force, more power, than anybody else on the screen,” Hawks would say later. “He never squawks about anything. He’s the easiest person I ever worked with. Because he never says anything about it, he just goes ahead and does it.” He would add, “Wayne is underrated. He’s an awfully good actor. He holds a thing together; he gives it a solidity and honesty, and he can make a lot of things believable.” Hawks worked with Wayne in 5 movies as well, in Red River, Rio Bravo, Hitari! (1962), El Dorado (1967) and Rio Lobo (1970).

Filmed in 1946 but held for release for two years, in part due to legal problems with Howard Hughes who claimed it was similar to his The Outlaw (1943). Writer Borden Chase readily admitted that the storyline was Mutiny on the Bounty (1935) with saddles and stirrups.

12.  Ball of Fire (1941)Ball of Fire lobby Card

This is a splendid take on Snow White and the Seven Dwarfs as if Snow White was a wisecracking nightclub singer and the seven dwarfs were seven educated college professors. Gary Cooper and Barbara Standwick work together for the 2nd time in 1941 (the first time being the marvelous Frank Capra film, Meet John Doe), and they are magic. The roles of the seven professors (besides Gary Cooper) were inspired by Disney’s Seven Dwarfs. There is even a photograph showing the actors sitting in front of a Disney poster, each one in front of his corresponding dwarf: S.Z. Sakall – Dopey; Leonid Kinskey – Sneezy; Richard Haydn – Bashful; Henry Travers – Sleepy; Aubrey Mather – Happy; Tully Marshall – Grumpy, and Oskar Homolka – Doc.

11.  Scarface (1932)

As of the fifth edition of “1001 Movies You Must See Before You Die” (edited by Steven Schneider), 11 of Hawks’ films are included, second only to Alfred Hitchcock in abundance. The films are: Scarface (1932), Bringing Up Baby (1938), Only Angels Have Wings (1939), His Girl Friday (1940), Sergeant York (1941), To Have and Have Not(1944), The Big Sleep (1946), Red River (1948), The Big Sky (1952), Gentlemen Prefer Blondes (1953) and Rio Bravo (1959).Scarface-Half-Sheet

Screenwriter Ben Hecht was a former Chicago journalist familiar with the city’s Prohibition-era gangsters, including Al Capone. During the filming Hecht returned to his Los Angeles hotel room one night to find two Capone torpedoes waiting for him. The gangsters demanded to know if the movie was about Capone. Hecht assured them it wasn’t, saying that the character Tony Camonte was based on gangsters like “Big” Jim Colosimo and Charles Dion O’Bannion. “Then why is the movie called Scarface?” one of the hoods demanded. “Everyone will think it’s about Capone!” “That’s the reason,” said Hecht. “If you call the movie Scarface (1932), people will think it’s about Capone and come to see it. It’s part of the racket we call show business.” The Capone hoods, who appreciated the value of a scam, left the hotel placated.

Al Capone was rumored to have liked the film so much that he had his own copy of it, on 35mm film.

10.  Twentieth Century (1934)twentieth century lobby card

When asked by John Barrymore why he should play the role of Oscar, Howard Hawks replied, “It’s the story of the biggest ham on earth and you’re the biggest ham I know.” Barrymore accepted at once. John Barrymore once said that the role of Oscar was “a role that comes once in a lifetime” and even deemed this his favorite of all the movies he appeared in.  After filming had ended, John Barrymore gave Carole Lombard an autographed photo inscribed, “To the finest actress I have worked with, bar none.”  Howard Hawks allowed John Barrymore and Carole Lombard to improvise freely during filming. “When people are as good as those two, the idea of just sticking to lines is rather ridiculous,” he told Peter Bogdanovich in an interview. “Because if Barrymore gets going, and he had the ability to do it, I’d just say, ‘Go do it.’ And Lombard would answer him; she was such a character, just marvelous.”

9.  Sergeant York (1941)

Hawks had said in interviews that he was supposed to direct the now-beloved Casablanca (1942) and Michael Curtiz was meant to direct Sergeant York (1941). However, the two directors had lunch together and Curtiz complained that he knew nothing about the “hill people”, while Hawks was struggling to make this “musical comedy”, so they switched films. Hawks said that he always considered “Casablanca” a musical comedy because of the number of singing scenes in the café, namely the “La Marseillaise” scene. Later, Hawks said that Curtiz shot the film “beautifully and the whole picture came out different because of the two people in it [Humphrey Bogart and Ingrid Bergman]. They made you believe something. When I saw ‘Casablanca’ I liked it, but I never had any faith in my doing anything like that.” (Book Source: “Who the Devil Made it...” by Peter Bogdanovich).sergeant york

Even though he was one of the most prolific directors of his generation, having directed five actors to Oscar nominations, he himself has only been nominated for an Academy Award once. It was for Sergeant York and he lost to John Ford for How Green is My Valley.

