I would venture to say that the best screwball comedy of all time would be the film, What’s Up, Doc? with Barbra Streisand and Ryan O’Neal, directed by Peter Bogdanovich.
With Guardians of the Galaxy Vol. 2 coming out soon, I thought it would be a good idea to list my favorite top 15 Kurt Russell movies. He’s definitely one of my favorite actors and has so many good roles over the years.
15 – Used Cars (1980)
Now leading up to the release of this film, Kurt Russell was a Disney name. My brother and I were 10 years old when this film was released and Kurt was our favorite Disney actor, so of course, my Mom took her twins to see Used Cars as soon as it came out…only to walk out of the theatre halfway through, shocked…she never realized it was rated R. Definitely not a Disney film. I have seen it since as an adult, and I can appreciate the film now, but back then, not so much. I am glad that he did this film early on as he had to break the Disney mold somehow, otherwise he would have never done some of his later great films as an adult. This film was shot in and around Mesa and Scottsdale, Arizona, and we moved there when we turned 15 years later and recognized many of the locations. The film was directed by Robert Zemeckis and executive produced by Steven Spielberg. The movie is about the owner (Jack Warden) of a struggling used car lot, who is killed. His hot-shot car salesman (Kurt Russell), wanting to keep the car lot going and to save his job, steps in to save the property from falling into the hands of the owner’s ruthless brother and used-car rival.
14 – Elvis (1979)
Shot the year before by director, John Carpenter, Elvis would be the first pairing for the director and Kurt Russell. They would go on to make four more movies together. Kurt Russell made his initial film debut in It Happened at the World’s Fair (1963) which starred Elvis Presley. According to Russell, Presley was 27 years old when he did “…World’s Fair” and Russell was 27 years old when he did this film.
13 – The Computer Wore Tennis Shoes (1969)
This is part of the series of films Kurt Russell did for Walt Disney, playing a character named Dexter Riley, which my brother and I love. I’ll just mention this one as the first and best one, but they are all fun family films. They include Now You See Him, Now You Don’t (1972), The Strongest Man in the World (1975), and we’ll throw in The Barefoot Executive (1971), because he pretty much plays the same character in that one too. Kurt Russell’s co-star in these was Joe Flynn, a very under-rated character actor that is hilarious in all of these movies. Joe Flynn played Dean Higgins of Medfield College, where student Dexter Riley goes to school. The name of the educational institution, “Medfield College” is also the setting featured in other Disney films such as this movie’s sequels Now You See Him, Now You Don’t and The Strongest Man in the World as well as the earlier The Absent Minded Professor (1961) and its sequel Son of Flubber (1963) where Professor Brainard (Fred MacMurray) teaches science.
Side note – these 4 films were written by Joseph McEveety, who also wrote Disney’s Superdad (1973), No Deposit, No Return (1976), and Hot Lead and Cold Feet (1978). He’s the brother of directors Bernard McEveety and Vincent McEveety, who would go on to direct for Disney, the films; The Bears and I (1974), Napoleon and Samantha (1972), One Little Indian (1973), and Donovan’s Kid (1979) for Bernard and Menace on the Mountain (1970), The Million Dollar Duck (1971), The Biscuit Eater (1972), Charley and the Angel (1973), Superdad, The Castaway Cowboy (1974), The Strongest Man in the World, Treasure of Matecumbe (1976), Gus (1976), The Ghost of Cypress Swamp (1977), Herbie Goes to Monte Carlo (1977), The Apple Dumpling Gang Rides Again (1979), The Watcher in the Woods (1980) and Herbie Goes Bananas (1980) for Vincent. These 3 brothers were very effective at driving a lot of the Disney films in the 1970’s.
12 – The Art of the Steal (2013)
A little known film about Crunch Calhoun, a semi-reformed art thief, who agrees to get his old gang back together to pull off one last heist. Kurt Russell plays Crunch. This is a great heist film with some fun twists, written and directed by Jonathan Sobol. Cool cast includes Matt Dillion, who I think is an under-utilized actor. He should be in more movies than he is.
