100 years of the best in comedy. TV, movies, comedians, stand up, stage performers. We give the background and stories about your favorite comedies of all times.
Sometimes a comedian comes around that just takes you by surprise. For me, that happened with Fred Armisen. Now, to be fair, Fred has been around as a comedian and a musician for a long time, but for some reason, he was not on my radar…he doesn’t seem to jump out at you like some of the other people that have come from Saturday Night Live. Whereas, Will Ferrell, Tina Fey, Bill Murray, Eddie Murphy would be the Hot Dog– Fred Armisen would be the condiment, to use a metaphor from my favorite food…for most people, Fred would be the mustard. He just makes the Hot Dog that much better.
My first experience with Fred was very very recent. It was while watching the Netflix special, Fred Armisen: Stand Up For Drummers…and I was mildly entertained for the first 15 minutes or so…quietly enjoying the fact that he’s so unassuming. He comes across as very comfortable and nice and amusing. And then he got to the part where he explains accents and dialects from all around the United States while pointing to a blue map of the US…and he blew me away! He is a MASTER at accents from all around the world, really, I was to learn later. I haven’t ever seen anything quite like it.
Not only can he nail any accent, but he does it down to the city or even suburb… even describing the slight differences in regions of the same place…it’s amazing. what I love most is that these are not parodies of the accents…but the actual understated minute-detailed versions of the accents. I saw a couple of Interviews pulled from Youtube later that showed when an accent got to be from a certain place that was very big or showy– that he would get uncomfortable doing the accent as it would come across as racist or rude…like when he’s asked to do a Jamaican or Vietnamese accent.
He reminds me of Peter Sellers in his ability to do just about any accent as if it was his natural accent. And it becomes that much more hilarious– because the accent is so real instead of outrageously phony. My train of thought brought me back to the old Pink Panther and the Inspector cartoons of the sixties and I remember the Inspector’s sidekick being a Spanish gendarme who does not comprehend the intricacies of the French language… a Sergeant Deux-Deux, who is diminutive, soft-spoken, timid yet low-key and seldom wide-eyed. Now, I wish Fred was around when the Pink Panther movies were being shot, because they could have easily slipped Fred in as Sergeant Deux-Deux.
May 25th, 2017 – Los Angeles: The film, “Capture The Flag”, about a Navy veteran (Dick Van Dyke) and an Army veteran (Louis Gossett Jr.) fighting over a flagpole in a retirement community recruit a group of ragtag US military vets to wage war against each other in a game that would give the winner the right to raise the flag every morning.
Twin Brothers Donovan and Adam Montierth team up with Producers Barry Van Dyke and Eric J. Adams to adapt the Emmy Award winning short film, “Reveille” into what they call their patriotic “Grumpy Old Men”. The film boasts an impressive ensemble that includes some of Hollywood’s great character actors, such as Barry Corbin, Paul Dooley, John Amos, and Rance Howard.
***
It feels like a natural progression to try and turn the Emmy Award winning short film, Reveille, into a feature film comedy. The twin brothers behind the veteran tribute are Adam and Donovan Montierth, and their company Brothers’ Ink Productions. The short film has also won awards at over 20 film festivals worldwide, as well as appearing on the Armed Forces Network and the Pentagon Channel. It’s touched a cord with audiences online as it’s become a viral sensation with over 10 million views.
In Capture the Flag, the playful banter, teasing and prank war that escalates into a paintball war game seems to fit the rivalry between different divisions of the US military well, and the bickering veterans degrading to childish behavior seems real and effective within the confines of their environment. Besides, it’s great fun.
“We felt that this was a movie that could find an audience and that people would connect with the heartfelt, comedic and patriotic tone of the screenplay.” Adam recently said. The twins soon realized that was true when they had the opportunity to have Barry Van Dyke see the short film and from there read the feature film screenplay, the twins were developing. He immediately felt a connection to Reveille and told the brothers that he wanted to help them get the film made.
It was just the spark the Indie film needed. “We’ve always been impressed with Barry and his work, so to have him come back with such a strong reaction helped validate the importance of the project to us.” Donovan goes on to say, “He immediately connected with the fun and heartfelt story.” So much so, that he shared the script with his Father, the legendary actor Dick Van Dyke. And Dick, having served himself in the Army Air Corp for two years from 1944-1945, immediately connected with the story and the characters. To the point where he surprised Barry by asking to play the lead role. Dick told Barry, “These are actor’s dream roles, I would love to play this part.”
Barry recalls that the response has been incredible. Everyone he’s introduced the project to has had a similar reaction. As a result, the team has been able to attach the Brother’s dream cast by adding Academy Award winning actor Louis Gossett Jr., and legendary character actors such as Barry Corbin, John Amos, Paul Dooley and Rance Howard.
They have been courting some excellent directors for the project, but are keeping their choices under wraps for now. Barry has, however, managed to pick up another Hollywood great by introducing the project to his friend stunt coordinator / second unit director, Allan Graf.
The team behind the production is very passionate about creating a film that realistically but thoughtfully depicts the lives of a handful of war veterans and that would stand as a tribute to all men and women who have ever served under the American flag.
This Memorial Day Weekend, if you would like to know how you can honor our vets and help to bring back the type of family comedy that could be seen on TV during many US patriotic holidays for years to come, please visit www.Film4Vets.com.
One of the studio directors that didn’t ever seem to have just one genre or style, would be the wonderful George Stevens. If he had a style, I would venture to say it was great lighting…but he worked through so many genres comfortably. He was just a very, very good director. His body of work boggles the mind. As a cinematographer at Hal Roach Studios, he is credited with saving the film career of a young British comic by the name of Stan Laurel! Laurel’s pale blue eyes would register as an unnatural white on orthochromatic film, the standard film in use at that time. Stevens knew of panchromatic film and was able to get a supply of it from Chicago. This film was sensitive to blue so that Laurel’s eyes would photograph more naturally. Laurel would use Stevens for his short films at Roach. When Stan Laurel was teamed up with Oliver Hardy, the team make Stevens their cameraman of choice. He would move to features eventually and never look back, making a slew of truly classic films, getting nominated 5 times for an Academy Award and winning twice. Here are my favorite 15 films directed by George Stevens:
15 – Penny Serenade (1941)
I’ll be honest up front and say this particular film is very hard for me to watch because it plays a little too close to home for my comfort, but is a very good film. Written by one of my all-time favorite screenwriters, Morrie Ryskind, the story is about a married couple (Cary Grant and Irene Dunne) and their ups and downs as they try and have a child. In real life, Cary Grant, himself, wouldn’t become a parent until 1966 when he was 62. Irene Dunne often said that this was her favorite film because it reminded her of her own adopted daughter. George Stevens once said about Dunne, “If a director is lucky enough to work with Irene Dunne, his worries disappear. Every scene she’s in matches; she’s the film editor’s delight.”
14 – Vigil in the Night (1940)
Nurse Anne Lee blames herself for a fatal mistake of her sister Lucy, who also is a nurse. Anne loses her job, and gets a new one at a poorly equipped country hospital. There she falls in love with Dr. Prescott, who is battling with Mr. Bowly, the chairman of the local hospital board, who also makes Anne’s life miserable. But then a virulent epidemic begins…Nurse Anne Lee is played beautifully by Carole Lombard but was held up several weeks when Carole Lombard was admitted to the hospital after suffering a miscarriage. The press dubbed it an ‘appendectomy’ to cover up. She would die tragically only 2 years later in a plane crash at only age 33. This film shows sparks of what she could have become if she continued acting, as she was already brilliant. My favorite Lombard movie would be her last, the incredibly To Be or Not To Be, although My Man Godfrey is fantastic too, also written by none other than…Morrie Ryskind.
13 – A Place in the Sun (1951)
A poor boy gets a job working for his rich uncle and ends up falling in love with two women. Another actor I find to be really under-rated, Montgomery Cliff…if you’ve seen Judgment At Nuremberg, you’ll know what I mean. He silently steals the show in just about every thing he’s in. Another actor who died way too young at only 45. In her autobiography, Shelley Winters described George Stevens’ way of working: “He would discuss the scene, but not the lines, and would photograph the second or third rehearsal so the scene had an almost improvisational quality. Stevens would print the first take, then spend the next three hours minutely rehearsing the scene, then film it again. He explained to me that in this way he often got actors’ unplanned reactions that were spontaneous and human and often exactly right. And often when actors over-intellectualize or plan their reactions, they aren’t as good.” George Stevens was also a firm believer in running rushes at night, and having the actors in attendance. As Shelley Winters said, “Stevens would print several takes of each scene and then explain to us why one was better than the other. The whole experience was a joy.”