8.  Bringing Up Baby (1938)

Directed three of the American Film Institute’s 100 Funniest Movies: Bringing Up Baby (1938) at #14, His Girl Friday (1940) at #19 and Ball of Fire (1941) at #92. I discuss this film in a little detail on my post about Cary Grant’s finest films:  CLICK HERE TO READ THIS POST. This film is the inspiration for Peter Bogdanovich’s movie What’s Up, Doc? with Barbra Steisand and Ryan O’Neal.Bringing Up baby Lobby Card

The scene in which Susan’s dress is ripped was inspired by something that happened to Cary Grant. He was at the Roxy Theater one night and his pants zipper was down when it caught on the back of a woman’s dress. Grant impulsively followed her. When he told this story to Howard Hawks, Hawks loved it and put it into the film. Christopher Reeve based his performance as Clark Kent in four “Superman” movies on Cary Grant’s “David Huxley” from this film. Now, truth is Howard Hawks modeled Cary Grant’s character, David, on silent film comedian Harold Lloyd, even having Grant wear glasses like the comedian. So we can thank Harold Lloyd for this movie, What’s Up, Doc? and 4 Superman movies!

7.  To Have and Have Not (1944)

Screen debut of Betty Bacall, who Hawks renamed Lauren Bacall. He thought it sounded better. Hawks’ wife saw her on the cover of a magazine and persuaded him to put her in the movie. Humphrey Bogart and Bacall met and fell in love in this movie and were married a year later. They were married up until his death.  Many aspects of Lauren Bacall’s screen persona in To Have and Have Not were based on Hawks’ wife, Slim (nicknamed by Hawks), including her glamorous dresses, long blonde hair, smoky voice and demure, mysterious demeanor. Humphrey Bogart’s character also refer to Bacall by the nickname “Slim” in the movie.To Have and Have Not Lobby Card

He said of Bacall, “We discovered Bacall was a little girl who, when she becomes insolent, becomes rather attractive. That was the only way you noticed her, because she could do it with a grin. So I said to Bogie (Humphrey Bogart), “We are going to try an interesting thing. You are about the most insolent man on the screen and I’m going to make this girl a little more insolent than you are.””

6.  Man’s Favorite Sport (1964)Mans Favorite Sport Lobby Card

This film was meant to be an homage/remake to Hawks’ Bringing Up Baby (1938), and Hawks even wanted Katharine Hepburn and Cary Grant to star in the movie. Katherine Hepburn and Cary grant turned the movie down however and Paula Prentiss and Rock Hudson was cast instead. It’s a great and fun movie and I think it’s my 2nd favorite movie with Rock Hudson behind the magnificent Pillow Talk with Doris Day. The screwball formula is there, however, and I especially love it when the female is the nutty and manic one of the two people in a screwball comedy as Paula is in this one.  She really puts Rock through some really rough things in this one. Fun…

5.  The Thing From Another World (1951) (uncredited)The Thing From Another World Lobby Card

Was the uncredited “ghost director” on the science-fiction classic The Thing from Another World (1951), for which his longtime editor and friend Christian Nyby received sole credit. It was only near the end of Hawks’ life that both he and Nyby conceded that he had indeed directed most of the film, as had long been rumored. On the other hand, several of the film’s cast members…James Arness was adamant in interviews that Nyby did in fact direct the film by himself, although Hawks–as the film’s producer–did have input. As opposed to that interview with James Arness, the film’s Star, Kenneth Tobey has maintained in many interviews that it was indeed Hawks who directed the film. Tobey said that he had worked with Nyby after this film on many occasions and he was a fine director, but Hawks did call the shots on most of the film. Regardless, I’ll add it here, as the film is fabulous! I write about this movie in some detail regarding the stunt  work for the film: PLEASE CLICK HERE TO READ.

4.  I Was a Male War Bride (1949)I Was A Male War Bride Lobby Card

This film was based on I Was an Alien Spouse of Female Military Personnel Enroute to the United States Under Public Law 271 of the Congress, a biography of Henri Rochard, a Belgian who married an American nurse. It is the story of French Army officer Henri Rochard (Grant) who must pass as a war bride in order to go back to the United States with Women’s Army Corps officer Catherine Gates (Ann Sheridan). The film is noted as being a low key screwball comedy with a famous final sequence featuring Cary Grant impersonating a female Army nurse. I find this film to be hilarious…I discuss this film in a little detail on my post about Cary Grant’s finest films:  CLICK HERE TO READ THIS POST. The film was Howard Hawks’ 3rd highest grosser, behind only Sergeant York (1941) and Red River (1948)

3.  Rio Bravo (1959)Rio Bravo

Hawks would say in an interview, “Rio Bravo (1959) was made because I didn’t like a picture called High Noon (1952). I saw “High Noon” at about the same time I saw another western picture, and we were talking about western pictures and they asked me if I liked it, and I said, “Not particularly”. I didn’t think a good sheriff was going to go running around town like a chicken with his head off asking for help, and finally his Quaker wife had to save him. That isn’t my idea of a good western sheriff. I said that a good sheriff would turn around and say, “How good are you? Are you good enough to take the best man they’ve got?” The fellow would probably say no, and he’d say, “Well, then I’d just have to take care of you”. And that scene was in Rio Bravo.”