11 – Follow Me, Boys! (1966)
This is a fantastic movie and simply the best film ever done that features the Boy Scouts. It’s about Lem Siddons, who is part of a traveling band who has a dream of becoming a lawyer. Deciding to settle down, he finds a job as a stockboy in the general store of a small town. Trying to fit in, he volunteers to become scoutmaster of the newly formed Troop 1. Becoming more and more involved with the scout troop, he finds his plans to become a lawyer being put on the back burner, until he realizes that his life has been fulfilled helping the youth of the small town. Kurt Russell plays a boy that Lem reaches out to help and the main boy in the movie. It was Kurt’s first movie for Disney and it established him for the next 12 years in the studio. He would go on to star in 9 more Disney movies as well as numerous Disney TV shows.
10 – Breakdown (1997)
This movie was Taken, before Liam Neeson came around. Not really but technically the same story, but with his wife instead of daughter. Kurt Russell has starred with J.T. Walsh three times before, in Tequila Sunrise (1988), Backdraft (1991), and Executive Decision (1996). Kurt Russell has killed J.T. Walsh twice in a movie. In Tequila Sunrise he shoots him. In this film, he throws him off the bridge, and Amy puts the truck in neutral, causing the truck to land on him.
9 – Executive Decision (1996)
When terrorists seize control of an airliner, an intelligence analyst accompanies a commando unit for a midair boarding operation. The real surprise in this movie happens about 20 minutes into the film when Steven Seagal, who you think is going to be a major character, dies. It was the first time in a movie, where Steven Seagal’s character gets killed. It would happen again in Machete (2010). Kurt enjoyed the script as soon as he read it. He said later, “When I read Executive Decision, it was a real page-turner. I read scripts for the stories more than I do for the characters. I’ve read lots of characters I’d like to play, but I didn’t enjoy the movie itself that much. I liked the fun of Executive Decision, you know, I feel when an audience sees my name attached to a film, they think it’ll probably be a pretty good movie. The movies I do, if we make them well, will be fun to watch. They may not be the best movie of the year, and I may not be your favorite actor, but people come up to me all the time and say, “I like the movies you do”.
8 – Escape From New York (1981)
This movie has an incredibly unique premise; in 1997, when the U.S. president crashes into Manhattan, now a giant maximum security prison, a convicted bank robber is sent in to rescue him. That man of course is Snake Plissken (Kurt Russell). He reprises the role again in Escape From LA, but that movie is really cheesy. I mostly like cheese, but that sequel is too much at times. Kurt Russell has stated that this (the first one) is his favorite of all his films, and Snake Plissken is his favorite of his characters. Snake Plissken’s eyepatch was suggested by Kurt. Clint Eastwood was considered for the role of Snake Plissken. Kurt based his performance on Eastwood, in his westerns. The line “I thought you were dead” was probably borrowed from Big Jake (1971). Every time John Wayne tells someone his name, the standard response is “I thought you were dead.” Which would mean that parts of this film were inspired by two legendary western stars, or their films; John Wayne and Clint Eastwood. Snake, being based on Clint, has the added irony that Eastwood and Lee Van Cleef were in several “spaghetti westerns” together, who also stars in this movie.
7 – Stargate (1994)
An interstellar teleportation device, found in Egypt, leads to a planet with humans resembling ancient Egyptians who worship the god Ra. In a magazine interview, James Spader said that he found the original screenplay “awful” but also that it was so bad it actually intrigued him. He then met with Roland Emmerich, was inspired by the director’s passion for the project, and decided to make the movie because he felt the energy and craziness of making such a film would translate into an exciting final film.
6 – Backdraft (1991)
Ron Howard directed film about two Chicago firefighter brothers, who don’t get along, who have to work together while a dangerous arsonist is on the loose. Kurt Russell, Kevin Casey, Scott Glenn, and William Baldwin did a lot of their own stunts, and the Stunt Coordinator Walter Scott was so impressed by their performances, that he credited them as stunt performers in the credits. William and Kurt went to a firefighter “boot camp” to learn the ropes. They even slept at a Chicago firehouse for about a month. Ron Howard described Kurt’s approach was “aggressive, but entertaining, and totally honest.” Kurt was originally considered for the lead role of Connor Macleod in Highlander (1986), which was written by the same writer of this film.