12 – Talk of the Town (1942)
An escaped prisoner (Cary Grant) and a stuffy law professor (Ronald Colman) vie for the hand of a spirited schoolteacher (Jean Arthur). Stevens would say of Arthur, “One of the greatest comediennes the screen has ever seen. When she works, she gives everything that’s in her, and she studies her roles more than most of the actresses I’ve known.” The studio considered filming two different endings, with Jean Arthur pairing off with Cary Grant in one, and with Ronald Colman in the other, and letting the audience decide by voting in sneak previews which one they preferred. However, in the papers of director George Stevens, all the screenplay drafts contained the current ending. I won’t tell you who she ends up with.
11 – Alice Adams (1935)
ALICE ADAMS, Fred MacMurray, Katharine Hepburn, 1935
The misadventures of two social-climbing women in small town America. Katharine Hepburn always viewed Alice as one of her personal favorite roles. Katharine Hepburn credits director George Stevens for her change in the public’s perception, by helping her, in “Alice Adams”, portray more warmth and vulnerability than she had ever shown previously. The original script ending followed the ending of the novel, in which Alice grows up and gets a job – she does not get Arthur in the end. Katharine Hepburn and George Stevens both much preferred this ending, but the studio made Stevens film a happier ending in which Alice and Arthur end up together, which is seen in the final cut. I have to say, I’m so glad they did this, as I’m a romantic at heart and love the ending as it stands.
10 – Vivacious Lady (1938)
A professor (James Stewart) marries a nightclub singer (Ginger Rogers), much to the consternation of his family and friends back home. Ginger Rogers recommended Jimmy Stewart for this film, even though they had not worked on a film together previously. The two were dating at the time, and with Rogers being one of RKO’s biggest stars, she got her way. Rogers worked with Stevens previously, two years earlier on Swing Time (1936).
9 – A Damsel in Distress (1937)
Lady Alyce Marshmorton (Joan Fontaine) must marry soon, and the staff of Tottney Castle have laid bets on who she’ll choose, with young Albert wagering on “Mr. X.” After Alyce goes to London to meet a beau (bumping into dancer Jerry Halliday – Fred Astaire – instead), she is restricted to the castle to curb her scandalous behavior. Albert then summons Jerry to Alyce’s aid in order to “protect his investment.” This movie is especially good because of the co-stars, George Burns and Gracie Allen! After learning that Fred Astaire wanted Burns and Allen to audition for him, George Burns hired a vaudeville dancer he knew to choreograph a complex routine with whisk brooms. Astaire enjoyed the performance by George and Gracie so much that he insisted on working it into the film!
8 – Greatest Story Ever Told (1965)
Director George Stevens shot The Greatest Story Ever Told in the American Southwest, in Arizona, California, Nevada and Utah. Pyramid Lake in Nevada represented the Sea of Galilee, Lake Moab in Utah was used to film the Sermon on the Mount, and California’s Death Valley was the setting of Jesus’ 40-day journey into the wilderness. Stevens explained his decision to use the United States rather than in the Middle East or Europe in 1962. “I wanted to get an effect of grandeur as a background to Christ, and none of the Holy Land areas shape up with the excitement of the American Southwest,” he said. “I know that Colorado is not the Jordan, nor is Southern Utah Palestine. But our intention is to romanticize the area and it can be done better here.” Forty-seven sets were constructed, on location and in Hollywood studios, to accommodate Stevens’ vision.
7 – More the Merrier (1943)
During the World War II housing shortage in Washington, two men (Charles Coburn and Joel McCrae) and a woman (Jean Arthur) share a single apartment and the older man plays Cupid to the other two. Jean Arthur was getting into trouble with Columbia Pictures because she kept turning down roles. Rather embarrassed about this, she contacted her friend Garson Kanin and asked him to pen her something that she could take to the studio. Kanin was out of work at the time and readily accepted her proposal which Arthur ended up paying for out of her own pocket. Joel McCrea didn’t originally think he was right for the part of Joe and thought Cary Grant would have been better suited. Ironically, Grant would appear in the remake, Walk Don’t Run (1966), albeit in the Charles Coburn role. This was George Stevens’ last picture for Columbia before he joined the Army as chief of the combat photographic unit, where he shot several films for the US war effort.
6 – Gunga Din (1939)
I’ve written about this film before. I love the story about the three soldiers but am not thrilled that they cast a middle-aged white guy in the kid’s role, Gunga Din. In 19th century India, three British soldiers and a native waterbearer must stop a secret mass revival of the murderous Thuggee cult before it can rampage across the land. Sabu was first choice to play Gunga Din, he would have been great; when it became clear he was unavailable, Sam Jaffe was hired in his place. At the time he was playing water-boy Gunga Din, Sam Jaffe was 47 years old. In an interview years later, Jaffe (a Jewish Russian-American) was asked how he was able to play an Indian Muslim. Jaffe replied he kept telling himself to “Think Sabu.” Other than this, it is a great film. And it was very popular, it was second only to Gone with the Wind (1939) as the biggest money-maker of 1939.
5 – Diary of Anne Frank (1959)
Harrowing story of a young Jewish girl who, with her family and their friends, is forced into hiding in an attic in Nazi-occupied Amsterdam. The second of three George Stevens films in which Shelley Winters starred. The others are A Place in the Sun and The Greatest Story Ever Told. She received Oscar nominations for both A Place in the Sun and The Diary of Anne Frank, winning the Academy Award for Best Supporting Actress for the latter. Shelley Winters donated the Best Supporting Actress Academy Award she won for the role of Mrs. Van Daan to the Anne Frank Museum in Amsterdam, after promising Otto Frank that she would do so if she were to win the award. It remains on permanent display in the museum to this day.
4 – Swing Time (1936)
My favorite Fred and Ginger movie! A performer and gambler travels to New York City to raise the $25,000 he needs to marry his fiancée, only to become entangled with a beautiful aspiring dancer. Ginger Rogers would go on to say, “I adore the man. I always have adored him. It was the most fortunate thing that ever happened to me, being teamed with Fred: he was everything a little starry-eyed girl from a small town ever dreamed of.” Then, when asked about Ginger, Fred would return the compliment, “Excuse me, I must say Ginger was certainly the one. You know the most effective partner I ever had. Everyone knows. That was a whole other thing what we did…I just want to pay a tribute to Ginger because we did so many pictures together and believe me it was a value to have that girl…she had it. She was just great!”. This was Ginger Rogers’ favorite of her films with Fred Astaire.
3 – Giant (1956)
Arguably, the best of James Dean’s 3 films. Sprawling epic covering the life of a Texas cattle rancher (Rock Hudson) and his family and associates. When Rock Hudson was cast, director George Stevens asked him whom he preferred as his leading lady, Grace Kelly or Elizabeth Taylor. Hudson picked Taylor, who was cast and ended up becoming lifelong friends with Hudson. James Dean called the shooting style of director George Stevens the “around the clock” method, because Stevens would film a scene from as many different angles as possible, which made everything seem to take longer to do. James Dean finished principal photography on Friday September 23, 1955. He died in a car crash a week later.
2 – Woman of the Year (1942)
What a great movie, rival reporters Sam (Spencer Tracy) and Tess (Katherine Hepburn) fall in love and get married, only to find their relationship strained when Sam comes to resent Tess’ hectic lifestyle. As Katharine Hepburn’s close friend and frequent director, George Cukor was a natural choice to direct, but for her first film with Spencer Tracy, Hepburn wanted Tracy to be as comfortable as possible, so as a quasi-producer, she hired George Stevens, who had directed her in Alice Adams. As Hepburn said, “I just thought he (Tracy) should have a big, manly man on his team – someone who could talk about baseball.” Cukor (who was openly gay and known for his friendships with actresses) would later become a good friend of Tracy and would direct both actors in Keeper of the Flame (1942), Adam’s Rib (1949) and Pat and Mike (1952).