Quentin Tarantino said that Hawks’ Rio Bravo, may be his favorite movie of all time. Now, I’m not sure I would praise the film this way, but I will say this…it is my favorite Western I’ve ever seen and remains so to this day.

2.  His Girl Friday (1940)His Girl Friday (Lobby Card) 1940

I discuss this film twice in our blog, once in a little detail on my post about Cary Grant’s finest films and then again in a post when I mention how the film was made from a play called the Front Page:  CLICK HERE TO READ THIS POST ABOUT CARY GRANT. CLICK HERE TO READ THIS POST ABOUT THE FRONT PAGE.

One of the first, if not the first, films to have characters talk over the lines of other characters, for a more realistic sound. Prior to this, movie characters completed their lines before the next lines were started. The film could have been another pairing of Grant with Katherine Hepburn, as she was offered the role of Hildy, but she ultimately turned it down and the part when to Rosalind Russell.

1.  The Big Sleep (1946)

This film was co-written by Hawks and frequent collaborator William Faulkner, who also wrote To Have and Have Not with him. It’s one of my all time favorite films and is just perfect from start to finish. William Faulkner never adjusted to life in Hollywood. While working on the script, he told Howard Hawks that the studio atmosphere was stifling him and asked if he could work at home. Hawks agreed. After a few days without hearing from the writer, Hawks called his hotel, only to learn that Faulkner had checked out and gone back to his native Mississippi. When Hawks called him there, Faulkner protested, “Well, you said I could go home and write, didn’t you?”the-big-sleep Lobby Card

Howard Hawks enjoyed working with Humphrey Bogart and always called him “Bogie”. He would say of Bogie, “He was an extremely hard-working actor. He’d always pretend that he wasn’t, that he didn’t give a damn, but that wasn’t true. One day I said to him, “Bogie, you’re just a great big phony.” He put his finger to his lips and grinned at me. “Sure,” he said, “but don’t tell anyone.”” There was even a funny moment in a book store for Bogart where he acts like a nerd. The fussy persona that Marlowe adopts upon arriving in Geiger’s bookstore has been a subject of argument for years; Lauren Bacall said that Humphrey Bogart came up with it while Howard Hawks claimed in interviews that it was his idea. What both of them failed to notice is that it was in the original book (“I had my horn-rimmed glasses on. I put my voice high and let a bird twitter in it.) So in the end, all Bogart did was elaborate on it. According to Lauren Bacall, production was such fun, that they got a memo from Jack L. Warner saying “Word has reached me that you are having fun on the set. This must stop.”

 

Zoe Saldana Takes Over The World

 

If you don’t know the name, you will definitely know the face, soon to become the number 1 actress in total box office revenues of all time. Earlier this year, Scarlett Johansson was announced as the 1 actress in total box office revenues…but with the films that Zoe Saldana has lined up in the next few years, she could definitely be the one to take Scarlett’s place at the top. Scarlett has had a fantastic year with the release of The Jungle Book and Captain Marvel: Civil War, but Zoe has some pretty hefty releases of her own, especially over the next 6 years.zoe saldana avatar

Lifetime gross for Scarlett’s films hit over $330 Billion Dollars at the box office this year, and it will still be rising as she is at her peak right now.  Zoe Saldana is currently at $214 Billion Dollars at the box office this year so far with Star Trek Beyond having released over the weekend and with Live By Night with Ben Affleck and Scott Eastwood and Guardians of the Galaxy Vol. 2 being released next year and Avatar 2, 3 and 4 to be released every 2 years starting in 2018. If the Avatar films do as much as expected then Zoe will very much be in contention, even with the 2 upcoming Avengers Infinity War movies to come for Scarlett. It will be a very interesting race to watch.zoe saldana guardians of the galaxy