5 – Overboard (1997)
A cruel but beautiful heiress screws over a hired carpenter, who later is the first one to find her when she gets amnesia. Looking for a little revenge he convinces her that she’s his wife. Great romantic comedy by Garry Marshall and also starring Goldie Hawn, Kurt’s real life love. As of 2017, this is the third and last of three movies that real-life couple Goldie and Kurt appeared in together as co-stars. Their earlier collaborations were Swing Shift (1984) and The One and Only, Genuine, Original Family Band (1968). Looking back on the film, Garry Marshall thinks that it’s “still one of the funniest pictures I ever made,” he said later.
4 – Big Trouble in Little China (1986)
An All-American trucker, Jack Burton, gets dragged into a centuries-old mystical battle in Chinatown. Kurt Russell confessed on the DVD commentary that he was afraid of starring in the movie, because he had made a string of movies that flopped at the box-office. When he asked John Carpenter about it, he told Kurt that it didn’t matter to him – he just wanted to make the movie with him. It did flop at the box office initially, but became a huge hit on video and DVD years later. Now it’s considered a cult classic. John and Kurt explain on the audio commentary that the first test screening was so overwhelmingly positive, that both of them expected it to be a big hit after they made it. However, 20th Century Fox put little into promoting the movie, and it ended up being a box-office bomb. According to John and Kurt in the DVD commentary, the story was originally written as a western, but Carpenter decided to set it during modern times. They even mention that instead of Jack Burton’s truck being stolen, it was originally his horse. Kurt Russell turned down the lead role of Connor MacLeod in Highlander to appear in this film. Both movies were made and released by 20th Century Fox. An interesting side note, in the scene where Kurt is attempting to infiltrate the brothel, he is wearing the same outfit that he wore in Used Cars.
3 – Tango and Cash (1989)
The original idea for this film was to get Rambo and the Terminator together for a buddy cop film. They couldn’t get Arnold Schwarzenegger back then so it became a Rambo and Snake Plissken film. Not really, but it had Sylvester Stallone and Kurt Russell, two action stars in one movie. Kurt was originally considered and offered the role of Martin Riggs in Lethal Weapon (1987), but he turned it down, and it went to Mel Gibson, with whom he worked on Tequila Sunrise. His character in this film is loosely based on Martin Riggs in Lethal Weapon.
It’s the finest horror film ever made and is about a research facility in Antarctica that comes across an alien force that can become anything it touches with 100% accuracy. The members must now find out who’s human and who’s not before it’s too late. John Carpenter has stated that of all his films, this is also his personal favorite. John Carpenter’s film is a much more faithful adaptation of John W. Campbell, Jr.’s original novella “Who Goes There?” than The Thing from Another World (1951). For example, the 1951 version introduced female characters including a “love interest” for the hero. This film, like the original story, has no roles for women. Also, the use of a hot needle, to check the blood of the characters to see if they were still human or not, was taken directly from the original novella, and was not used in the 1951 movie. When the crew are all discussing what the alien spacecraft might be, one of them explains it by saying “Chariots of the Gods.” This is a reference to the famous 1968 book by Swiss-German author Erich von Däniken entitled “Chariots of the Gods?” which hypothesized that many of the world’s great historical monuments, such as the Egyptian Pyramids, were built with the aid of technologies and religion provided by extra-terrestrial beings, who were treated as deities by ancient peoples.
It’s the best film you can find about Wyatt Earp and Doc Holliday and the fight at the OK Corral. Unbelievable cast with Kurt, Val, Bill Paxton, Sam Elliott, Powers Booth, Stephen Lang, Thomas Haden Church, Dana Delaney, Charlton Heston, and Michael Biehn. In an interview with True West magazine in October 2006, Kurt admit that after original director Kevin Jarre was fired, he directed a majority of the picture. According to Russell, George P. Cosmatos served merely to make things run smoothly. Also, in the True West interview, Kurt stated that the film was nearly cast with Richard Gere as Wyatt Earp, and Willem Dafoe as Doc Holliday.