1 – Shane (1953)
A weary gunfighter (Alan Ladd) attempts to settle down with a homestead family, but a smoldering settler/rancher conflict forces him to act. This film is always in the top ten of any list about the best westerns ever filmed. Ranked #3 on the American Film Institute’s list of the 10 greatest films in the genre “Western” in June 2008. Jean Arthur, then aged 50, came out of semi-retirement to play Marian Starrett, largely as a favor to her friend, director George Stevens. She would retire completely from the film business after this picture. Having witnessed during his WW2 service the profound effects a bullet could have on a man, realism was important to George Stevens during the making of the film. This therefore is one of the first movies to use stunt wires to pull the actors or stuntmen backwards to simulate when they’ve been shot. George Stevens referred to this film as being his war movie.
Over the years, I’ve been a big fan of Luc Besson. Not only has he been a fantastic director, but a great writer and producer as well. I can really appreciate that kind of career, he’s got his hands on so many projects. He is amazing at developing interesting projects. Sometimes the ideas are originated by him and then handed off to other filmmakers, sometimes he takes them all the way through till release and he’s never one to turn away a great project that needs him to just produce. Here are my top 15 favorites that he’s had a hand in creating:
15 – Valerian and the City of a Thousand Planets (2017)
OK, Ok, this hasn’t come out yet, but I just know it’s going to hit my list. It’s the original inspiration for Star Wars and The Fifth Element, so I know I’m going to like it. This film is based on a French sci-fi comic book series created in 1967 by writer Pierre Christin and artist Jean-Claude Mezieres. Mezieres was also involved in creating visuals for Luc Besson’s The Fifth Element.
14 – Lucy (2014)
Many of his best stuff lay in 2 genres; Science Fiction and Action. This one film combines both aspects very well. In an interview on March 8, 2014, Besson said that this project took ten years to become a reality. Also, he admitted that he knew that some scientific assumptions were erroneous, ie; that humans use only ten percent of their brains. Nonetheless, he said that “(such an assumption) would be a great start for a sci-fi movie”. A woman, (Scarlett Johansson) accidentally caught in a dark deal, turns the tables on her captors and transforms into a merciless warrior evolved beyond human logic.
13 – 3 Days to Kill (2014)
Here’s one that Besson wrote but didn’t direct. It was directed by McG. A dying CIA agent (Kevin Costner) trying to reconnect with his estranged daughter is offered an experimental drug that could save his life in exchange for one last assignment. The meaning and relevance of the film’s title is that it refers to the estimate number of days that Ethan Renner (Costner) has to complete his mission prior to facing death from terminal brain cancer. Reminds me a great deal of a great film noir movie called DOA (Dead on Arrival) about a man who has been lethally poisoned and has to solve his own murder before he dies.
12 – Lockout (2012)
If you can excuse the main character’s dive out of a spaceship and not burn up on re-entry into the earth’s atmosphere and sky dive to a city below, then this is a pretty dang good flick. It totally would have made a fantastic “Escape From…number 3″ with Snake Plissken, but only because of Guy Pearce. He’s great. The plot totally reads like a Snake Plissken movie: A man wrongly convicted of conspiracy to commit espionage against the U.S. (Guy Pearce) is offered his freedom if he can rescue the president’s daughter from an outer space prison taken over by violent inmates. Call it Escape From Outer Space. Besson came up with the original idea and even wrote a draft of the screenplay.
11 – Colombiana (2011)
Zoe Saldana is great, I did a blog about her a while back called Zoe Saldana Takes Over the World. Here’s a starring vehicle with her as an assassin, kind of a reoccurring theme with Besson, just look at Leon and Nikita. It’s no wonder as this film was originally supposed to be Leon part 2. The film was based off a script that was set to be a sequel for Leon: The Professional. The story was set to follow Natalie Portman’s character Mathilda as she tracked down and killed characters that had wronged her and Leon. Portman’s success kept her from availability and the script was eventually re-written into Colombiana and cast with Saldana.
10 – From Paris With Love (2010)
In Paris, a young employee (Jonathan Rhys Meyers) in the office of the US Ambassador hooks up with an American spy (John Travolta)looking to stop a terrorist attack in the city. John Travolta is the real reason to watch this film, he just crackles with electricity. When Caroline enters James’s apartment you can clearly see the book ‘Nikita’ which was written and directed by Besson, who wrote “From Paris with Love”. This is a spy genre film and it is interesting to note that the title of the earlier film To Paris with Love (1955) is said to have been the inspiration for James Bond creator Ian Fleming for the title of his 1957 James Bond spy novel, From Russia With Love which was later made into the 007 movie.
9 – District 13: Ultimatum (2009)
This is a sequel to one of my all-time-favorite stunt movies, District B13. Follows up with great stunts and action with Cyril Raffaelli and David Belle. For those of you that like the Daredevil series on Netflix, you’ll recognize Elodie Yung (Elektra) in the film. Cyril is a great stunt coordinator and he choreographed all the fight scenes in the movie and David, who invented Parkour, did all of his own stunts, without practice ahead of time. Most of the ones that you see in the film were of him performing the stunt for the first time.
8 – Tell No One (2006)
Luc Besson was lucky this project crossed his path. He was one of the Executive Producers on the film and it’s based on a fantastic book by Harlan Corben. Police find two bodies at an old murder scene and evidence to suggest the first victim’s husband is a murderer. The husband receives clues suggesting his deceased wife is actually alive and begins to investigate. This film is definitely worth finding, but it is in English subtitles, as it’s a French-language film. Originally, author Harlan Coben had optioned off his novel to Hollywood, with director Michael Apted attached. During this time, director Guillaume Canet, who had loved the novel, had been calling up Coben with his take on the novel. Coben was immediately impressed with Canet’s passion for the story, and his vision, stating that Canet understood that the novel was a love story first, and a thriller second, which Hollywood never got. When the option with Hollywood fell through, Coben contacted Canet and decided to give him a chance.
7 – Bandidas (2006)
In turn-of-the-century Mexico, two very different women (Salma Hayek, Penelope Cruz) become a bank-robbing duo in an effort to combat a ruthless enforcer terrorizing their town. This is directed byJoachim Rønning and Espen Sandberg, who are coming out with Disney’s Pirates of the Carribean: Dead Men Tell No Tales later this year. Steve Zahn also plays a character in the film, and it’s good to see Penelope and Steve back together again.
6 – Leon: The Professional (1994)
Mathilda (Natalie Portman), a 12-year-old girl, is reluctantly taken in by Léon, a professional assassin (Jean Reno), after her family is murdered. Léon and Mathilda form an unusual relationship, as she becomes his protégée and learns the assassin’s trade. Luc Besson got the idea of doing this movie while working on his previous movie, La Femme Nikita (1990). In that film’s third act, Victor the Cleaner appears to deal with the aftermath of Nikita’s botched mission. Realizing the potential of the character was underused in that movie, Besson decided to create a story that focused on the activities of such a character. Both Victor and Leon appear dressed in a long wool coat, sunglasses and a knit cap. Both are played by Jean Reno. The film’s working title was “The Cleaner”.
5 – The Big Blue (1988)
The rivalry between Enzo and Jacques, two childhood friends and now world-renowned free divers, becomes a beautiful and perilous journey into oneself and the unknown. This film was such a hit in France that it played for over a year in theatres. The most financially successful French film of the 1980s. This film was probably the closest to Besson’s own upbringing. “I was never polluted by the world of cinema. I didn’t even have a TV until I was 16. My expression is a reflection of the world I have seen, and in that world everyone was barefoot in bathing suits, following the order of the sea, the natural order of sunrise and sunset. I never went to the cinémathèque. I didn’t know much about the masters of world cinema,” Besson has said.
4 – La Femme Nikita (1990)
Convicted felon Nikita (Anne Parillaud), instead of going to jail, is given a new identity and trained, stylishly, as a top secret spy/assassin. Luc Besson had Anne Parillaud train extensively with guns so that she would be completely at ease with them. Parillaud took to practicing loading and unloading a fake gun in her car which led to her being pulled over by the police and having their guns drawn on her in traffic one day as they thought her weapon was real.