Zoe Saldana has racked up a very impressive list of roles in a very short period of time. Her pinnacle year was 2009 when she released Star Trek and Avatar. The thing I think I like best about her is that she plays very strong and intelligent women. She’s no-pushover in any of her movies. I also think it’s amazing that she has managed to have a family and a great career at the same time.  She gave birth to twins (yeah!) in 2014 with her husband Marco Perego. She recently said of directors that created strong female characters, “I’ve learned this about men who write good roles for women – there’s a very beautiful sentimentality to them. Their exteriors are sugarcoated with this manly presence, but deep on the inside, there’s also this [fragility]. During the shortness of my career, I’ve managed to work with Steven Spielberg, J.J. Abrams, and now Jim Cameron- all directors who are known for having strong female protagonists. They don’t feel diminished by it as men; they can tap into the complexities of how woman really are.”Zoe-Saldana-Uhura-Star-Trek-Beyond-Movie

She has shown an interest in getting behind the camera and directing in the future.  She said, (on expanding her career to become a film director), ” It is more satisfying. You are more of a participant in the conception. I like having control. I think I have the capability. I am a storyteller and an artist and I love what I do. So I want to be part of it more and not just show up and say my lines.” Maybe after all the big movies coming up are gone and she starts her second career as a director, we’ll be talking about her amazing directing, but for now we are pleased to have her in front of the camera, entertaining us!

Failed Movies Make the Best Broadway Musicals

 

So what do you do with a movie that fails at the box office? Why not make it into a Broadway Musical! It’s actually fitting that one of the most popular of these is a film about making a bomb, that just happens to turn out to be a big hit…The Producers.Producers

In 1967, Mel Brooks wrote and directed The Producers, starring Zero Mostel and Gene Wilder. Kenneth Mars also has a great role in the film, I wrote about it in another blog, you can ready that here… The film initially was not very well liked, people didn’t know what to make of it. Actress Estelle Winwood said about the film – “Oh, that dreadful picture. I can’t bear to watch it, even on a small television. I must have needed the money – living in Hollywood weakens one’s motives. It reminds me of the saying that nobody ever went broke underestimating the American public’s taste.”ProducersLaneBroderick

Regardless, years later when Mel Brooks was considering adapting one of his movie into a play he decided to adapted The Producers as a Broadway stage musical and it opened at the St James Theater in April 2001, with Nathan Lane as Bialystock and Matthew Broderick as Bloom. The renowned musical went on to run for 2502 performances and won a record-breaking 12 Tony awards. A new movie which included Nathan Lane and Mathew Broderick was released in 2005, but that one didn’t fare too well either. It’s better as a stage play.victor_victoria

Another one to take the stage was Victor Victoria. Originally written and directed by Blake Edwards in 1982, starring James Garner, Julie Andrews and Robert Preston, the movie did not do well. We absolutely loved the film, however. It’s well suited for the transition to stage, as it’s about a struggling female soprano who finds work playing a male female impersonator, but it complicates her personal life. Robert Preston is just amazing in the film and really steals the show with his musical number at the end of the movie. Robert Preston did the final musical number in one take, which explains why he was so clearly out of breath, physically stressed, and sweating profusely during the second half of the number. So it’s very easy to see it transferred to Broadway.Victor-Victoria-Play

In 1995, Blake Edwards decided to transfer the movie to Broadway and convinced his wife Julie Andrews to reprise her role. The hit Broadway musical Victor Victoria opened at the Marquis Theater on October 25, 1995 and ran for 734 performances. Liza Minnelli substituted for Julie Andrews while she was on vacation and Raquel Welch took over for her when she left the show.xanadu

In 1980, Olivia Newton-John, Michael Beck and Gene Kelly starred in the box office bomb, Xanadu. Again, we loved the movie but it was a huge fail. Famously received the one sentence review: “In a word, Xana-don’t”. I think the main problem is that MTV ruined that movie. What I mean by that is, it’s totally designed to be a musical, but MTV was so popular at the time that they put all the musical numbers into the music, with none of the characters actually singing the songs. It’s just in the background and designed as like music video numbers scattered throughout the film. They dance plenty, but they never really sing.  When I ask people about the movie, it’s funny that people don’t realize that no one in the film ever really sings any of the songs until the end of the movie when Olivia is on stage at the roller rink.  The Broadway stage version opened at the Helen Hayes Theater on July 10, 2007, and ran for 512 performances. It was nominated for the 2008 Tony Awards for Best Musical and Book.spamalot

One of the most unusual film-to-Broadway adaptations would have to be Monty Python and the Holy Grail. In 1975, the Monty Python’s Flying Circus cast wrote and directed a small independent film called Monty Python and the Holy Grail. It did fairly well at the box office but really achieved cult status on video and DVD. It’s a very funny but strange film. The theatrical release contains 527 jokes, including 42 in the opening credits, for an average of one joke every 10.5 seconds. According to Eric Idle, Terry Gilliam and Terry Jones got the directing job because they were the only ones who were interested in it. The movie was adapted as a Broadway musical in 2006 called Spamalot. The Broadway play was a huge hit. The original 2005 Broadway production, directed by Mike Nichols, won three Tony Awards, including the Tony Award for Best Musical of the 2004–2005 season and received 14 Tony Award nominations. During its initial run of over 1,500 performances it was seen by more than two million people and grossed over $175 million.newsies_musical_main-logo