Madeline Kahn’s first role was as the dowdy fiancee to Ryan O’Neal’s professor in Peter Bogdanovich’s What’s Up, Doc? and she steals the movie right out from under him and the film’s star Barbra Steisand. In defense of Barbra, she has stated in interviews that she didn’t get the comedy…but it’s obvious that Madeline did, because she nailed it. I talk about that film here. It’s no surprise that she would become a star in her own right and a permanent fixture over the next 20 years with the biggest comedy filmmakers, like Mel Brooks, Gene Wilder, Burt Reynolds and Neil Simon.
Her next follow-up film was again for Peter Bogdanovich and Ryan O’Neal in Paper Moon. She would go up for an Oscar nomination, but in that film, 9 year old, Tatum O’Neal, Ryan’s real-life daughter steals the show and walks away with the Academy Award, to boot. Madeline is good as always. She soon found more comedians to work with when she did Blazing Saddles the very next year with Mel Brooks and Gene Wilder. They really loved her and would spent the next ten years casting her in Young Frankenstein, The Adventures of Sherlock Holmes Smarter Brother, High Anxiety, and History of the World, Part 1.
Burt Reynolds would work with her the year after that for the first time in Peter Bogdanovich’s At Long Last Love, which was a musical. It played to Madeline’s strengths as she was an Operatically trained singer. The film failed at the box office, however, I believe because no one wanted to see Burt sing, although he does it well. She would work again with Burt in City Heat along with Clint Eastwood. Neil Simon would work with her for the first time in 1978 in The Cheap Detective, with Peter Falk. Madeline Kahn’s Mrs. Montenegro character is a spoof of Mary Astor’s Brigid O’Shaughnessy in The Maltese Falcon. She would do another Neil Simon years later for London Suite in 1996. The third of Neil Simon’s “Suite” movies, the others being Plaza Suite (1971) (remade as Plaza Suite (1987)) and California Suite (1978). It’s the fourth made of Simon’s “Suite” movies counting the TV remake.
Now all of these films of hers are worth watching, but my favorite of hers is the movie Clue, which came out in 1985. If you haven’t seen this movie based on the board game, it’s fantastic. The cast is amazing and was given some leeway in improvising some of their dialogue. An example of this is Madeline Kahn’s improvising of “flames, flames…” which is just brilliant. It’s been said that the cast of great comedians loved working together on that film and it’s no wonder that Madeline is a favorite of everyones. Many directors, writers, actors and filmmakers would recast her time and time again. She was that good. She’s definitely missed.
[fliiby]https://flii.by/file/fpsa9cotxhr/[/fliiby] A successful screen pairing usually last for 3 or 4 films. Some of the really great pairings did 15 or more films together, but most of these were comedy teams, not just actors who would come together every so often and do a film together. Actors who did this that come to mind is Jack Lemmon and Walter Matthau, who did 10 movies together and Amy Poehler and Tina Fey, who’ve done 4 movies together so far. It’s unheard of that Terence Hill and Bud Spencer performed in 18 films together over their lifetimes! My brother wrote a great post on comedy teams here.
They appeared together in a movie for the first time in 1967 for God Forgives…I Don’t. The movie has many of the elements that made them a popular pairing over the years, being a spaghetti western and having them “buddy” up, but it wasn’t until they were featured in a comedy that they really became popular worldwide. This is, however, identified as a trilogy, as Terence Hill and Bud Spencer play the same characters Cat Stevens and Hutch Bessy again in Ace High (1968) and Boot Hill (1969) all directed by Guiseppi Colizzi. He would direct them one more time for the 1972 film, All The Way Boys, but it is not a western, but it’s a comedy and is considered a “Trinity” film.