3 – District B13 (2004)
I wrote about this great stunt film in my blog: David Belle and District B13. Set in the ghettos of Paris in 2010, an undercover cop and ex-thug try to infiltrate a gang in order to defuse a neutron bomb.
2 – The Fifth Element (1997)
I just love this film, although, I would have to admit that Chris Tucker has ruined it for me over the years. He’s so obnoxious in the film that he virtually makes it impossible to re-watch the film. Other than that, fantastic film. I was so upset after the film was released that no toys followed the film, as I wanted to buy all the action figures after I saw it. They could have really sold a lot of toys if they had this prepped like the Star Wars films. Another film that I loved enough to write a whole blog about; Fifth Element.
1 – Taken (2008)This film proves that Luc Besson has a magic touch. Again, he just wrote and produced this one but was genius when he hired Pierre Morel to direct as he was perfect for the job. It also gave Liam Neeson new life as an action star. Liam Neeson initially expected the film to bomb, but he signed on, in order spend four months in Paris, and learn karate, while playing the kind of role he had rarely been offered in the past. Ironically, not only was the film a massive hit, but created a new on-screen image for Neeson, as an action hero. Liam Neeson performs a good amount of his own stunts. Over the course of the movie, Bryan kills 35 people in order to get to his daughter.
Here’s another fine actress, that transitioned well from child star to great adult actress. A Disney player of the 70’s who managed to make intriguing and emotional role choices over the years and won an Academy award for her efforts. I loved her early Disney movies and respected her choices later on; easily as comfortable in a drama as a thriller or a comedy. Like all of my favorites, she’s versatile and adept at all genres. Here’s a list of my top 15 favorite Jodie Foster films:
15 – Taxi Driver (1976)
Jodie Foster has chosen some gritty roles over the years, not one to shy away from an uncomfortable role by any means. She seemed to do this early on in her career, trying as hard as possible to stretch herself as an actress, beyond her comfort zone. This is one of those roles. It’s interesting to me that she chose to do this role of a teenage prostitute in the midst of her popularity as a Disney star. Dangerous move, but one that ultimately proved to the Industry, at least, that she was an Academy Award caliber actress. I personally drift to her more funny or light-hearted movies, but there certainly is no denying her talent and ability to master any role and genre. This was her first nomination for an Oscar. Tough subject matter.
14 – One Little Indian (1973)
Now this Disney film was pretty neat because it’s the first time that James Garner and Jodie Foster would work together and when they worked together again it was over 20 years later, for Maverick (1994). Pretty typical fare overall, and similar to her other Disney work at this time, she was gearing up to be the star, even then you can see she was something more than a supporting actress.
13 – The Little Girl Who Lives Down The Lane (1976)
I put this film on the list because I think it’s pretty scary, although I haven’t seen it in 20 years, it spooked me pretty bad. To be fair, in interviews, Jodie Foster usually refrains from saying which of her films are her least favorites, but she has let it slip that this movie isn’t one she is fond of, explaining, “When people are there to simply do a job they don’t have any passion for, those are nearly always bad films.” It was first top-billed lead role in a major motion picture for Jodie. 1976 was definitely her breakout year, although from the 5 movies she did that year I prefer the Disney film, Freaky Friday, the most.
12 – Inside Man (2006)
Jodie, being fluent in French, dubbed herself in the French version. Jodie filmed her part in three weeks, and it’s a very different part for her, but as always she’s very good. It’s a pretty fun heist movie and my favorite Spike Lee film. Denzel Washington and the cast was allowed to ad-lib at times, he just seemed especially adept at it. The scene in the coffee shop was improvised. On the DVD commentary, Spike states that when Denzel ad-libbed the line, “I’ll bet you can get a cab though,” he nearly ruined the take by laughing really loud.
11 – The Brave One (2007)
Interesting to note, Nicole Kidman was originally cast as Erica. Jodie would be cast when Nicole dropped the project. Jodie also took over Kidman’s role in Panic Room (2002). It was Jodie’s idea for Erica to record sounds of the city for her radio show. Foster walked for miles all around Manhattan with headphones on to prepare for the role. The movie is like the female version of Death Wish, with Jodie playing the Charles Bronson role.
10 – Flight Plan (2005)
Jodie Foster’s role was originally written for Sean Penn. The original character’s name of “Kyle” was even kept. Coincidentally, Penn’s role in The Game (1997) was originally intended for Jodie Foster. A bereaved woman and her daughter are flying home from Berlin to America. At 30,000 feet, the child vanishes, and nobody will admit she was ever on the plane. It’s Lady Vanishes, on a plane!
9 – The Accused (1988)
Probably the most brutal role for any actress ever. What she has to go through to even film this is unfathomable. The movie is based on a real-life gang rape that occurred on 6 March 1983 at Big Dan’s Bar in New Bedford, Massachusetts. The bar lost its liquor license the very next day. Upon seeing a pre-screening of the film, Jodie Foster thought her performance as Sarah Tobias was so awful that she immediately began preparing for and taking the GRE’s for graduate school. She was prepared to leave her film career behind and focus on academia…until she won the Academy Award for her performance.
8 – Stealing Home (1988)
This is one of those rare movies that no one seems to know about, but that I love. I tell people about it all the time and convince them to watch it and they usually thank me for it later. Mark Harmon plays a washed-up baseball player who is called back home to handle the ashes of his childhood sweetheart/ first love (Jodie) who had committed suicide. As he searches for what to do with them, he remembers the past and the relationship they had. In doing so he finds himself again. This movie was reportedly based on the real-life experiences of its writers, former Second City troupe members and WKRP in Cincinnati writers Steven Kampmann and William Porter. The two lead actors (Jodie and Mark) never even have a scene together.
7 – Panic Room (2002)
Another one of her great thrillers. This one is top notch, great cast, great crew all around. A divorced woman and her diabetic daughter take refuge in their newly-purchased house’s safe room, when three men break-in, searching for a missing fortune. As I stated earlier, Nicole Kidman was originally cast in the role of Meg Altman. Then, only eighteen days into filming, Kidman had to leave the film as well, due to a recurring knee injury, suffered during the filming of Moulin Rouge! (2001). David Fincher suggested that the studio close the production and collect the insurance, but the studio decided to go on. Jodie Foster was offered the role. She was due to be the president of the Cannes Film Festival jury but withdrew to work with Fincher, with whom she was originally supposed to work on The Game (1997) in the role now played by Sean Penn. Foster had only nine days to prepare for the role. Kidman left a small mark in the film nevertheless, however, as the voice of the girlfriend of Foster’s husband in the movie, heard answering the phone when Foster’s character calls him in a desperate attempt for help.
6 – Sommersby (1993)
An example that she can do it all, this is a great romantic film. A farmer’s wife begins to suspect that the man in her bed is an impostor after he returns home from the Civil War, based on the French film, The Return of Martin Guerre. Steven Reuther, one of the producers behind the project commented about the casting of Gere and Foster: “A lot of people questioned us about this coupling. And it was a gamble, because there are the obvious romantic leading females, and Jodie really is not one of them. Also, I don’t think anyone had ever seen Jodie in a period costume. But once we got her in the period clothes and the hair, it was like, ‘How could there have been a question?’ I think that part of why she was attracted to the character was because it was something she had never done before.”
5 – Candleshoe (1977)
I love this movie, which is kind of an alternate telling of the story of Anastasia but with a treasure hunt mixed in. Helen Hayes and David Niven are just fantastic in it as well as Foster. It’s the last of three theatrical movies that actress Helen Hayes made for the Walt Disney Pictures studios during the 1970s. The earlier films were Herbie Rides Again (1974) and One of Our Dinosaurs Is Missing (1975). Screenwriter David Swift, who in the early 1960s directed Pollyanna (1960) and The Parent Trap (1961) for Walt Disney, developed this project for the company and was set to direct it. However, he felt Jodie Foster (then one of the most popular teenage actresses in the country) was all wrong for the part of Casey and stepped down. Boy, was he wrong, she is really great in this.