Newsies was another musical disaster for Disney initially, but managed to make for a very fine Broadway play.  It was directed by Kenny Ortega, who would head up the very successful High School Musical series a few years later. (High School Musical, being way too successful to consider making into a Broadway play has never made the transition…) Newsies was released in 1992 with pre-Batman Christian Bale, Bill Pullman, Ann-Margret  and Robert Duvall. At the time, this was one of the lowest grossing live action movies in Walt Disney studio history. The movie was a critical and commercial flop upon its initial theatrical release. However, it gathered a cult following after its home video release, eventually made its filming budget back on rentals, and was deemed popular enough to be adapted into a stage musical, which premiered at the Paper Mill Playhouse in New Jersey in 2011. The musical had music and lyrics by Alan Menken (who composed the movie’s music as well) and Jack Feldman (the movie’s lyricist), and a new book by playwright and actor Harvey Fierstein. This musical moved to Broadway in March 2012 and closed over two years later; a North American tour also launched in 2014. The show went on to earn eight Tony Award nominations, including Best Musical, winning Best Choreography and Best Original Score.Harispray

Now, Hairspray is another very unusual adaptation as the first movie in 1988 directed by John Waters was not a hit, but did moderately well and found cult status on Video and DVD, then was adapted into a very successful Broadway Play and then again translated into a very successful movie in 2007. The original was not a musical, which tells me that certain stories just lend themselves very well to being told as musicals. Jerry Stiller, who plays Wilbur Turnblad in this film, also appears in Hairspray (2007) as Mr. Pinky. Remade on the Broadway stage in 2002 as a musical by Marc Shaiman, Scott Wittman, Mark O’Donnell and Thomas Meehan, starring Harvey Fierstein (and later, Bruce Vilanch, Michael McKean and John Pinette) in the role of Edna Turnblad (played in the film by Divine) and Marissa Jaret Winokur in the role of Tracy Turnblad (played in the film by Ricki Lake) The musical opened at the Neil Simon Theater on August 15, 2002 and ran for 2641 performances. It won the 2003 Tony Award for Best Musical. Adam Shankman directed the 2007 film with John Travolta playing Edna and Nikki Blonsky playing Tracy. With $27.5 million, this had the best opening ever for a movie musical until Mamma Mia! (2008).little shop of horrors

Another film-to-broadway-back-to-film adaptation is Little Shop of Horrors. Low budget Independent producer Roger Corman and Charles B. Griffith. The shooting schedule for this film was two days and one night because Roger Corman had made a bet that he could make a movie in two days. Charles B. Griffith took a little more than that to write it. A young Jack Nicholson has only a small part as Farb’s masochistic patient, Wilbur Force. But later, as the actor’s career began to take off, he was prominently featured on the home-video releases to help generate interest in the film. The film was remade as a successful stage musical in 1982, by composer Alan Menken and writer Howard Ashman. (who would go on to do Disney’s The Little Mermaid and then many other successful animated musicals) The musical premiered Off-Off-Broadway in 1982 before moving to the Orpheum Theatre Off-Broadway, where it had a five-year run. It later received numerous productions in the U.S. and abroad, and a subsequent Broadway production. When it closed on November 1, 1987, after 2,209 performances, it was the third-longest running musical and the highest-grossing production in Off-Broadway history.little shop of horrors audrey seymour

Ellen Greene reprised her role from the play as Audrey in the 1986 movie of the musical. Frank Oz directed with Rick Moranis playing Seymour. Ellen Greene as Audrey (I) is the only member of the Off-Broadway cast to appear in this film. When she originated the role in 1982, it was her idea to wear a blond wig over her brunette curly hair. Howard Ashman originally saw Audrey as a brunette, based on Jackie Joseph’s look in the original The Little Shop of Horrors (1960).  The original script called for Audrey and Seymour to be eaten by Audrey II, just like in the stage play. Frank Oz reluctantly had it changed after negative reactions from test audiences. Oz claims that the difference between the success of the scene in the play and the same scene in the film is that there is no curtain call to remind the audience that the actors were okay.