You may be wondering what that means…it’s important to note that after awhile all the films they did together would be classified under one word, “Trinity”, to denote that the actors appeared together in a film, but was not necessarily a western. It could have been modern day, or in the past, but was always action, and mostly comedy. It became almost a genre of it’s own, their genre. It refers to their most popular film which came out in 1970, They Call Me Trinity, and really had all of the elements in place by then…comedy, action, fighting, buddy-buddy, some kind of clever con…it was all there. Billed as E.B. Clucher, the movie was directed by Enzo Barboni who has helmed a number of Terence Hill and Bud Spencer comedy collaborations. They are: They Call Me Trinity (1970), Trinity Is STILL My Name! (1971), Go For It! (1983), Crime Busters (1977) and Double Trouble (1984).
They did the movie Blackie the Pirate (1971) the same year they made the sequel Trinity is Still My Name!. By then the Trinity movie was a huge hit and they went back into production on the new one. While on the set they improvised a bit and started to play with the set and made up a few scenes on the spot. This would be a technique that Jackie Chan would utilize in many of his movies from the 80’s and 90’s and Hill and Spencer would continue with in their future films. You can see all of these things and how their fight scenes and comedy are used in very similar ways. In 1974 they released, Watch Out, We’re Mad and The Two Missionaries. Their next film, Crimebusters (1976) was the first movie that my brother and I saw and we loved them instantly. We went home within a short time caught up on all their movies. Little did we know back then that we would eventually work with a star from that movie, David Huddleston in our first film, Reveille and later in our movie, Locker 13. David Huddleston would also star in Go For It (1983). In 2004, when we first worked with him, he told us he was still very good friends with Terence Hill and Bud Spencer.
[fliiby]https://flii.by/file/c2mvr036e5v/[/fliiby] About this time, Hill and Spencer teamed up with a director also famous for spaghetti westerns to make a few of the modern day – non-western Trinty films. The director was Sergio Corbucci and the films were Trinity: Gambling For High Stakes (Odds and Evens) (1978) and Who Finds a Friend, Finds a Treasure (1981). To make things a little confusing, Sergio’s brother, Bruno Corbucci, also made several movies with Hill and Spencer and directed his last one Miami Cops in 1985. To make the connection between Hill-Spencer and Jackie Chan and “brothers” even closer, the film they made in 1984 Double Trouble and the film Chan made in 1992, Twin Dragons are very similar. They both feature all 3 of the actors playing a set of twins that get mixed up with another twin. One set of twins in both films are even musicians. Now over the years, Bud Spencer and Terence Hill felt a lot like brothers. In their last film together, they played brothers again in Troublemakers (The Night Before Christmas) in 1984, directed by Terence Hill himself.
For those of you that don’t know who George Sanders is, you’ve seen or heard him on a lot of great movies from the 30’s to the 60’s, most recognizable as the voice of Shere Kahn the Tiger in Disney’s The Jungle Book(1967) (who hasn’t seen that movie?) but I loved him over the years in the thriller film series of The Saint and later for the Falcon series (taken over by his brother Tom Conway), as well as the movies; Rebecca (1940), All About Eve(1950), and Ivanhoe (1952).
He was a fascinating and complex man, but the strangest story about him is that he planned his death decades before he died. In 1937 George Sanders told David Niven that he would commit suicide when he got older. Stranger things have been told in confidence, but I’m sure David never gave it much thought. Sure enough, though, some 35 years later he made good on his statement.
He was found dead in a hotel in Barcelona, Spain in 1972, having overdosed on 5 vials of Nembutal. He left a suicide note saying, “Dear World, I am leaving because I am bored. I feel I have lived long enough. I am leaving you with your worries in this sweet cesspool. Good luck.”.
He was a very interesting man and wrote an autobiography titled, “The Memoirs of a Professional Cad” and a very good friend of his (actor Brian Aherne) wrote another book about him called, “A Dreadful Man” (in jest). Both books are great fun and show what a truly witty and interesting person he was. I also find it interesting that he wrote a mystery novel as well, starring him “Crime on my Hands“. Another mystery reported to have been written by him, but ghost written by Leigh Brackett was published later but starred Michael Vickers and called “Stranger at Home”. It was done, just to take advantage of his popularity, much like they do nowadays with Bestselling authors like Clive Cussler and James Patterson.