4 – Freaky Friday (1976)
The most popular of Jodie’s Walt Disney films, it’s a really fun movie and still holds up today, even with all the period clothes. The only time I can remember Jodie singing for a film, the title song “I’d Like to be You for a Day” is sung by Barbara Harris and Jodie Foster. Both Jodie Foster and Barbara Harris were nominated for Best Actress – Musical or Comedy at the 1977 Golden Globes for this film. Technically, as they also played each other’s characters, they were both nominated for playing the same characters. Jodie Foster said of the film whilst doing press publicity for the picture around the time the movie first launched: “I think it’s important for my career that I make all different kinds of films. I’m proud that I made Freaky Friday. And I thought the idea was terrific. A lot of my friends think it’s my best picture. I really like working for Disney”. The date of the “Freaky Friday” in the movie’s story-line was a Friday the 13th.
3 – Silence of the Lambs (1991)
This is the movie that comes up generally as the best of Jodie’s films, and I do love it, but it’s not my favorite. It is Jodie’s 2nd Academy Award win after The Accused. Anthony Hopkins won as well for his portrayal of Hannibal Lecter. Jodie Foster claims that during the first meeting between Lecter and Starling, Anthony Hopkins’s mocking of her southern accent was improvised on the spot. Foster’s horrified reaction was genuine; she felt personally attacked. She later thanked Hopkins for generating such an honest reaction. Anthony Hopkins and Jodie Foster only share four scenes throughout the course of the film. With 24 minutes and 52 seconds of screen time, Anthony Hopkins’s performance in this movie is the 2nd shortest to ever win an Academy Award for Best Actor in a Leading Role, with David Niven in ‘Separate Tables‘ beating him at 23 minutes and 39 seconds. Clarice Starling was chosen by the American Film Institution as the sixth greatest film hero (out of fifty), the highest ranked female on the list; Hannibal Lecter was chosen as the #1 greatest film villain (also out of fifty).
2 – Maverick (1994)
This film is just really great fun. Not only does Jodie get to work with one of her favorite actors, Mel Gibson, but she was reunited with James Garner again after 20 years when working with him when she was a child. They all have some funny stuff in this. Jodie Foster’s character’s gracelessness in the film stems from the first scene she shot, when she waited for Mel Gibson to help her down from the stagecoach. Instead, he took her parasol and walked away. She tried to get down alone and flopped to the ground. Director Richard Donner liked it so much he kept the shot in the film, and staged more scenes of Foster stumbling, being dumped through windows, etc. In the stagecoach chase sequence, stuntman Mic Rodgers (doubling for Mel Gibson) had to go under the coach and get up at the back. This is a direct nod to legendary stuntman Yakima Canutt’s similar stunt in Stagecoach (1939). By coincidence, second-unit director Terry Leonard, a former stuntman himself, performed this same stunt in the truck chase in Raiders of the Lost Ark (1981). I specifically talk about the stunt in the blog post, http://brothers-ink.com/2015/09/stagecoach-and-zorros-fighting-legion/ and again for the Indiana Jones stunt in the blog post http://brothers-ink.com/2015/12/stunt-team-for-raiders-of-the-lost-ark/
1 – Contact (1997)
This is one of the finest films, in what is a library of marvelous films by director Robert Zemeckis. It’s got one of the most remarkable tracking shots I’ve ever seen for any film. Ask my wife, I have literally watched and rewound this shot a hundred times trying to figure it out. Apparently, I learned later, this impossible shot, the long shot of Ellie as a child running up the stairs to get medicine, was actually filmed as a normal shot would have been and then flipped and placed in the mirror which, at the time of shooting was a blue screen placement in the cabinet. Any way you look at it, it’s a thing of beauty. Sorry, back to Jodie…Jodie Foster was interested in this movie as early as 1995. After initially deciding to drop out, her interest was resparked by a new revision of the script. Her character, Ellie is based partly on real radio astronomy pioneers and extra-terrestrial intelligence researchers. There’s also some Carl Sagan in her. He wanted a female hero to inspire girls to pursue science. Jodie really connected with that, being an academic herself. So much so that in 2011, Jodie was part of a group of private donors that saved SETI’s telescope array in California.
With Guardians of the Galaxy Vol. 2 coming out soon, I thought it would be a good idea to list my favorite top 15 Kurt Russell movies. He’s definitely one of my favorite actors and has so many good roles over the years.
15 – Used Cars (1980)
Now leading up to the release of this film, Kurt Russell was a Disney name. My brother and I were 10 years old when this film was released and Kurt was our favorite Disney actor, so of course, my Mom took her twins to see Used Cars as soon as it came out…only to walk out of the theatre halfway through, shocked…she never realized it was rated R. Definitely not a Disney film. I have seen it since as an adult, and I can appreciate the film now, but back then, not so much. I am glad that he did this film early on as he had to break the Disney mold somehow, otherwise he would have never done some of his later great films as an adult. This film was shot in and around Mesa and Scottsdale, Arizona, and we moved there when we turned 15 years later and recognized many of the locations. The film was directed by Robert Zemeckis and executive produced by Steven Spielberg. The movie is about the owner (Jack Warden) of a struggling used car lot, who is killed. His hot-shot car salesman (Kurt Russell), wanting to keep the car lot going and to save his job, steps in to save the property from falling into the hands of the owner’s ruthless brother and used-car rival.
14 – Elvis (1979)
Shot the year before by director, John Carpenter, Elvis would be the first pairing for the director and Kurt Russell. They would go on to make four more movies together. Kurt Russell made his initial film debut in It Happened at the World’s Fair (1963) which starred Elvis Presley. According to Russell, Presley was 27 years old when he did “…World’s Fair” and Russell was 27 years old when he did this film.
13 – The Computer Wore Tennis Shoes (1969)
This is part of the series of films Kurt Russell did for Walt Disney, playing a character named Dexter Riley, which my brother and I love. I’ll just mention this one as the first and best one, but they are all fun family films. They include Now You See Him, Now You Don’t (1972), The Strongest Man in the World (1975), and we’ll throw in The Barefoot Executive (1971), because he pretty much plays the same character in that one too. Kurt Russell’s co-star in these was Joe Flynn, a very under-rated character actor that is hilarious in all of these movies. Joe Flynn played Dean Higgins of Medfield College, where student Dexter Riley goes to school. The name of the educational institution, “Medfield College” is also the setting featured in other Disney films such as this movie’s sequels Now You See Him, Now You Don’t and The Strongest Man in the World as well as the earlier The Absent Minded Professor (1961) and its sequel Son of Flubber (1963) where Professor Brainard (Fred MacMurray) teaches science.
Side note – these 4 films were written by Joseph McEveety, who also wrote Disney’s Superdad (1973), No Deposit, No Return (1976), and Hot Lead and Cold Feet (1978). He’s the brother of directors Bernard McEveety and Vincent McEveety, who would go on to direct for Disney, the films; The Bears and I (1974), Napoleon and Samantha (1972), One Little Indian (1973), and Donovan’s Kid (1979) for Bernard and Menace on the Mountain (1970), The Million Dollar Duck (1971), The Biscuit Eater (1972), Charley and the Angel (1973), Superdad, The Castaway Cowboy (1974), The Strongest Man in the World, Treasure of Matecumbe (1976), Gus (1976), The Ghost of Cypress Swamp (1977), Herbie Goes to Monte Carlo (1977), The Apple Dumpling Gang Rides Again (1979), The Watcher in the Woods (1980) and Herbie Goes Bananas (1980) for Vincent. These 3 brothers were very effective at driving a lot of the Disney films in the 1970’s.
12 – The Art of the Steal (2013)
A little known film about Crunch Calhoun, a semi-reformed art thief, who agrees to get his old gang back together to pull off one last heist. Kurt Russell plays Crunch. This is a great heist film with some fun twists, written and directed by Jonathan Sobol. Cool cast includes Matt Dillion, who I think is an under-utilized actor. He should be in more movies than he is.
11 – Follow Me, Boys! (1966)
This is a fantastic movie and simply the best film ever done that features the Boy Scouts. It’s about Lem Siddons, who is part of a traveling band who has a dream of becoming a lawyer. Deciding to settle down, he finds a job as a stockboy in the general store of a small town. Trying to fit in, he volunteers to become scoutmaster of the newly formed Troop 1. Becoming more and more involved with the scout troop, he finds his plans to become a lawyer being put on the back burner, until he realizes that his life has been fulfilled helping the youth of the small town. Kurt Russell plays a boy that Lem reaches out to help and the main boy in the movie. It was Kurt’s first movie for Disney and it established him for the next 12 years in the studio. He would go on to star in 9 more Disney movies as well as numerous Disney TV shows.