 

The Front Page

 

This incredible Broadway play was made into several equally good movies over the years, my favorite being a gender-switch for the main character.  It was written in 1928 by Ben Hecht and Charles MacArthur.  The first movie to be made was the faithful “The Front Page” (1931) directed by Lewis Milestone and features Pat O’Brien and Adolphe Menjou. It’s very much the play, with a lot of great dialogue and great character actors. It went on to 3 Academy Award nominations.The-Front-Page-1931

My favorite one was next and it features one of the most ingenious casting choices of all time when Howard Hawks decided to change the role of Hildebrand Johnson into Hildegard Johnson and cast Rosalind Russell. It was a brilliant move to have the two main characters divorced and sparing. Cary Grant plays the Walter Burns role perfectly and it is my FAVORITE of all of Cary Grant’s performances, in a plethora (Jefe, what is a plethora?) of perfect performances. They also switched the title to “His Girl Friday” (1940).Russell-Rosalind-His-Girl-Friday

I should mention that Howard Hawks very much wanted to keep the dialogue like it was in the play where it was fast paced and had a lot of the characters talking over each other.  Because of this, Hawks wanted each actor to come up with improvised bits and action for each of their characters.  Rosalind Russell, not to be outdone, hired an advertising writer that worked with her brother-in-law to make sure that her “improvisations” were especially witty and Hawks never caught on, but Cary Grant did and every morning would ask her, “What have you got today?”.  She was also perfectly cast and has fantastic chemistry with Grant and her fiancee in the film, Ralph Bellamy.His_Girl_Friday

The next version of “The Front Page” (1974) was directed by Billy Wilder and featured the male roles intact again with Walter Matthau and Jack Lemmon paired up. The pairing was so successful that they would go on to do a total of 10 movies together (although they do not have any scenes together in JFK) and were very good friends off camera as well. Jack Lemmon also directed only 1 movie his entire career, and he made sure the star was none other than Walter Matthau.  It was “Kotch“. Lemmon would go on to say about Matthau, “Walter is a helluva actor. The best I’ve ever worked with.”.

Matthau-Lemmon- Front Page

The last one really worth mentioning and that seems to have been really forgotten over time is the fabulous, “Switching Channels” directed by Ted Kotcheff and it switches the gender roles again with Kathleen Turner playing the Rosalind Russell role.  Burt Reynolds plays the Cary Grant role and Christopher Reeve plays the Ralph Bellamy role.  This time the setting has been changed as well to be in the world of broadcast news and so a lot of the newspaper men chatter has been completely cut from this version. It really focuses in on the relationships and works well, I think. All the actors are fantastic in their roles.switchingchannels

Now all of the other previous versions were pretty big hits, except this one and it’s a real shame as this is highly under-rated, in my opinion.  The failure may have been due to the release of the very popular and critically praised Broadcast News months before. People thought it was too much of the same thing. Burt Reynolds grabbed this film because Cary Grant was a big inspiration to him for years and this finally gave him an opportunity to play a role of his. I think you can really tell in this film that he studied Cary’s performance as it reflects his own.  Burt Reynolds and Cary Grant are two actors that I can honestly say, could do any genres as they were equally good at comedy, action, romance and drama over their careers.

LINKS:

THE FRONT PAGE (1931) CLIPS

THE FRONT PAGE (1974) TRAILER

HIS GIRL FRIDAY (1940) TRAILER

Agatha Christie’s And Then There Were None

 

This original novel by Agatha Christie has become the number 1 mystery novel of all time, selling over 100 million copies. Written first in 1939, it went on to become a smash hit.  It’s no wonder really that it’s had multiple versions and imitations of it on film over the years.

The main plot device of using the 10 figures to showcase each death has changed over time, with good reason. Originally Christie wrote them as well as the title as, “Ten Little Ni**ers” (I can’t even write it, it’s so offensive) and then to “Ten Little Indians” and then changed to “Soldiers”. The title that is retained most commonly at that point is the end of the nursery rhyme, “And Then There Were None“, which I think fits perfectly.And_Then_There_Were_None_1945

Now as for my favorite version of the film, it would still have to be Rene Clair’s version from 1945. Interestingly, enough it’s not based on the book but rather the play by Christie that was written a short time later and has a difference in that the two main protagonists Lombard and Claythorne are innocent and manage to survive the whole affair. In the book they were guilty and die like everyone else. This version is just fantastic, however, with a very strong cast and great dialogue. It’s in the public domain, and so it is difficult to get a hold of a quality copy.nine suspects - Ten Little Indians (1965)

The next version worth noting is the George Pollock version (1965), titled, “Ten Little Indians” and is fantastic in it’s own right.  I have to point out at this time the plot seemed to inspire a lot more films that are fantastic as well, my first being the very well written Neil Simon’s “Murder By Death” (1976).  He added a flair to the proceeding by making all the guests themselves world-famous detectives modeled after a slew of my favorite all time literary characters! Characters modeled after Charlie Chan, Nick and Nora Charles, Sam Spade, Hercule Poirot, and Miss Marple. The works of Earl Derr Biggers, Agatha Christie and Dashiell Hammett all in one movie is just too good to pass up!Murder+By+Death+Dinner+with+Truman+Capote