Here is the list for the Best Movie Stunts for the Decade 1970-1979 as listed in the book, 100 Years of the Best Movie Stunts!
1970 – They Call Me Trinity
The Spaghetti Western and Spaghetti Western Comedies were starting to come into their own and a string of “Trinity” films starring Terence Hill and Bud Spencer would arise. They became worldwide stars and did all their own fighting in their films. These are great fun![fliiby]https://flii.by/file/fpsa9cotxhr/[/fliiby]
1971 – The Big Boss
Bruce Lee would become a bonafide sensation after his first film and there really was no one quite like him. He had the skills and a way about him that everyone after him tried to copy. Martial Arts got it’s very own movie genre after this.
1972 – The Poseidon Adventure
Another new genre, would be this sub-category inside the action genre, that became the disaster film. This one has a very good fall into a ballroom skylight done by a non-stuntman at the time, Ernie Orsatti. He would go on to become a stuntman after this, he found he had a knack for it.[fliiby]https://flii.by/file/bz58ysivo4q/[/fliiby]
1973 – Live and Let Die
James Bond would appear this decade a record 4 times! This is the first on the list with a speedboat jump over land by Jerry Comeaux of 110 feet, which made it into the Guinness Book of World Records.
1974 – The Man With The Golden Gun
This one had a great car jump stunt that is a breath-taking, “I can’t believe I saw that” …mathematical stunt devised by Raymond McHenry at Cornell University and performed by Bumps Willard.
1975 – The Man Who Would Be King
Joe Powell would perform a jump from a rope bridge between two ravines 100 feet into a pile of boxes that would lead legendary Director John Huston to say, ” That’s the damnest stunt I’ve ever seen.”
1976 – Gator
This would be the start of a great collaboration between Hal Needham and Burt Reynolds. Hal Needham would body double Burt in this film and there’s a nifty car flip at the end of the movie with Hal in the truck bed.
1977 – The Spy Who Loved Me
This is a bond film with one of the most extensive pre-credit sequences than all the previous films and right before they go to the opening song and credits, they have a fantastic ski-stunt by Rick Sylvester right off a mountain and then slowly fall until finally has a parachute open. Really great opening.
1978 – Hooper
Hal Needham directed Burt Reynolds this time in a movie inspired by and about stuntmen! Can’t name just one stunt to highlight in this film as it’s just chocked full of them, but if I had to, A. J. Bakunas has a world record breaking jump from a helicopter into an airbag (232 feet!).
1979 – Moonraker
BJ Worth and Jake Lombard fight over a parachute in this Bond entry and it’s fun to watch. I would definitely include all the camera men who had to jump and film the sequence which included 88 jumps over all.
Check out our new Book, 100 Years of the Best Movie Stunts!
These are two of my favorite films of all time, and the saddest thing is that no-one seems to know about them! I mention them to people and no-one has ever watched the films. They’ve been overlooked and forgotten over time.
Peter Bogdanovich, being a huge film fan, loved the screwball comedies of old. A very good example of this type of film is Bringing Up Baby (1938) which has 5 main elements that make for a very successful screwball comedy; Cary Grant, the bumbling absentminded professor type, Katherine Hepburn, the smart crafty and manipulative woman that wants the Cary Grant character to fall in love with her at all costs, the object the Cary Grant character is after, in this case, a dinosaur bone, this is where number four comes in, the giant mix-up (helps to have a dog and leopard for this) and then last is very fast dialogue.
This formula has been repeated multiple times since and soon after developed it’s own genre within comedy, the screwball. I would argue that this wasn’t the first screwball comedy, Twentieth Century (1934) may have been first, but I’m not entirely sure if all the elements were in place. I will give credit to figuring out the formula to Howard Hawks, who really seemed to be great at putting together the right elements, just think about how he changed the Hildy Johnson role in the play The Front Page into a woman (Hildebrand turned into Hildegard) instead of a man and turned it into another fantastic film, His Girl Friday (1940) as an example of truly how good he was at it. I’m giving credit to the term screwball comedy due to the fact that to even be considered to be a so-called “screwball comedy” director Howard Hawks thought there couldn’t be any “normal” people in the movie, and that everyone had to be a “screwball.”
