Category Archives: 1973

Top 15 Jodie Foster Movies

 

Here’s another fine actress, that transitioned well from child star to great adult actress. A Disney player of the 70’s who managed to make intriguing and emotional role choices over the years and won an Academy award for her efforts. I loved her early Disney movies and respected her choices later on; easily as comfortable in a drama as a thriller or a comedy. Like all of my favorites, she’s versatile and adept at all genres. Here’s a list of my top 15 favorite Jodie Foster films:

15 – Taxi Driver (1976)

Jodie Foster has chosen some gritty roles over the years, not one to shy away from an uncomfortable role by any means. She seemed to do this early on in her career, trying as hard as possible to stretch herself as an actress, beyond her comfort zone. This is one of those roles. It’s interesting to me that she chose to do this role of a teenage prostitute in the midst of her popularity as a Disney star. Dangerous move, but one that ultimately proved to the Industry, at least, that she was an Academy Award caliber actress. I personally drift to her more funny or light-hearted movies, but there certainly is no denying her talent and ability to master any role and genre. This was her first nomination for an Oscar. Tough subject matter.

14 – One Little Indian (1973)

Now this Disney film was pretty neat because it’s the first time that James Garner and Jodie Foster would work together and when they worked together again it was over 20 years later, for Maverick (1994). Pretty typical fare overall, and similar to her other Disney work at this time, she was gearing up to be the star, even then you can see she was something more than a supporting actress.

13 – The Little Girl Who Lives Down The Lane (1976)

I put this film on the list because I think it’s pretty scary, although I haven’t seen it in 20 years, it spooked me pretty bad. To be fair, in interviews, Jodie Foster usually refrains from saying which of her films are her least favorites, but she has let it slip that this movie isn’t one she is fond of, explaining, “When people are there to simply do a job they don’t have any passion for, those are nearly always bad films.” It was first top-billed lead role in a major motion picture for Jodie.  1976 was definitely her breakout year, although from the 5 movies she did that year I prefer the Disney film, Freaky Friday, the most.

12 – Inside Man (2006)

Jodie, being fluent in French, dubbed herself in the French version. Jodie filmed her part in three weeks, and it’s a very different part for her, but as always she’s very good. It’s a pretty fun heist movie and my favorite Spike Lee film. Denzel Washington and the cast was allowed to ad-lib at times, he just seemed especially adept at it. The scene in the coffee shop was improvised. On the DVD commentary, Spike states that when Denzel ad-libbed the line, “I’ll bet you can get a cab though,” he nearly ruined the take by laughing really loud.

11 – The Brave One (2007)

Interesting to note, Nicole Kidman was originally cast as Erica. Jodie would be cast when Nicole dropped the project. Jodie also took over Kidman’s role in Panic Room (2002). It was Jodie’s idea for Erica to record sounds of the city for her radio show. Foster walked for miles all around Manhattan with headphones on to prepare for the role. The movie is like the female version of Death Wish, with Jodie playing the Charles Bronson role.

10 – Flight Plan (2005)

Jodie Foster’s role was originally written for Sean Penn. The original character’s name of “Kyle” was even kept. Coincidentally, Penn’s role in The Game (1997) was originally intended for Jodie Foster. A bereaved woman and her daughter are flying home from Berlin to America. At 30,000 feet, the child vanishes, and nobody will admit she was ever on the plane. It’s Lady Vanishes, on a plane!

9 – The Accused (1988)

Probably the most brutal role for any actress ever. What she has to go through to even film this is unfathomable. The movie is based on a real-life gang rape that occurred on 6 March 1983 at Big Dan’s Bar in New Bedford, Massachusetts. The bar lost its liquor license the very next day. Upon seeing a pre-screening of the film, Jodie Foster thought her performance as Sarah Tobias was so awful that she immediately began preparing for and taking the GRE’s for graduate school. She was prepared to leave her film career behind and focus on academia…until she won the Academy Award for her performance.

8 – Stealing Home (1988)Stealing home jodie Foster

This is one of those rare movies that no one seems to know about, but that I love. I tell people about it all the time and convince them to watch it and they usually thank me for it later. Mark Harmon plays a washed-up baseball player who is called back home to handle the ashes of his childhood sweetheart/ first love (Jodie) who had committed suicide. As he searches for what to do with them, he remembers the past and the relationship they had. In doing so he finds himself again. This movie was reportedly based on the real-life experiences of its writers, former Second City troupe members and WKRP in Cincinnati writers Steven Kampmann and William Porter. The two lead actors (Jodie and Mark) never even have a scene together.