10 – Breakdown (1997)
This movie was Taken, before Liam Neeson came around. Not really but technically the same story, but with his wife instead of daughter. Kurt Russell has starred with J.T. Walsh three times before, in Tequila Sunrise (1988), Backdraft (1991), and Executive Decision (1996). Kurt Russell has killed J.T. Walsh twice in a movie. In Tequila Sunrise he shoots him. In this film, he throws him off the bridge, and Amy puts the truck in neutral, causing the truck to land on him.
9 – Executive Decision (1996)
When terrorists seize control of an airliner, an intelligence analyst accompanies a commando unit for a midair boarding operation. The real surprise in this movie happens about 20 minutes into the film when Steven Seagal, who you think is going to be a major character, dies. It was the first time in a movie, where Steven Seagal’s character gets killed. It would happen again in Machete (2010). Kurt enjoyed the script as soon as he read it. He said later, “When I read Executive Decision, it was a real page-turner. I read scripts for the stories more than I do for the characters. I’ve read lots of characters I’d like to play, but I didn’t enjoy the movie itself that much. I liked the fun of Executive Decision, you know, I feel when an audience sees my name attached to a film, they think it’ll probably be a pretty good movie. The movies I do, if we make them well, will be fun to watch. They may not be the best movie of the year, and I may not be your favorite actor, but people come up to me all the time and say, “I like the movies you do”.
8 – Escape From New York (1981)
This movie has an incredibly unique premise; in 1997, when the U.S. president crashes into Manhattan, now a giant maximum security prison, a convicted bank robber is sent in to rescue him. That man of course is Snake Plissken (Kurt Russell). He reprises the role again in Escape From LA, but that movie is really cheesy. I mostly like cheese, but that sequel is too much at times. Kurt Russell has stated that this (the first one) is his favorite of all his films, and Snake Plissken is his favorite of his characters. Snake Plissken’s eyepatch was suggested by Kurt. Clint Eastwood was considered for the role of Snake Plissken. Kurt based his performance on Eastwood, in his westerns. The line “I thought you were dead” was probably borrowed from Big Jake (1971). Every time John Wayne tells someone his name, the standard response is “I thought you were dead.” Which would mean that parts of this film were inspired by two legendary western stars, or their films; John Wayne and Clint Eastwood. Snake, being based on Clint, has the added irony that Eastwood and Lee Van Cleef were in several “spaghetti westerns” together, who also stars in this movie.
7 – Stargate (1994)
An interstellar teleportation device, found in Egypt, leads to a planet with humans resembling ancient Egyptians who worship the god Ra. In a magazine interview, James Spader said that he found the original screenplay “awful” but also that it was so bad it actually intrigued him. He then met with Roland Emmerich, was inspired by the director’s passion for the project, and decided to make the movie because he felt the energy and craziness of making such a film would translate into an exciting final film.
6 – Backdraft (1991)
Ron Howard directed film about two Chicago firefighter brothers, who don’t get along, who have to work together while a dangerous arsonist is on the loose. Kurt Russell, Kevin Casey, Scott Glenn, and William Baldwin did a lot of their own stunts, and the Stunt Coordinator Walter Scott was so impressed by their performances, that he credited them as stunt performers in the credits. William and Kurt went to a firefighter “boot camp” to learn the ropes. They even slept at a Chicago firehouse for about a month. Ron Howard described Kurt’s approach was “aggressive, but entertaining, and totally honest.” Kurt was originally considered for the lead role of Connor Macleod in Highlander (1986), which was written by the same writer of this film.
5 – Overboard (1997)
A cruel but beautiful heiress screws over a hired carpenter, who later is the first one to find her when she gets amnesia. Looking for a little revenge he convinces her that she’s his wife. Great romantic comedy by Garry Marshall and also starring Goldie Hawn, Kurt’s real life love. As of 2017, this is the third and last of three movies that real-life couple Goldie and Kurt appeared in together as co-stars. Their earlier collaborations were Swing Shift (1984) and The One and Only, Genuine, Original Family Band (1968). Looking back on the film, Garry Marshall thinks that it’s “still one of the funniest pictures I ever made,” he said later.
4 – Big Trouble in Little China (1986)
An All-American trucker, Jack Burton, gets dragged into a centuries-old mystical battle in Chinatown. Kurt Russell confessed on the DVD commentary that he was afraid of starring in the movie, because he had made a string of movies that flopped at the box-office. When he asked John Carpenter about it, he told Kurt that it didn’t matter to him – he just wanted to make the movie with him. It did flop at the box office initially, but became a huge hit on video and DVD years later. Now it’s considered a cult classic. John and Kurt explain on the audio commentary that the first test screening was so overwhelmingly positive, that both of them expected it to be a big hit after they made it. However, 20th Century Fox put little into promoting the movie, and it ended up being a box-office bomb. According to John and Kurt in the DVD commentary, the story was originally written as a western, but Carpenter decided to set it during modern times. They even mention that instead of Jack Burton’s truck being stolen, it was originally his horse. Kurt Russell turned down the lead role of Connor MacLeod in Highlander to appear in this film. Both movies were made and released by 20th Century Fox. An interesting side note, in the scene where Kurt is attempting to infiltrate the brothel, he is wearing the same outfit that he wore in Used Cars.
3 – Tango and Cash (1989)
The original idea for this film was to get Rambo and the Terminator together for a buddy cop film. They couldn’t get Arnold Schwarzenegger back then so it became a Rambo and Snake Plissken film. Not really, but it had Sylvester Stallone and Kurt Russell, two action stars in one movie. Kurt was originally considered and offered the role of Martin Riggs in Lethal Weapon (1987), but he turned it down, and it went to Mel Gibson, with whom he worked on Tequila Sunrise. His character in this film is loosely based on Martin Riggs in Lethal Weapon.
It’s the finest horror film ever made and is about a research facility in Antarctica that comes across an alien force that can become anything it touches with 100% accuracy. The members must now find out who’s human and who’s not before it’s too late. John Carpenter has stated that of all his films, this is also his personal favorite. John Carpenter’s film is a much more faithful adaptation of John W. Campbell, Jr.’s original novella “Who Goes There?” than The Thing from Another World (1951). For example, the 1951 version introduced female characters including a “love interest” for the hero. This film, like the original story, has no roles for women. Also, the use of a hot needle, to check the blood of the characters to see if they were still human or not, was taken directly from the original novella, and was not used in the 1951 movie. When the crew are all discussing what the alien spacecraft might be, one of them explains it by saying “Chariots of the Gods.” This is a reference to the famous 1968 book by Swiss-German author Erich von Däniken entitled “Chariots of the Gods?” which hypothesized that many of the world’s great historical monuments, such as the Egyptian Pyramids, were built with the aid of technologies and religion provided by extra-terrestrial beings, who were treated as deities by ancient peoples.
It’s the best film you can find about Wyatt Earp and Doc Holliday and the fight at the OK Corral. Unbelievable cast with Kurt, Val, Bill Paxton, Sam Elliott, Powers Booth, Stephen Lang, Thomas Haden Church, Dana Delaney, Charlton Heston, and Michael Biehn. In an interview with True West magazine in October 2006, Kurt admit that after original director Kevin Jarre was fired, he directed a majority of the picture. According to Russell, George P. Cosmatos served merely to make things run smoothly. Also, in the True West interview, Kurt stated that the film was nearly cast with Richard Gere as Wyatt Earp, and Willem Dafoe as Doc Holliday.
Every once in a very long time an actor comes around that is so good at what he/she does that they make it look like anyone can do it. They make it look easy. Effortless. Add-to-that, an unassuming and quiet demeanor and you get an actor that feels like he’s a part of the scenery. Like, he comes naturally with the set design, that he just becomes fused in that world. Meaning, you forget that he’s an actor. You take for granted that he’s really the characters he plays and that he is integrated into the story as a permanent fixture. I’m not so sure this is coming across as intended…
Regardless, one of these such actors, would undeniably be the phenomenal, Mr. Bill Irwin. He first came across my radar in the live action version of Popeye in 1980. He is a very gifted physical comedian, albeit, 50 years too late. He really has the same physical gifts that made Buster Keaton, Charlie Chaplin, Harold Lloyd and those early comedians so good. You can see it in Popeye right away. In fact, he reminded me most of Stan Laurel.