Another one that my brother and I just love is the movie made from the board game, “Clue” (1985). The game itself, ironically enough is also inspired by Agatha Christie’s book and originally featured 10 characters as well when it was first created in 1944. Anyway, the movie Clue is great fun and features one of the best comedic casts to ever be gathered for one film. The last one film to note is the most recent, “And Then There Were None” (2015). The most recent one is done by the BBC and is the only one to retain the original ending of killing Lombard and Claythorne.clue-blu-ray-still-550x285

Fifth Element

 

Luc Besson is an amazing writer, producer and director from France, if you are not already familiar with him, I can tell you, you’re familiar with his work. Just to name a few, he’s responsible for the series: Taken, Taxi, Nikita, Transporter, District B13, Arthur and the Invisibles, Colombiana and so, so many others. After he made a splash early on directing films like The Big Blue, The Professional (Leon), and La Femme Nikita, he decided to direct a Sci-Fi film in 1997 that he started writing when he was a kid. Fifth-Element-Banner-770x300

It’s one of the most under-rated film, and one of my favorites…The Fifth Element.  At the time of it’s release, it didn’t do as good as expected for some strange reason, that I can’t fathom, but is simply an amazing film.  The only thing I can think of is Chris Tucker is horribly miscast and makes his scenes unwatchable at times, because of his nails-on-a-chalkboard-line-delivery.Fifth-Element

Great direction, great visuals and great action, it’s a fantastic film besides this small concession. Gary Oldman is just awesome as the bad guy in the film and he just steals the show at times.  Bruce Willis does great and after Die Hard, this film really showcases his action chops. Milla Jovovich is introduced for the first time in this movie and is just great.  She learned an entirely new and made up language for this film and is just flawless in her characterization. At the time this film was made, she was a professional linguist if you think about it, as she already was fluent in 4 languages! Luc Besson and Milla created the language LeeLoo speaks and by the end of the film they could have whole conversations in it.  It’s not hard to see how she would eventually become a worldwide star.Milla-jovovich-the-fifth-element

Luc Besson is one of my favorite filmmakers and it’s simply because he does things he wants to do and doesn’t really confine himself to the “success” of it.  The success becomes a product, of course, of the things he works on because of the quality and interest it generates. He said of his films in 2014, “I can’t do this job just like a business. If I don’t love the film and I’m not ready to get exhausted for it, I can’t do it. I can’t go to Hollywood, take a big cheque and say, “Action!” and “Cut!”. It’s just not me. I come from the source, from the ground up: putting cables together and holding cameras aged 17, and I’m physically like that. If I believe in a film, I don’t care if it’s very successful or not successful. I want to be proud of it. I’ve done films that worked a lot and films that didn’t work so well, and I don’t care. Angel-A (2005) was a black and white film in French – I love this film – and The Extraordinary Adventures of Adèle Blanc-Sec (2010) was a comedy in French, but then The Fifth Element (1997) was popular everywhere. It doesn’t matter because the real life of a film is ten years later. Two years ago I was in Korea and this 15 year-old Korean guy with a red mohawk came up to me aggressively – I was a little scared – and he said, “Subway (1985) is my favourite film!” I asked him how old he was and realised that he wasn’t even born when I made it. That’s the beauty of film.”the-fifth-element-gary-oldman

 

Seems Like Old Times For a Foul Play

 

How about the perfect Double Feature…for a comedy set I would enter for consideration, Foul Play (1978) and Seems Like Old Times (1980), both featuring Goldie Hawn and Chevy Chase.

After a pair of successful screenplays like Harold and Maude (1971) and Silver Streak (1976), the studio decided to give Colin Higgens his first shot at directing and he came up with Foul Play.  It was a hit and he would go on to have two more soon after with 9 to 5 (1980) and The Best Little Whorehouse in Texas (1982).  That’s a pretty good line-up of films for any writer-director in Hollywood, it’s very sad that he died at a young age, as he could have gone on to do so many more great films.foul play 2

Foul Play made bankable Stars out of Goldie Hawn, Chevy Chase and Dudley Moore. Dudley Moore was not the original choice for Stanley Tibbs as the role was originally written for Tim Conway, but he declined due to the sexual nature of the role. Dudley Moore was thrilled, however, because he was able to shine in the role and it started his American career with later films like 10 (1979), Arthur (1981) and Unfaithfully Yours (1984).