7 – Panic Room (2002)

Another one of her great thrillers. This one is top notch, great cast, great crew all around. A divorced woman and her diabetic daughter take refuge in their newly-purchased house’s safe room, when three men break-in, searching for a missing fortune. As I stated earlier, Nicole Kidman was originally cast in the role of Meg Altman. Then, only eighteen days into filming, Kidman had to leave the film as well, due to a recurring knee injury, suffered during the filming of Moulin Rouge! (2001). David Fincher suggested that the studio close the production and collect the insurance, but the studio decided to go on. Jodie Foster was offered the role. She was due to be the president of the Cannes Film Festival jury but withdrew to work with Fincher, with whom she was originally supposed to work on The Game (1997) in the role now played by Sean Penn. Foster had only nine days to prepare for the role. Kidman left a small mark in the film nevertheless, however, as the voice of the girlfriend of Foster’s husband in the movie, heard answering the phone when Foster’s character calls him in a desperate attempt for help.

6 – Sommersby (1993)

An example that she can do it all, this is a great romantic film. A farmer’s wife begins to suspect that the man in her bed is an impostor after he returns home from the Civil War, based on the French film, The Return of Martin Guerre. Steven Reuther, one of the producers behind the project commented about the casting of Gere and Foster: “A lot of people questioned us about this coupling. And it was a gamble, because there are the obvious romantic leading females, and Jodie really is not one of them. Also, I don’t think anyone had ever seen Jodie in a period costume. But once we got her in the period clothes and the hair, it was like, ‘How could there have been a question?’ I think that part of why she was attracted to the character was because it was something she had never done before.”

5 – Candleshoe (1977)

I love this movie, which is kind of an alternate telling of the story of Anastasia but with a treasure hunt mixed in. Helen Hayes and David Niven are just fantastic in it as well as Foster. It’s the last of three theatrical movies that actress Helen Hayes made for the Walt Disney Pictures studios during the 1970s. The earlier films were Herbie Rides Again (1974) and One of Our Dinosaurs Is Missing (1975). Screenwriter David Swift, who in the early 1960s directed Pollyanna (1960) and The Parent Trap (1961) for Walt Disney, developed this project for the company and was set to direct it. However, he felt Jodie Foster (then one of the most popular teenage actresses in the country) was all wrong for the part of Casey and stepped down. Boy, was he wrong, she is really great in this.

4 – Freaky Friday (1976)

The most popular of Jodie’s Walt Disney films, it’s a really fun movie and still holds up today, even with all the period clothes. The only time I can remember Jodie singing for a film, the title song “I’d Like to be You for a Day” is sung by Barbara Harris and Jodie Foster. Both Jodie Foster and Barbara Harris were nominated for Best Actress – Musical or Comedy at the 1977 Golden Globes for this film. Technically, as they also played each other’s characters, they were both nominated for playing the same characters. Jodie Foster said of the film whilst doing press publicity for the picture around the time the movie first launched: “I think it’s important for my career that I make all different kinds of films. I’m proud that I made Freaky Friday. And I thought the idea was terrific. A lot of my friends think it’s my best picture. I really like working for Disney”.  The date of the “Freaky Friday” in the movie’s story-line was a Friday the 13th.

3 – Silence of the Lambs (1991)

This is the movie that comes up generally as the best of Jodie’s films, and I do love it, but it’s not my favorite. It is Jodie’s 2nd Academy Award win after The Accused. Anthony Hopkins won as well for his portrayal of Hannibal Lecter. Jodie Foster claims that during the first meeting between Lecter and Starling, Anthony Hopkins’s mocking of her southern accent was improvised on the spot. Foster’s horrified reaction was genuine; she felt personally attacked. She later thanked Hopkins for generating such an honest reaction. Anthony Hopkins and Jodie Foster only share four scenes throughout the course of the film. With 24 minutes and 52 seconds of screen time, Anthony Hopkins’s performance in this movie is the 2nd shortest to ever win an Academy Award for Best Actor in a Leading Role, with David Niven in ‘Separate Tables‘ beating him at 23 minutes and 39 seconds. Clarice Starling was chosen by the American Film Institution as the sixth greatest film hero (out of fifty), the highest ranked female on the list; Hannibal Lecter was chosen as the #1 greatest film villain (also out of fifty).