He has an extensive background in theatre and still does a lot of theatre work regularly, but he also can be seen on TV and in the movies every year, even though you may not know him by name. In 1989, was nominated for four Tony Awards for “Largely New York“: as author of a Best Play nominee, Best Actor (Play), Best Director (Play) and, with collaborator Kimi Okada, Best Choreographer. In 1999, his show “Fool Moon” won a Special Tony Award for Live Theatrical Presentation. Won the 2005 Tony Award for Best Actor in a Play, for his performance as George in “Who’s Afraid of Virginia Woolf?” opposite Kathleen Turner.
In TV and Film, he’s starred in some great projects over the years, including: My Blue Heaven, Hot Shots!, Northern Exposure, 3rd Rock From The Sun, How The Grinch Stole Christmas, Elmo’s World, Lady in the Water, Sesame Street, The Good Wife, CSI, Blue Bloods, Sleepy Hollow, Law & Order: Special Victims Unit, and most recently on FX’s new show, Legion. Can’t recommend him enough, he’s brilliant. He can often be found as his clown alter ego, Bagatelles, along with partner David Shriner. Check out some of these videos on You Tube. It’s no surprise that he graduated from Ringling Brothers, Barnum and Bailey Circus’s Clown College and eventually was inducted in the International Clown Hall of Fame in 1999.
One of my all-time favorite actors…even though he’s not as flashy as Humphrey Bogart, Cary Grant, Clark Gable or Spencer Tracy…who are all in my top 5 as well. William Powell seems to sneak in there on the sheer strength of his whole film library. Arguably, he’s the most consistent. He put out some of the finest work ever seen on film, and most, if not all of his movies, stand up today as some of the greatest ever made. Judge for yourself, here are my 15 favorites:
15 The Ex-Mrs. Bradford (1936)
This one is special because of the pairing of William Powell and Jean Arthur. Powell would make a career out of teaming with some of the strongest actresses of the time and then competing with them as equals. He manages to hold each of his female partners in such high esteem, while all along joyfully and playfully sparing with them with wonderful wordplay. This becomes his signature, and not only did the audience enjoy the sparks, but his on screen partners adored him in real life as well. So much so that he fell in love and married 2 of them. He would have married Jean Harlow as well, they were engaged, but she fell ill and died before they married. Back to this film, the script is a little light, but Powell and Arthur are fun. I don’t think I’ve ever seen Arthur look better than she does in this movie. She just shines.
14 One Way Passage (1932)
This one was the 6th pairing of William Powell with Kay Francis. The story is far fetched, as Powell plays a prisoner- a murderer being sent to prison for his hanging and Francis is on her last cruise as she has a terminal illness. They fall in love and spend their last trip together. It has a mix of drama and comedy, which seems a bit weird due to the material.
13 The Philo Vance Mysteries (1929-1933)
William Powell starred in 4 of the Philo Vance mysteries, I’ll include them all together in one entry: The Canary Murder Case, The Greene Murder Case, The Benson Murder Case, and The Kennel Murder Case. Because of these movies and the Thin Man series, Powell becomes very well known as a Detective. It’s what puts him on the map initially, I would say, even though it’s his pairings with outstanding female partners that really makes him shine. William Powell is the first to star as Vance and arguably the most successful. These films are fun and I can see why Powell would become very popular as a detective over the next 20 years.
12 For The Defense (1930)
Another movie starring Powell and Kay Francis, this time Powell plays an attorney defending the man that Francis is two-timing him for murder. This was a surprise hit for Paramount. A quickie, it was shot in a mere 15 days and its success immeasurably helped director John Cromwell‘s career, who would go on to direct Tom Sawyer, Of Human Bondage, Little Lord Fauntleroy, The Prisoner of Zenda, Algiers, Made For Each Other, Abe Lincoln in Illinois, and Dead Reckoning after this one.
11 Jewel Robbery (1932)
The last one on the list that also stars Kay Francis, this one is my favorite of all the ones they did together. Powell plays a gentleman thief…which reminds me that he would have been the perfect Arsene Lupin over the years if he had ever decided to take that character on. This began as a stage play, and then turned into a movie, and you can really tell with the great dialogue.
10 Double Wedding (1937)
The first one on the list that features Powell with his best collaborator, Myrna Loy! They are most famous together in the Thin Man movies but they performed so much together over the years that most people thought they were really married, which caused a lot of trouble for the couple whenever they went on location as often the hotels would book them accidentally in the same room! They would eventually star in 14 films together. When I mentioned earlier that he was engaged to Jean Harlow, but she died…it was during the filming of this movie. They had to shut down production for a few weeks and I think you can tell in Powell’s performance that he was distraught. Also, can I just mention that I hate his artist costume in this movie.
9 Mr. Peabody and the Mermaid (1948)
Fun little movie, seems like it would have been perfect for Don Knotts in the title role, but he was decades away from doing movies…Powell is still fun as always. Ann Blyth plays the mermaid in a very effective costume…at times she seems like a very real mermaid! In an article in “Look” magazine that came out at the time the film was released Ann Blyth said that the hardest part of making the movie was trying to learn to swim while wearing the mermaid tail. She said that she practiced for more than a week before she felt comfortable with not being able to kick her legs to help her swim. During the film Ann Blyth has no dialogue. She laughs, sings (without words) and cries but does’t talk.
8 Libeled Lady (1936)
Great cast with Powell and Loy as usual, but with the additions of Jean Harlow and Spencer Tracy! Reportedly, while shooting the movie, the four stars had become close friends, and William Powell even gave up his old habit of hiding out in his dressing room between scenes so he could join in the fun with the rest of the cast. One of the biggest jokes was a running gag Spencer Tracy played on Myrna Loy, claiming that she had broken his heart with her recent marriage to producer Arthur Hornblow Jr. He even set up an “I Hate Hornblow” table in the studio commissary, reserved for men who claimed to have been jilted by Loy. Myrna Loy recalled in her 1987 autobiography that a good time was had by all during the shoot – “Libeled Lady was one of the best of the so-called screwball comedies, with a great cast, and Jack Conway directing us at breakneck speed.” She praised her co-stars and also expressed her love for working with Walter Connolly, whom she described as “darling.” Some of the cast and crew travelled to the California mountains during production in order to shoot exteriors of the bucolic scenes. They spent nearly a week living cosily in small cabins, according to Myrna Loy, and enjoying the rustic scenery far from the bright lights of Hollywood. This was where William Powell filmed his bit of slapstick in which he must pretend to be an expert angler in order to impress Connie’s father. “It’s a hysterical piece of work,” praised Loy, “but then Bill was a very gifted man, able to do great comedy and tragedy, everything.”
7 The Great Ziegfeld (1936)
William Powell plays the great showman Florenz Ziegfeld Jr. in this biography of his life. He would go on to play Ziegfeld again later for a showcase of some of Ziegfeld’s finest work in Ziegfeld Follies. Billie Burke, the wife of the real Florenz Ziegfeld Jr., never really rated the film much despite taking a personal interest in the writing of the script. She went to great lengths to make sure that writer William Anthony McGuire never besmirched the good name of Florenz Ziegfeld Jr., hence the playing down of his infidelities. The Great Ziegfeld would become the first biopic to win an Academy Award for “Best Picture”. Powell himself would be nominated for My Man Godfrey, that same year.
6 I Love You Again (1940)
This one is quite fun, Powell plays a man who is a normal boring businessman that bumps his head a second time, which makes him recover from amnesia, only to remember his life as a con man before he had amnesia! In the process, he comes to learn that he’s deeply in love with the woman that is soon to be his ex-wife, Myrna Loy. The fun part of this movie is the total change in Powell’s personality and then the wooing of his wife (coo-ing?). It does have a lengthy Boy Scout sequence, which is delightful, but to me, takes it away from the fun parts that are Powell-Loy laden.