I love everything about this film, including all the music from the Mikado and I also remember that Barry Manilow had a huge hit with “Ready to Take a Chance Again” that is featured at the beginning of the movie. I was interested to learn that Steve Martin originally read for the role of Tony Carlson but lost the role to Chevy Chase. Steve Martin would go on to star with Goldie Hawn in 2 films later; Housesitter (1992), and The Out-of-Towners (1999). The Out-of-Towners is ironic as it was written by Neil Simon, who also wrote, Chevy Chase’s and Goldie Hawn’s next match-up, Seems Like Old Times.seems_like_old_times_chevy-chase

I read a very interesting story on how Neil Simon prefers to work. Since he’s a play writer as well as a screenwriter, he prefers to do all rewrites as the actors rehearse the script/play, giving the actors news scripts before each rehearsal. This movie had a two-week rehearsal period in which during this time writer Neil Simon customized the screenplay to tailor the lead stars’ personalities. During the two-week rehearsal period, Simon observed the needs of his stars and was able to re-write portions of the script to better suit their individual personalities. “There is a terrific quality about Chevy [Chase],” says Simon, “He’s the bad boy in class. You never know what he is going to do. I tried to capture that in the script and in each day’s rewrites”.

This Neil Simon movie was written directly for the screen and was not based on a Neil Simon play as many of his other movies have been. For writer Neil Simon, working with Goldie Hawn, was a delight. Simon said of Hawn that she was a “…rare combination. She can be very funny and very sexy. She has a true appreciation of what’s funny and what’s bleak in life” and “She has the two main ingredients for a film comedienne: she’s funny and very sexy. Audiences respond on two levels to that. They are taken by it. She’s terrific to work with”.  It’s interesting to note that Goldie Hawn’s role was originally written for Neil Simon’s wife, Marsha Mason and she was set to do the film originally with Burt Reynolds in the Chevy Chase role.seemsThis would be my favorite of the Neil Simon movies, but I very much liked the movies; Murder By Death (1976), The Goodbye Girl (1977), and Chapter Two (1979). Charles Grodin was fantastic in this movie as Goldie Hawn’s husband, and interestingly, has 2 other movies with Neil Simon, The Heartbreak Kid (1972) and The Lonely Guy (1984) which ironically as well, is a film starring Steve Martin.

Emmy Award-winning TV director Jay Sandrich was drawn to Neil Simon’s script because of the finely crafted writing. Sandrich said: “It’s the type of comedy that I had been doing for years, I understood it completely. I think it has a certain flair and the madcap quality that some of those 30’s pictures had, With writing as good as this, I knew that everything else would fall into place. In this particular script, although it’s very farcy and fast-paced, there are times when the relationships are very valid and very human; and that’s the important thing . . . that the audience care about these people and really believe that they can exist. I think Neil’s script is so well crafted that you could take out the jokes and play it as a drama”.

So now if you are wondering what two films to rent for a great double feature (in this day and age, download) try these two, as you won’t be disappointed with either.  Great films! I would consider them, modern-day classics.

Terry Bradshaw, The Actor, Singer and Author

 

It’s well known that Terry Bradshaw, was a great NFL Quarterback and a fantastic TV personality for the Fox NFL Sunday.  What is rather unknown, however is his success as an actor, singer and author.

As an actor I first noticed him as a pal of Burt Reynolds in Hooper, Smokey and the Bandit 2 and Cannonball Run (Cannonball Run being his best role). In Cannonball Run, Terry was paired up with Country Singer Mel Tillis, and was so successful Hal Needham (the director of Cannonball Run) directed a spin-off of the film, a TV show pilot for NBC called Stockers, which featured Terry and Mel as two stock car racers trying to outwit and outrun a bill collector named, Crusher.

Now the pilot failed to be picked up, but this is important for two other reasons; Terry followed up with his love for racing over the years by being very active in the NASCAR circles, From 2001-2006, he joined the HighLine Performance Group Racing to form FitzBradshaw Racing. He also appeared on NASCAR on Fox where he interviewed and drove with Dale Earnhardt at Daytona International Speedway the day before Earnhardt was killed in the last lap of the Daytona 500.

Now you would think it was Mel Tillis that may have influenced him into music, but you’d be wrong. Cannonball Run was in 1981 and Terry had already released I’m So Lonesome I Could Cry (which reached 17 on the billboard charts) in 1976 and Until You (reaching 73rd) in 1980 and would go on to release 3 more albums after that! I have no idea, when this over-achiever ever had time to write books, but he did! He released his first book, No Easy Game in 1971 and then released, Man of Steel in 1979. He followed those up with Looking Deep in 1991, It’s Only a Game in 2001 and finally Keep It Simple in 2002.

Now with all that work and not including his work as a commentator on TV, he’s continued to act in a slew of TV Shows and had a very nice role in the Matthew McConaughey comedy Failure to Launch (2006) as Matthew’s father and will appear in the movie, Bastards this year along with Owen Wilson and Ed Helms.