2 – Maverick (1994)

This film is just really great fun. Not only does Jodie get to work with one of her favorite actors, Mel Gibson, but she was reunited with James Garner again after 20 years when working with him when she was a child. They all have some funny stuff in this. Jodie Foster’s character’s gracelessness in the film stems from the first scene she shot, when she waited for Mel Gibson to help her down from the stagecoach. Instead, he took her parasol and walked away. She tried to get down alone and flopped to the ground. Director Richard Donner liked it so much he kept the shot in the film, and staged more scenes of Foster stumbling, being dumped through windows, etc. In the stagecoach chase sequence, stuntman Mic Rodgers (doubling for Mel Gibson) had to go under the coach and get up at the back. This is a direct nod to legendary stuntman Yakima Canutt’s similar stunt in Stagecoach (1939). By coincidence, second-unit director Terry Leonard, a former stuntman himself, performed this same stunt in the truck chase in Raiders of the Lost Ark (1981). I specifically talk about the stunt in the blog post, http://brothers-ink.com/2015/09/stagecoach-and-zorros-fighting-legion/ and again for the Indiana Jones stunt in the blog post http://brothers-ink.com/2015/12/stunt-team-for-raiders-of-the-lost-ark/

1 – Contact (1997)

This is one of the finest films, in what is a library of marvelous films by director Robert Zemeckis. It’s got one of the most remarkable tracking shots I’ve ever seen for any film. Ask my wife, I have literally watched and rewound this shot a hundred times trying to figure it out. Apparently, I learned later, this impossible shot, the long shot of Ellie as a child running up the stairs to get medicine, was actually filmed as a normal shot would have been and then flipped and placed in the mirror which, at the time of shooting was a blue screen placement in the cabinet. Any way you look at it, it’s a thing of beauty. Sorry, back to Jodie…Jodie Foster was interested in this movie as early as 1995. After initially deciding to drop out, her interest was resparked by a new revision of the script. Her character, Ellie is based partly on real radio astronomy pioneers and extra-terrestrial intelligence researchers. There’s also some Carl Sagan in her. He wanted a female hero to inspire girls to pursue science. Jodie really connected with that, being an academic herself. So much so that in 2011, Jodie was part of a group of private donors that saved SETI’s telescope array in California.

Madeline Kahn, Comedienne

 

Madeline Kahn’s first role was as the dowdy fiancee to Ryan O’Neal’s professor in Peter Bogdanovich’s What’s Up, Doc? and she steals the movie right out from under him and the film’s star Barbra Steisand. In defense of Barbra, she has stated in interviews that she didn’t get the comedy…but it’s obvious that Madeline did, because she nailed it. I talk about that film here. It’s no surprise that she would become a star in her own right and a permanent fixture over the next 20 years with the biggest comedy filmmakers, like Mel Brooks, Gene Wilder, Burt Reynolds and Neil Simon.madeline-kahn-whats-up-doc

Her next follow-up film was again for Peter Bogdanovich and Ryan O’Neal in Paper Moon. She would go up for an Oscar nomination, but in that film, 9 year old, Tatum O’Neal, Ryan’s real-life daughter steals the show and walks away with the Academy Award, to boot. Madeline is good as always. She soon found more comedians to work with when she did Blazing Saddles the very next year with Mel Brooks and Gene Wilder. They really loved her and would spent the next ten years casting her in Young Frankenstein, The Adventures of Sherlock Holmes Smarter Brother, High Anxiety, and History of the World, Part 1.paper-moon-madeline-kahn-1973

Burt Reynolds would work with her the year after that for the first time in Peter Bogdanovich’s At Long Last Love, which was a musical. It played to Madeline’s strengths as she was an Operatically trained singer. The film failed at the box office, however, I believe because no one wanted to see Burt sing, although he does it well. She would work again with Burt in City Heat along with Clint Eastwood.  Neil Simon would work with her for the first time in 1978 in The Cheap Detective, with Peter Falk. Madeline Kahn’s Mrs. Montenegro character is a spoof of Mary Astor’s Brigid O’Shaughnessy in The Maltese Falcon. She would do another Neil Simon years later for London Suite in 1996. The third of Neil Simon’s “Suite” movies, the others being Plaza Suite (1971) (remade as Plaza Suite (1987)) and California Suite (1978). It’s the fourth made of Simon’s “Suite” movies counting the TV remake.madeline-kahn-in-cheaper-detective

Now all of these films of hers are worth watching, but my favorite of hers is the movie Clue, which came out in 1985. If you haven’t seen this movie based on the board game, it’s fantastic. The cast is amazing and was given some leeway in improvising some of their dialogue. An example of this is Madeline Kahn’s improvising of “flames, flames…” which is just brilliant. It’s been said that the cast of great comedians loved working together on that film and it’s no wonder that Madeline is a favorite of everyones. Many directors, writers, actors and filmmakers would recast her time and time again. She was that good.  She’s definitely missed.madeline-kahn-in-clue

Best Movie Stunts of the Year List 1970-1979

 

Here is the list for the Best Movie Stunts for the Decade 1970-1979 as listed in the book, 100 Years of the Best Movie Stunts!