Now, let me take the opportunity to say that these elements are my opinion, but to me, seemed to be the five elements that make for a successful screwball comedy. If a screwball comedy is missing one of these items, it can still be a screwball but will be less successful.
All these elements are in What’s Up, Doc? and it’s no surprise that the title even includes “up” in both movies. The bumbling absent-minded professor is Ryan O’Neal,Barbra Streisand is the smart crafty manipulative woman, the object Ryan is after is a suitcase full of igneous rocks, the mix-up includes 3 other identical suitcases that include secret documents, diamonds, or just plain clothes, and finally it also has the incredibly fast dialogue.
As a side note, Barbra Streisand has gone on record to say she didn’t get this movie at all and thought the comedy wouldn’t work, she said she never knew what was really going on. She said recently, “I was just a hired actress on that film. Just following orders.” Which is truly a shame, because I think she was brilliant in this movie and really is a natural at comedy! Her instincts are dead on and she could have had a huge career in the comedy genre, but since she always felt a little awkward in the genre, concentrated on drama and thus we only have her in a handful of comedies. I think she could have rivaled Lucille Ball at comedy if she would have decided to go that way early on in her career. Not to say it hurt her at all, she’s a fantastic dramatic actor as well, I just wish we had more comedies from her.
It’s interesting to me that Katherine Hepburn had a similar experience on her film, Bringing Up Baby. She initially was so bad at comedy it drove Howard Hawkes crazy. They brought several people in to help her with her comedic timing, including Walter Catlett and even silent film comedian Harold Lloyd. She was a very fast learner, although, and Howard Hawks grew to respect Katharine Hepburn tremendously for her comic timing, ad-libbing skills and physical control. He would tell the press, “She has an amazing body – like a boxer. It’s hard for her to make a wrong turn. She’s always in perfect balance. She has that beautiful coordination that allows you to stop and make a turn and never fall off balance. This gives her an amazing sense of timing. I’ve never seen a girl that had that odd rhythm and control.”
As for Ryan O’Neal, his character being inspired by the stuffy professor played by Cary Grant in Bringing Up Baby, Ryan O’Neal had a chance to meet and speak with Grant. They had a great time talking, but the only advice he received in shooting the movie was to wear silk underpants. Both Grant’s and O’Neal’s characters were visually modeled after the silent film comedian Harold Lloyd. Another interesting note is Christopher Reeve based his performance as Clark Kent in four “Superman” movies on Cary Grant’s “David Huxley” from Bringing Up Baby, so you can make an argument that Clark Kent is also Harold Lloyd.
The final chase scene, an idea they had because of the one from the then recent movie Bullitt (1968) which was also filmed in San Francisco, cost $1 million to shoot (a quarter of the total budget), 19 days to shoot requiring 32 stuntmen resulting in 11 minutes of screen time. The segment with the giant pane of glass alone took four or five days to film. The plate glass bit was filmed at the junction of Balboa and 23rd Avenue in San Francisco’s Richmond District.
The fender bender Judy causes as she crosses the street to the Bristol Hotel was added on the spur of the moment. When no stunt cars were available, Peter Bogdanovich instructed a crew member to rent two cars and make sure he got collision insurance. Then he staged the wreck before returning the battered cars. If you see the moment in the film, it’s actually really scary to think how close they could have come to hitting Barbra, if they were just off by a few seconds.
This film has been given recognition as the first American film to have the stunt people listed in the credits at the end of the movie (the first film over all to have done this is the British movie, Moonraker). I’m not sure if this is entirely correct, as the stunt people over the years have just been given different credits as actors or such, but as for the actual “Stunts” credit, this may be true.