5 Life With Father (1947)
I love Irene Dunne and she is really in fine form in this great family film. In later years, Irene Dunne admitted that she hated playing the part of Vinnie, the wife, as she considered the part to be “rattle-brained”. The original play, “Life With Father” is the longest-running Broadway non-musical play ever. It played on Broadway for nearly eight years (3224 performances), from 1939 to 1947 and held the record for 25 years until “Fiddler on the Roof” surpassed it. In the play, author Howard Lindsay played Father, Dorothy Stickney was Vinnie and Teresa Wright was Mary. The film version was released in 1947, the year that the Broadway run ended. William Powell had his 3rd Academy Award nomination for this role.
4 Manhattan Melodrama (1934)
Clark Gable adds to the fun in Manhattan Melodrama. Interesting thing about this is that both William Powell and Clark Gable were married to Carole Lombard, at different times, of course, neither during this movie. This was also the first movie to feature Powell and Loy together. Interesting to note, this movie is probably most famous for being the movie that bank robber John Dillinger had just seen before he was gunned down in front of Chicago’s Biograph Theater on July 22, 1934. He had been set up by Anna Sage, the madam of a brothel, who knew Dillinger’s girlfriend, Polly Hamilton. Sage was facing deportation and thought the tip might get her off. She told FBI agent Melvin Purvis that she would be wearing orange which appeared red, leading her to be dubbed “The Woman in Red”. Dillinger was shot three times when he tried to escape, and Sage wound up being sent back to Romania.
3 Mister Roberts (1955)
William Powell’s last movie, based on the play which also starred Henry Fonda as Mister Roberts. The supporting cast in this film is incredible with great parts for James Cagney and Jack Lemmon, who won an Oscar for his role of Ensign Pulver. Initially directed by John Ford, one of the few non-westerns he did. On this movie, he was apparently mean and abusive. When John Ford met James Cagney at the airport, the director warned that they would “tangle asses,” which caught Cagney by surprise. Cagney later said: “I would have kicked his brains out. He was so goddamned mean to everybody. He was truly a nasty old man.” The next day, Cagney was slightly late on set, and Ford became incensed. Cagney cut short the imminent tirade, saying: “When I started this picture, you said that we would tangle asses before this was over. I’m ready now – are you?” Ford backed down and walked away and he and Cagney had no further conflicts on the set. Later on, there was a disagreement between John Ford and Henry Fonda that led to Ford punching Fonda in the mouth, ending their 16-year personal friendship and eight-film professional relationship, even though Ford apologized to Fonda afterward. Fonda only appeared in one more Ford film after that. Ford was eventually dismissed from the film and Mervyn LeRoy took over. John Ford’s dismissal from the film pushed him over the edge. He began drinking heavily, and was hospitalized in Hawaii for alcohol poisoning.
My favorite movie featuring Powell is also the one that really features his ex-wife Carole Lombard most effectively. It’s about a scatterbrained socialite, who hires a vagrant as a family butler…but there’s more to Godfrey than meets the eye. William Powell suggested his ex-wife Carole Lombard for the leading role with the explanation that his real life romance with Lombard had been much the same as it was for the characters of Godfrey and Irene. Although stars William Powell and Carole Lombard had been divorced for three years by the time they made this, when offered the part Powell declared that the only actress right for the part of Irene was Lombard. This is the only film to receive Oscar nominations for writing, directing and all four acting awards without being nominated for Best Picture. It was also the only film to receive those six nominations without winning in any of the categories until American Hustle (2013).
Madeline Kahn’s first role was as the dowdy fiancee to Ryan O’Neal’s professor in Peter Bogdanovich’s What’s Up, Doc? and she steals the movie right out from under him and the film’s star Barbra Steisand. In defense of Barbra, she has stated in interviews that she didn’t get the comedy…but it’s obvious that Madeline did, because she nailed it. I talk about that film here. It’s no surprise that she would become a star in her own right and a permanent fixture over the next 20 years with the biggest comedy filmmakers, like Mel Brooks, Gene Wilder, Burt Reynolds and Neil Simon.
Her next follow-up film was again for Peter Bogdanovich and Ryan O’Neal in Paper Moon. She would go up for an Oscar nomination, but in that film, 9 year old, Tatum O’Neal, Ryan’s real-life daughter steals the show and walks away with the Academy Award, to boot. Madeline is good as always. She soon found more comedians to work with when she did Blazing Saddles the very next year with Mel Brooks and Gene Wilder. They really loved her and would spent the next ten years casting her in Young Frankenstein, The Adventures of Sherlock Holmes Smarter Brother, High Anxiety, and History of the World, Part 1.
Burt Reynolds would work with her the year after that for the first time in Peter Bogdanovich’s At Long Last Love, which was a musical. It played to Madeline’s strengths as she was an Operatically trained singer. The film failed at the box office, however, I believe because no one wanted to see Burt sing, although he does it well. She would work again with Burt in City Heat along with Clint Eastwood. Neil Simon would work with her for the first time in 1978 in The Cheap Detective, with Peter Falk. Madeline Kahn’s Mrs. Montenegro character is a spoof of Mary Astor’s Brigid O’Shaughnessy in The Maltese Falcon. She would do another Neil Simon years later for London Suite in 1996. The third of Neil Simon’s “Suite” movies, the others being Plaza Suite (1971) (remade as Plaza Suite (1987)) and California Suite (1978). It’s the fourth made of Simon’s “Suite” movies counting the TV remake.
Now all of these films of hers are worth watching, but my favorite of hers is the movie Clue, which came out in 1985. If you haven’t seen this movie based on the board game, it’s fantastic. The cast is amazing and was given some leeway in improvising some of their dialogue. An example of this is Madeline Kahn’s improvising of “flames, flames…” which is just brilliant. It’s been said that the cast of great comedians loved working together on that film and it’s no wonder that Madeline is a favorite of everyones. Many directors, writers, actors and filmmakers would recast her time and time again. She was that good. She’s definitely missed.
Sam Raimi has a few franchise films worth noting. A really popular horror franchise and a really good comic book superhero franchise come to mind. (Evil Dead…Spider-Man) But there was a time he did a mash-up before mash-ups became a thing…with 1990’s Darkman series. Starring Liam Neeson as the Darkman in the title, along with Frances McDormand, Ted Raimi, Colin Friels and Larry Drake, it’s a wonderfully creative tale and works as a superhero movie, comic book movie and a horror at times. Liam, Frances and Larry all give great performances. I wish they would come back to this series as it’s a fun one, maybe as a future TV show like they did with the Evil Dead series.
Sam Raimi originally wanted to do a movie of the famous “The Shadow” series, could not obtain the rights, so came up with his own movie similar to that one and called his character, Darkman. He also Drew inspiration from The Hunchback of Notre Dame, The Phantom of the Opera, Batman, The Invisible Man and The Elephant Man. When they went into production he wanted to cast his production partner up until that time, Bruce Campbell, but the studio he was working with didn’t think he was good enough to sell the movie. For the role of Darkman, Sam Raimi wanted someone who could play a monster with the soul of a man. An actor who could do all that beneath a lot of makeup.
Bill Paxton was almost cast as Peyton Westlake (Darkman). According to Paxton, he told his friend Liam Neeson about the audition. When Neeson got the the role, Paxton was so angry that he did not speak to Neeson for months. Some of Darkman’s elements were inspired by Batman. Liam Neeson worked 18 hour days in ten-piece makeup, but he liked the challenge, and the idea of working behind a mask on camera, as well as exploring the possibilities this entailed. Neeson also had input on the costume he wore as Darkman, especially the cloak. The hardest part was speaking with false teeth, because he didn’t want them to move at all. Sam Raimi is a fan of the Batman character, and was among those passed over to direct Batman (1989). Larry Drake and Liam Neeson would later work on Batman Beyond: The Winning Edge (1999) and Batman Begins (2005) respectively.
Larry Drake was cast because of the way he underplayed Durant. Quiet, careful, but intense. Sam Raimi had never watched a single episode of L.A. Law (1986), where Drake played the developmentally disabled Benny (I believe he won an Emmy award for this role and if you’ve seen him in this, he’s awesome!). But Drake’s face reminded him of a modern day Edward G. Robinson. He looked so mean and domineering, yet he had an urban wit about him. Raimi believed these qualities made him the perfect adversary for Darkman.