1970 – They Call Me Trinitythey_call_me_trinity_poster_02

The Spaghetti Western and Spaghetti Western Comedies were starting to come into their own and a string of “Trinity” films starring Terence Hill and Bud Spencer would arise.  They became worldwide stars and did all their own fighting in their films.  These are great fun!

1971 – The Big Bossbig-boss-lobby

Bruce Lee would become a bonafide sensation after his first film and there really was no one quite like him. He had the skills and a way about him that everyone after him tried to copy.  Martial Arts got it’s very own movie genre after this.

1972 – The Poseidon Adventureposeidon-adventure wallpaper

Another new genre, would be this sub-category inside the action genre, that became the disaster film.  This one has a very good fall into a ballroom skylight done by a non-stuntman at the time, Ernie Orsatti.  He would go on to become a stuntman after this, he found he had a knack for it.

1973 – Live and Let DieLive Boat

James Bond would appear this decade a record 4 times!  This is the first on the list with a speedboat jump over land by Jerry Comeaux of 110 feet, which made it into the Guinness Book of World Records.

1974 – The Man With The Golden Gunman_with_the_golden_gun_stunt

This one had a great car jump stunt that is a breath-taking, “I can’t believe I saw that” …mathematical stunt devised by Raymond McHenry at Cornell University and performed by Bumps Willard.

1975 – The Man Who Would Be Kingman who would be king

Joe Powell would perform a jump from a rope bridge between two ravines 100 feet into a pile of boxes that would lead legendary Director John Huston to say, ” That’s the damnest stunt I’ve ever seen.”

1976 – Gatorgator car

This would be the start of a great collaboration between Hal Needham and Burt Reynolds.  Hal Needham would body double Burt in this film and there’s a nifty car flip at the end of the movie with Hal in the truck bed.

1977 – The Spy Who Loved MeSPY-WHO-LOVED-SKI-1

This is a bond film with one of the most extensive pre-credit sequences than all the previous films and right before they go to the opening song and credits, they have a fantastic ski-stunt by Rick Sylvester right off a mountain and then slowly fall until finally has a parachute open. Really great opening.

1978 – HooperHooper3

Hal Needham directed Burt Reynolds this time in a movie inspired by and about stuntmen! Can’t name just one stunt to highlight in this film as it’s just chocked full of them, but if I had to, A. J. Bakunas has a world record breaking jump from a helicopter into an airbag (232 feet!).

1979 – MoonrakerMoonsky7

BJ Worth and Jake Lombard fight over a parachute in this Bond entry and it’s fun to watch.  I would definitely include all the camera men who had to jump and film the sequence which included 88 jumps over all.

Check out our new Book, 100 Years of the Best Movie Stunts!Screen Shot 2015-09-19 at 8.23.28 PM

Jerry Comeaux and Live and Let Die

 

First Bond film to make the list, just happens to be Roger Moore’s first Bond film as well. Up until this time the Bond films have had plenty of action but the real stunt pieces for the films have slowly escalated until they finally broke a Guinness Book World Record with this stunt in Live and Let Live.Live Boat

The boat chase through the bayous was originally written in the script as just “Scene 156 – The most terrific boat chase you’ve ever seen”. Bond’s speedboat jump driven by Jerry Comeaux, made it into the Guinness Book of World Records for its distance of 110 feet, a record that stood for three years. Clifton James as the Louisiana Sheriff improvised in the scene, and it was kept in the final print. Also, the second boat was not scripted to collide with the police car, but after this happened while shooting the stunt, the script was changed to accommodate it.