Now for the initial releases of these movies, Bringing Up Baby, was an unmitigated flop, going so far as to have Katherine Hepburn branded “Box Office Poison” the next year, but has since gained a following and made it’s money back. It’s now considered by many to be Howard Hawk’s best film. What’s Up, Doc? itself, was incredibly successful the year it was released, coming in third to The Godfather and The Poseidon Adventure, but sadly has been virtually forgotten over time.
In the 70’s there was a new type of film genre to emerge, called the Disaster film or Survival film. The Poseidon Adventure was not the first, that being Airport, but it was, for many, the best. Irwin Allen gave audiences exactly what they were looking for with this fantastic thriller.
The actors performed all their stunts except for the very dangerous stunts and still there was more than 125 stunt performers on this film. The scene in which the character of “Terry” falls from a table and crashes into the ballroom skylight has since become an iconic cinematic shock moment. Actor Ernie Orsatti was asked by the filmmakers to perform the fall himself, and despite his reluctance, he went on to become a renowned stunt man.
One of the things that makes this film so indelible to many people who watch it is that the characters all take action in overwhelming odds to save themselves. In Airport, the passengers don’t do anything and in the Towering Inferno, all the people just wait for the firefighters to save them. Well, come to think of it, the few who did wander off to save themselves all ended up dying. But anyway, I think it really caught on with audiences because we see these characters really struggling to survive. I also think that’s why Titanic became the biggest blockbuster of all time, as this scenario is played out.[fliiby]https://flii.by/file/bz58ysivo4q/[/fliiby]
The Poseidon Adventure is directed by Ronald Neame and Irwin Allen for 20th Century Fox and stars Gene Hackman, Ernest Borgnine, Stella Stevens, Jack Albertson, Pamela Sue Martin, Roddy McDowell, Shelley Winters and Red Buttons.
Things to look up (go to IMDB ):
Irwin Allen
The Poseidon Adventure
Ronald Neame
Ernie Orsatti
Glossary of film terms as defined by the Wikipedia: The survival film is a film genre in which one or more characters make an effort at physical survival. It often overlaps with other film genres. It is a sub-genre of the adventure film, along with swashbuckler films, war films, and safari films. Survival films are darker than most other adventure films which usually star a single hero. The films tend to be “located primarily in a contemporary context” so film audiences are familiar with the setting, meaning the characters’ activities are less romanticized.
Thomas Sobchack compared the survival film to romance: “They both emphasize the heroic triumph over obstacles which threaten social order and the reaffirmation of predominant social values such as fair play and respect for merit and cooperation.” The author said survival films “identify and isolate a microcosm of society”, such as the surviving group from the plane crash in The Flight of the Phoenix (1965) or those on the overturned ocean liner in The Poseidon Adventure (1972). Sobchack explained, “Most of the time in a survival film is spent depicting the process whereby the group, cut off from the securities and certainties of the ordinary support networks of civilized life, forms itself into a functioning, effective unit.” The group often varies in types of characters, sometimes to the point of caricature. While women have historically been stereotyped in such films, they “often play a decisive role in the success or failure of the group”.[fliiby]https://flii.by/file/klfs4u637ye/[/fliiby]
Check out our new Book, 100 Years of the Best Movie Stunts!
When sneaking past security to infiltrate a bad guy’s fortified compound, my mode of covert subterfuge would have to be the often underused yet effective…walk through the front door disguised as the telephone repairman ruse.
It consists of the following:
Thick black-rimmed glasses
Goofy smile
An air of indifference to whatever evil plot is seen or overheard while in the presence of said bad guys, while pretending to fix a fully functional telephone receiver
Helpful prop would be a tool belt while holding at the bear minimum, a few handy telephones, in best case scenarios, a nifty screwdriver
No telephone ID’s needed, as the best infiltrators can just talk their way through security
A good example would be Bruce Lee in The Chinese Connection (Fist of Fury) 1972. You can see the scenes in this clip, starting at 2:09.
An effective use of the disguise can also be seen by Kurt Russell in Big Trouble in Little China, 1986, twice when he infiltrates the brothel and later with telephone in hand at the lair of the bad guy, Lo Pan.