The Bond series is incredibly important to the stunt community and is the most successful action series of all time.  The Bond productions have the single most entries in the Best Stunt Awards and sets itself apart by achieving an unequaled standard in stunt choreography and for simple mind blowing awesomeness.  Live and Let Die (1973) was directed by Guy Hamilton for Eon Productions.liveandletdie_n2N

Things to look up (click on item to go to IMDB page or Website):

  • Jerry Comeaux
  • Live and Let Die
  • Eon Productions

History of film companies as defined by Wikipedia: Eon Productions is a film production company known for producing the James Bond film series. The company is based in London’s Piccadilly and also operates from Pinewood Studios in the United Kingdom. It is a subsidiary of Danjaq LLC, the holding company responsible for the copyright and trademarks to the Bond characters and elements on screen.LiveandLetDie

Eon, a closely held (private and family) corporation, was started by film producers Albert R. “Cubby” Broccoli and Harry Saltzman in 1961, at the same time they partnered and sought financing for Dr. No the year before they formed Danjaq, which for legal reasons became Eon’s holding company from which it licenses the copyright protections allowing Eon to produce the Bond films. Cubby Broccoli had been interested in the Bond novels rights for several years but was dissuaded from making them project by his former partner. When they dissolved their relationship he was free to pursue the property, for which Saltzman, a novice to film production had taken a gamble to acquire. The two were introduced by a New York writer who was acquainted with both, and formed a partnership within a week of meeting. The enterprise was and is still very much a family business, including both wives and the principal partners, as well as several of their progeny, the latter group now carrying on their parents’ work. Cubby almost immediately included Dana Broccoli’s college aged son Michael G. Wilson in even the early films doing various production jobs and his engineering education was put to good use occasionally in some of the series’ special effects.jane-seymour-and-geoffrey-holder-in-live-and-let-die

In 1975, after nine Bond films, Harry Saltzman sold his shares of Danjaq to United Artists (the then-current Bond series distributor). Although Albert R. Broccoli died in 1996, Eon Productions is still owned by the Broccoli family, specifically Albert R. Broccoli’s daughter, Barbara Broccoli, and his stepson and her half-brother by actress Dana Wilson Broccoli, Michael G. Wilson, who are the current producers of the James Bond films.

Check out our new Book, 100 Years of the Best Movie Stunts!
Screen Shot 2015-09-19 at 8.23.28 PM

Burt Reynolds is Gator McKluskey

 

Burt Reynolds played Gator McKluskey in White Lightning (1973) and again in Gator (1976). These are two fantastic films about a moonshine-running King of the Bayou, with high octane, super-charged, double-barreled action, mystery, murder and adventure.  I loved these films and really wished they made more of them.1973-white-lightning-movie-poster

The fun starts with White Lightning, that was supposed to be Steven Spielberg’s first theatrical film, as he spent months on the pre-production, but was eventually replaced with Joseph Sargent, who himself was fired from Buck and the Preacher and replaced by Sidney Poitier the year before.   Joseph would go on to make the very successful The Taking of Pelham One Two Three the year after.  Burt Reynolds met the writer, William W. Norton on Sam Whiskey (which he wrote) and Burt loved the idea of this ex-con character that gets drawn into working with the feds to catch a moonshine ring.

Burt’s good friend, Hal Needham, did the stunts in this movie and would eventually direct Burt in several films including Hooper (a film about a legendary stunt man) and the Smokey and the Bandit films. There was a scary moment in the chase sequence that ends with Gator’s car sailing from a river bank onto a barge that went seriously wrong. The plan was for the car (driven by Hal) to land squarely on the mound of soft earth in the barge, on the take he fell short and landed on the rear of the barge with the rear of the car hanging into the water. Hal was hurt and stunned, Burt watching the scene from behind the camera, dove into the water, swam to the barge and helped pull Hal out of the car. Needham recovered from his injuries and would go on to do the stunts in Gator three years later.gator posters

The film was so successful that Burt decided he wanted to do another film with the character and decided to direct the sequel himself. Up until this point he had only directed one episode of the TV Show, Hawk (which only lasted for 1 season) 10 years before, but managed to get the studio to agree to let him direct the film.  Burt got William to write the sequel and also had Hal doing the stunts again.

Hal Needham’s luck didn’t change on this film as he was hurt again on a stunt at the end of the final chase scene.  The truck that Gator (Hal doubling for Burt) gets thrown from flips over and it broke Hal’s back in the process.  He was a very good stunt man, by all accounts, but this does make sense why he turned to directing in the subsequent years.

Great films, both of them are a lot of fun to watch.  Check out our new Book, 100 Years of the Best Movie Stunts!Screen Shot 2015-09-19 at 8.23.28 PM